Вручение 2023 г.
Страна: США
Дата проведения: 2023 г.
Премия в области американской исторической художественной литературы
Лауреат
Сюзанна Мур
0.0
Drawn partly from a true story, a searing, totally immersive novel about a devastating Native American revolt, and a woman caught in the middle of the conflict.
In the summer of 1855, Sarah Brinton abandons her husband and child to make the long and difficult journey to Minnesota, where she will meet a childhood friend. Arriving at a small frontier post on the edge of the prairie, she discovers that her friend has died of cholera. Without work or money or friends, she quickly finds a husband who will become the resident physician at an Indian agency on the Yellow Medicine River. As one of the earliest settlers in the area, Sarah anticipates unease and hardship, but instead finds acceptance and kinship with the Sioux women who live on the nearby reservation. She learns to speak their language, nourishing a companionship with them which far exceeds that which she shares with her strange and distant husband.
An endless flow of White settlers are clearing the forests and claiming land. The government has yet to pay the Sioux the annuities awarded them each July for the sale of the land, and starvation and disease begin to decimate the Sioux community. What inevitably and tragically follows is the Sioux Uprising of 1862. While seeking safety at a nearby fort, Sarah and her two young children are abducted by Sioux warriors. They are unexpectedly kept safe by one of the men, who protects them until their rescue six weeks later by federal troops. Because of her sympathy for the Sioux, Sarah has become an outcast, falsely accused of marriage with her Native American captor. Vilified by the whites and despised by her husband, she is lost to both worlds.
Intimate, raw, compelling, and brilliantly subversive, Susanna Moore explores the history of Native American suffering and the rapacious settlement of the Western frontier.
Мэри Кей Зуравлефф
0.0
A woman growing up in a family of Russian immigrants in the 1910s seeks a thoroughly American life. Yelena is the first American born to her Old Believer Russian Orthodox parents, who are building a life in a Pennsylvania Appalachian town. This town, in the first decades of the 20th century, is filled with Russian transplants and a new church with a dome. Here, boys quit grade school for the coal mines and girls are married off at fourteen. The young pair up, give birth to more babies than they can feed, and make shaky starts in their new world. However, Yelena craves a different path. Will she find her happy American ending or will a dreaded Russian ending be her fate? In this immersive novel, Zuravleff weaves Russian fairy tales and fables into a family saga within the storied American landscape. The challenges facing immigrants—and the fragility of citizenship—are just as unsettling and surprising today as they were 100 years ago. American Ending is a poignant reminder that everything that is happening in America has already happened.
Премия в области американской юридической истории или биографии
Лауреат
Дилан К. Пеннингрот
0.0
The familiar story of civil rights goes something like this: Once, the American legal system was dominated by racist officials who shut Black people out and refused to recognize their basic human dignity. Then, starting in the 1940s, a few brave lawyers ventured south, bent on changing the law—and soon, everyday African Americans joined with them to launch the Civil Rights Movement. In Before the Movement, historian Dylan C. Penningroth overturns this story, demonstrating that Black people had long exercised “the rights of everyday use,” and that this lesser-known private-law tradition paved the way for the modern vision of civil rights. Well-versed in the law, Black people had used it to their advantage for nearly a century to shape how they worked, worshiped, learned, and loved. Based on long-forgotten sources found in the basements of county courthouses, Before the Movement recovers a vision of Black life allied with, yet distinct from, “the freedom struggle.”
