О премии

Премия Лос-Анджелес Таймс (Los Angeles Times Book Prize) присуждается с 1980 года и выделяет наиболее яркие литературные произведения в богато представленной палитре номинаций.

Каждый лауреат получает Диплом и 1000 долларов. Традиционно премия вручается на ежегодном книжном фестивале Los Angeles Times.

Номинации

Художественная литература
Fiction
Детектив / Триллер
Mystery / Thriller

Номинация учреждена в 2000 году.

Молодежная литература
Young adult literature

Номинация появилась в 1998 году.

История
History
Биография
Biography
Графический роман
Graphic Novel

Номинация учреждена в 2009 году.

Премия Роберта Кирша
The Robert Kirsch Award

Премия вручается живому автору, имеющему существенные связи с американским Западом. Названа в честь Роберта Кирша, книжного критика Los Angeles Times с 1952 года до своей смерти в 1980 году, чьей идеей было учреждение книжных премий.

Нынешний интерес
Current interest
Премия Кристофера Ишервуда за автобиографическую прозу
The Christopher Isherwood Prize for Autobiographical Prose

Номинация учреждена в 2016 году.

Поэзия
Poetry
Наука и технология
Science and technology

Номинация появилась в 1989 году.

Особая премия Рэя Брэдбери
Ray Bradbury award for best fiction

Премия вручается за лучшие фантастические произведения. Присуждается с 2019 года.

Инноватор
Innovator’s Award

Номинация появилась в 2009 году.

Премия Арта Сейденбаума за первую художественную книгу
The Art Seidenbaum Award for First Fiction

Номинация учреждена в 1991 году, через год после смерти Арта Сейденбаум - основателя программы книжной премии.

Номинируются работы, опубликованные на английском языке в течение последнего года. Допускаются произведения, переведенные с других языков на английский.

Художественная литература
Эд Парк 0.0
A wild, sweeping novel that imagines an alternate secret history of Korea and the traces it leaves on the present—loaded with assassins and mad poets, RPGs and slasher films, K-pop bands and the perils of social media.
Детектив / Триллер
Айви Клэр Похода 0.0
No Country for Old Men meets Killing Eve in this gritty, feminist Western thriller from the award-winning author of These Women.

Florence "Florida" Baum is not the hapless innocent she claims to be when she arrives at the Arizona women's prison―or so her ex-cellmate, Diosmary Sandoval, keeps insinuating.

Dios knows the truth about Florida's crimes, understands the truth that Florence hides even from herself: that she wasn't a victim of circumstance, an unlucky bystander misled by a bad man. Dios knows that darkness lives in women too, despite the world's refusal to see it. And she is determined to open Florida's eyes and unleash her true self.

When an unexpected reprieve gives both women their freedom, Dios's fixation on Florida turns into a dangerous obsession, and a deadly cat-and-mouse chase ensues from Arizona to the desolate streets of Los Angeles.

With blistering, incisive prose, the award-winning author Ivy Pochoda delivers a razor-sharp Western. Gripping and immersive, Sing Her Down is a spellbinding thriller setting two indelible women on a path to certain destruction and an epic, stunning showdown.
Молодежная литература
Эмбер Макбрайд 0.0
In the future, a Black girl known only as Inmate Eleven is kept confined -- to be used as a biological match for the president's son, should he fall ill. She is called a Blue -- the color of sadness. She lives in a small-small room with her dog, who is going wolf more often – he’s pacing and imagining he’s free. Inmate Eleven wants to go wolf too―she wants to know why she feels so Blue and what is beyond her small-small room.

In the present, Imogen lives outside of Washington DC. The pandemic has distanced her from everyone but her mother and her therapist. Imogen has intense phobias and nightmares of confinement. Her two older brothers used to help her, but now she’s on her own, until a college student helps her see the difference between being Blue and sad, and Black and empowered.

In this symphony of a novel, award-winning author Amber McBride lays bare the fears of being young and Black in America, and empowers readers to remember their voices and stories are important, especially when they feel the need to go wolf.
История
Joya Chatterji 0.0
'A classic ... wonderfully enjoyable' WILLIAM DALRYMPLE'The story of South Asia told with verve, wit and brilliance' ANURADHA ROYBased on decades of scholarship, this is the authoritative history of South Asia in the 20th centuryShadows at Noon tells the subcontinent's story from the British Raj through independence and partition to the forging of the modern nations of India, Pakistan and Bangladesh. Unlike other histories of the region which concentrate exclusively on politics, here food, leisure and the household are given as much importance as nationhood, migration and the state.Thematic rather than chronological, each chapter illuminates an overarching topic that has shaped South Asia. This format enables us to explore issues - like the changing character of the family or the 'Indian diet' - over time and in depth.Chatterji's purpose is to make contemporary South Asia - its cultural vibrancy, diversity, social structures and political make-up - intelligible to everyone. In so doing this bold, innovative and personal work rallies against standard narratives of 'inherent' differences between India, Pakistan and Bangladesh and reveals the many things its people have in common.'Truly magnificent' MIHIR BOSE'Wonderful' SIR MARK TULLY
Биография
Gregg Hecimovich 0.0
Named a Most Anticipated Title Associated Press, Los Angeles Times, and the Washington Post! A groundbreaking study of the first Black female novelist and her life as an enslaved woman, from the biographer who solved the mystery of her identity, with a forward by Henry Louis Gates Jr. In 1857, a woman escaped enslavement on a North Carolina plantation and fled to a farm in New York. In hiding, she worked on a manuscript that would make her famous long after her death. The novel, The Bondwoman’s Narrative , was first published in 2002 to great acclaim, but the author’s identity remained unknown. Over a decade later, Professor Gregg Hecimovich unraveled the mystery of the author’s name and, in The Life and Times of Hannah Crafts , he finally tells her story. In this remarkable biography, Hecimovich identifies the novelist as Hannah Bond “Crafts.” She was not only the first known Black woman to compose a novel but also an extraordinarily gifted artist who honed her literary skills in direct opposition to a system designed to deny her every measure of humanity. After escaping to New York, the author forged a new identity—as Hannah Crafts—to make sense of a life fractured by slavery. Hecimovich establishes the case for authorship of The Bondwoman’s Narrative by examining the lives of Hannah Crafts’s friends and contemporaries, including the five enslaved women whose experiences form part of her narrative. By drawing on the lives of those she knew in slavery, Crafts summoned into her fiction people otherwise stolen from history. At once a detective story, a literary chase, and a cultural history, The Life and Times of Hannah Crafts discovers a tale of love, friendship, betrayal, and violence set against the backdrop of America’s slide into Civil War.
Графический роман
Эмили Кэрролл 4.0
In Emily Carroll's haunting adult graphic novel horror story A Guest in the House , a young woman marries a kind dentist only to realize that there’s a dark mystery surrounding his former wife’s death.

After many lonely years, Abby’s just gotten married. She met her new husband―a recently widowed dentist―when he arrived in town with his young daughter, seeking a new start. Although it’s strange living in the shadow of her predecessor, Abby does her best to be a good wife and mother. But the more she learns about her new husband’s first wife, the more things don’t add up. And Abby starts to wonder . . . was Sheila’s death really by natural causes? As Abby sinks deeper into confusion, Sheila’s memory seems to become a force all its own, ensnaring Abby in a mystery that leaves her obsessed, fascinated, and desperately in love for the first time in her life.

Emily's masterful balance of black and white, surreal colors, rich textures, and dramatic lettering is assured to bring this story to life and give readers a chill up their spine as they read.
Нынешний интерес
Roxanna Asgarian 2.0
The shocking, deeply reported story of a murder-suicide that claimed the lives of six children—and a searing indictment of the American foster care system.

On March 26, 2018, rescue workers discovered a crumpled SUV and the bodies of two women and several children at the bottom of a cliff beside the Pacific Coast Highway. Investigators soon concluded that the crash was a murder-suicide, but there was more to the story: Jennifer and Sarah Hart, it turned out, were a white married couple who had adopted the six Black children from two different Texas families in 2006 and 2008. Behind the family's loving facade, however, was a pattern of abuse and neglect that went ignored as the couple withdrew the children from school and moved across the country. It soon became apparent that the State of Texas knew very little about the two individuals to whom it had given custody of six children—with fateful consequences.

In the manner of Adrian Nicole LeBlanc's Random Family and other classic works of investigative journalism, Roxanna Asgarian’s We Were Once a Family is a revelation of vulnerable lives; it is also a shattering exposé of the foster care and adoption systems that produced this tragedy. As a journalist in Houston, Asgarian became the first reporter to put the children’s birth families at the center of the story. We follow the author as she runs up against the intransigence of a state agency that removes tens of thousands of kids from homes each year in the name of child welfare, while often failing to consider alternatives. Her reporting uncovers persistent racial biases and corruption as children of color are separated from birth parents without proper cause. The result is a riveting narrative and a deeply reported indictment of a system that continues to fail America’s most vulnerable children while upending the lives of their families.
Премия Кристофера Ишервуда за ав...
Claire Dederer 4.5
In this unflinching, deeply personal book that expands on her instantly viral Paris Review essay, What Do We Do with the Art of Monstrous Men? Claire Dederer asks: Can we love the work of Hemingway, Polanski, Naipaul, Miles Davis, or Picasso? Should we love it? Does genius deserve special dispensation? Is male monstrosity the same as female monstrosity? Does art have a mandate to depict the darker elements of the psyche? And what happens if the artist stares too long into the abyss? She explores the audience's relationship with artists from Woody Allen to Michael Jackson, asking: How do we balance our undeniable sense of moral outrage with our equally undeniable love of the work? In a more troubling vein, she wonders if an artist needs to be a monster in order to create something great. And if an artist is also a mother, does one identity inexorably, and fatally, interrupt the other? Highly topical, morally wise, honest to the core, Monsters is certain to incite a conversation about whether and how we can separate artists from their art.
Поэзия
Airea Dee Matthews 0.0
“Discerning and significant.” — Poetry Foundation
“A sharp memoir in verse.” — LitHub

This powerful and timely collection of autobiographical poems from Yale Young Poets Award Winner and Philadelphia’s former Poet Laureate Airea D. Matthews about the economics of class is a brilliant intellectual and artistic contribution to the ongoing conversation about American inequality.

As a former student of economics, Airea D. Matthews was fascinated and disturbed by 18th-century Scottish economist Adam Smith’s magnum opus The Wealth of Nations. Now, she presents a direct challenge to Smith’s theory of the invisible hand, which claims self-interest is the key to optimal economic outcomes. By juxtaposing redacted texts by Smith and the French Marxist Guy Debord with autobiographical prose and poems, Bread and Circus personally offers how self-interest fails when it reduces people to commodity and spectacle.

A layered collection to be read and reread, with poems that range from tragic to humorous, in forms as varied and nuanced as the ideas the book considers, Bread and Circus asks what it is to have survived, indeed to have flourished, and at what cost. “Full of humane wisdom, this powerful volume forces readers to acknowledge systemic inequity” ( Publishers Weekly , starred review) and is ideal for fans of Elizabeth Alexander, Natalie Diaz, Eve Ewing, and Gregory Pardlo.
Наука и технология
Юджиния Ченг 0.0
One of the world’s most creative mathematicians offers a new way to look at math—focusing on questions, not answers

Where do we learn math: From rules in a textbook? From logic and deduction? Not really, according to mathematician Eugenia Cheng: we learn it from human curiosity—most importantly, from asking questions. This may come as a surprise to those who think that math is about finding the one right answer, or those who were told that the “dumb” question they asked just proved they were bad at math. But Cheng shows why people who ask questions like “Why does 1 + 1 = 2?” are at the very heart of the search for mathematical truth.

Is Math Real? is a much-needed repudiation of the rigid ways we’re taught to do math, and a celebration of the true, curious spirit of the discipline. Written with intelligence and passion, Is Math Real? brings us math as we’ve never seen it before, revealing how profound insights can emerge from seemingly unlikely sources.  
Особая премия Рэя Брэдбери
Tananarive Due 4.5
A gripping, page-turning novel set in Jim Crow Florida that follows Robert Stephens Jr. as he’s sent to a segregated reform school that is a chamber of terrors where he sees the horrors of racism and injustice, for the living, and the dead.

Gracetown, Florida
June 1950

Twelve-year-old Robbie Stephens, Jr., is sentenced to six months at the Gracetown School for Boys, a reformatory, for kicking the son of the largest landowner in town in defense of his older sister, Gloria. So begins Robbie’s journey further into the terrors of the Jim Crow South and the very real horror of the school they call The Reformatory.

Robbie has a talent for seeing ghosts, or haints. But what was once a comfort to him after the loss of his mother has become a window to the truth of what happens at the reformatory. Boys forced to work to remediate their so-called crimes have gone missing, but the haints Robbie sees hint at worse things. Through his friends Redbone and Blue, Robbie is learning not just the rules but how to survive. Meanwhile, Gloria is rallying every family member and connection in Florida to find a way to get Robbie out before it’s too late.

The Reformatory is a haunting work of historical fiction written as only American Book Award–winning author Tananarive Due could, by piecing together the life of the relative her family never spoke of and bringing his tragedy and those of so many others at the infamous Dozier School for Boys to the light in this riveting novel.
Премия Арта Сейденбаума за перву...
Shannon Sanders 0.0
A richly detailed, brilliantly woven debut collection about the lives and lore of one Black family


Shannon Sanders’s sparkling debut brings us into the company of the Collins family and their acquaintances as they meet, bicker, compete, celebrate, worry, keep and reveal secrets, build lives and careers, and endure. Moving from Atlantic City to New York to DC, from the 1960’s to the 2000’s, from law students to drag performers to violinists to matriarchs, Company tells a multifaceted, multigenerational saga in thirteen stories.

Each piece in Company includes a moment when a guest arrives at someone’s home. In “The Good, Good Men,” two brothers reunite to oust a “deadbeat” boyfriend from their mother’s house. In “The Everest Society,” the brothers’ sister anxiously prepares for a home visit from a social worker before adopting a child. In “Birds of Paradise,” their aunt, newly promoted to university provost, navigates a minefield of microaggressions at her own welcome party. And in the haunting title story, the provost’s sister finds her solitary life disrupted when her late sister’s daughter comes calling.
These are stories about intimacy, societial and familial obligations, and the ways inheritances shape our fates. Buoyant, somber, sharp, and affectionate, this collection announces a remarkable new voice in fiction.

Кураторы