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The Booker-shortlisted author of Umbrella writes his most American novel yet—a brilliant portrait of a 1950s housewife, based on the life of the author’s mother, and an exploration of sexual freedom and sublimated desire, set between the dining halls of Cornell University and the raucous parties of midcentury New York City

Will Self is one of the most inimitable contemporary writers in the English language, dubbed “the most daring and delightful novelist of his generation” by The Guardian. In this brilliantly conceived new novel Self turns his forensic eye and technicolor imagination to the troubled life of his mother, Elaine.

Standing by the mailbox in Ithaca, New York, Elaine thinks of her child and husband, an Ivy League academic, inside her house and wonders...is this it? As she begins to push back against the strictures of her life in 1950s America, she undertakes a disastrous affair that ends her marriage and upends her life. Based on the intimate diaries Will Self's mother kept for over forty years, Elaine is a writer's attempt to reach the almost unimaginable realm of a parent's interior life prior to his own existence. Perhaps the first work of auto-oedipal fiction, Elaine shows Self working in an exciting new dimension, utilizing his stylistic talents to tremendous effect.

For the four characters at the heart of Will Self's brilliantly acute novel of our times the five hundred-quid worry bead in their pocket may be both a blessing and a curse. For elderly Dr Zachary Busner it is a mysterious object - 'NO CALLER ID - How should this be interpreted? Is it that the caller is devoid of an identity due to some psychological or physical trauma?' - but also it's his life line to his autistic grandson Ben, whose own connection with technology is, in turn, a vital one.
For Jonathan De'Ath , aka 'the Butcher', MI6 agent, the phone may reveal his best kept secret of all: that Colonel Gawain Thomas, husband, father, and highly-trained tank commander - is Jonathan 's long time lover.
And when technology, love and violence finally converge in the wreckage of postwar Iraq, the Colonel and the Spy's dalliance will determine the destiny of nations.
Uniting our most urgent contemporary concerns: from the ubiquitous mobile phone to a family in chaos; from the horror of modern war, to the end of privacy, Phone is Will Self's most important and compelling novel to date.

The Book of Dave is Booker-shortlisted author Will Self's dazzling sixth novel
What if a demented London cabbie called Dave Rudman wrote a book to his estranged son to give him some fatherly advice? What if that book was buried in Hampstead and hundreds of years later, when rising sea levels have put London underwater, spawned a religion? What if one man decided to question life according to Dave? And what if Dave had indeed made a mistake?
Shuttling between the recent past and a far-off future where England is terribly altered, The Book of Dave is a strange and troubling mirror held up to our times: disturbing, satirizing and vilifying who and what we think we are. At once a meditation upon the nature of received religion, a love story, a caustic satire of contemporary urban life and a historical detective story set in the far future - this compulsive novel will be enjoyed by readers everywhere, including fans of Martin Amis and Anthony Burgess's A Clockwork Orange.

Will's mother's hokey homily, Waste not, want not... hisses in his ears as he oscillates furiously on the spot, havering on the threshold between the bedroom and the dying one... all the while cradling the plastic leech of the syringe in the crook of his arm. Oscillating furiously, and, as he'd presses the plunger home a touch more... and more, he hears it again and again: Waaaste nooot, waaant nooot..! whooshing into and out of him, while the blackness wells up a

An intense and anarchic memoir of addiction from one of Britain's most original writers.
Will's mother's hokey homily, Waste not, want not . . . hisses in his ears as he oscillates furiously on the spot, havering on the threshold between the bedroom and the dying one . . .all the while cradling the plastic leech of the syringe in the crook of his arm. Oscillating furiously, and, as he'd presses the plunger home a touch more . .

Will's mother's hokey homily, Waste not, want not... hisses in his ears as he oscillates furiously on the spot, havering on the threshold between the bedroom and the dying one... all the while cradling the plastic leech of the syringe in the crook of his arm. Oscillating furiously, and, as he'd presses the plunger home a touch more... and more, he hears it again and again: Waaaste nooot, waaant nooot..! whooshing into and out of him, while the blackness wells up at the periphery of his vision, and his hackneyed heart begins to beat out weirdly arrhythmic drum fills - even hitting the occasional rim-shot on his resonating rib cage. He waits, paralysed, acutely conscious, that were he simply to press his thumb right home, it'll be a cartoonish death: That's all folks! as the aperture screws shut forever.

Published to rave reviews in the United Kingdom, "Phone" tells the story of two men: Zack Busner and Jonathan De’Ath. Busner is a psychiatrist who has made his name through his unorthodox treatment of psychological damage, such as giving the controversial drug L-DOPA to patients ravaged by encephalitis, or administering LSD to World War II PTSD-sufferers. But now Busner’s own mind is fraying: Alzheimer’s is shredding his memory and his newest possession is a shiny smartphone given to him by his introverted grandson Ben. Meanwhile, Jonathan De’Ath, aka “the Butcher,” is an MI6 man who remains a mystery even to those closest to him, be it his washed-up old university lecturer father, his jumbling-bumbling mother, his hippy-dippy brothers, his spooky colleagues or multitudinous lovers. All of De’Ath’s acquaintances apply the “Butcher” epithet to him, and perhaps there is only one person who thinks of him with tenderness, a man he keeps top secret, encrypted in the databanks of his steely mind: Colonel Gawain Thomas, husband, father, highly-trained tank commander, and Jonathan De’Ath’s long-time lover. As Busner’s mind totters and Jonathan and Gawain’s affair teeters, they come to face the interconnectedness of all lives, online and off, while an irritating phone continues to ring… ring… ring…

Provocateurs Will Self and Ralph Steadman join forces in this post-millennial meditation on the vexed relationship between psyche and place in a globalised world, bringing together for the first time the very best of their 'Psychogeography' columns for the Independent.
The introduction, 'Walking to New York', is both a prelude to the verbal and visual essays that make up this extraordinary collaboration, and

For half a century Audrey Death has been in a state of semi-consciousness. Severed from the world of the living after falling victim to Encephalitis lethargica, she has languished in Friern Barnet Mental Hospital. Then, in 1971, maverick psychiatrist Dr Zack Busner arrives. Audrey's experiences of a bygone Edwardian London: her socialist lover, her involvement with the Suffragists, and her work in a munitions factory during the First World War, alternate with Dr Busner's attempts to bring her back to life with a new and powerful drug. His investigations lead to revelations that are both shocking and tragic, and which will return to haunt him decades later.

Shark

May 4th, 1970. A week earlier President Nixon has ordered American ground forces into Cambodia to pursue the Vietcong. By the end of the day four students will be shot dead by the National Guards in the grounds of Kent State University. On the other side of the Atlantic, it's a brilliant sunny morning after an April of heavy rain, and at the "Concept House" therapeutic community he has set up in the London suburb of Willesden, maverick psychiatrist Dr Zack Busner has been tricked into joining a decidedly ill advised LSD trip with several of its disturbed residents. Five years later, sitting in a nearby cinema watching Steven Spielberg's Jaws, Busner realizes the true nature of the events that transpired on that dread-soaked day, when a survivor of the worst disaster in the US Navy's history - the sinking of the USS Indianapolis - came face-to-face with the British Royal Air Force observer on the Enola Gay's mission to bomb Hiroshima.

Set a year before the action of his Booker-shortlisted Umbrella, Will Self's new novel Shark continues its exploration of the complex relationship between human psychopathology and human technological progress; and like Umbrella, weaves together multiple narratives across several decades of the twentieth century to produce a fiendish tapestry depicting the state we're trapped in.

SHORTLISTED FOR THE MAN BOOKER PRIZE 2012. For half a century Audrey Death has been in a state of semi-consciousness. Severed from the world of the living after falling victim to Encephalitis lethargica, she has languished in Friern Barnet Mental Hospital. Then, in 1971, maverick psychiatrist Dr Zack Busner arrives. Audrey's experiences of a bygone Edwardian London: her socialist lover, her involvement with the Suffragists, and her work in a munitions factory during the First World War, alternate with Dr Busner's attempts to bring her back to life with a new and powerful drug. His investigations lead to revelations that are both shocking and tragic, and which will return to haunt him decades later.

In these culturally straitened times few writers would have the artistic effrontery to offer us a novel as daring, exuberant and richly dense as Umbrella. Will Self has carried the Modernist challenge into the twenty-first century, and worked a wonder John Banville Umbrella is his best book yet ... It makes new for today the lessons taught by the morals of Catch 22, Slaughterhouse Five, The Tin Drum, also Marquez's Chronicle of a Death Foretold Alasdair Gray Umbrella is old-school modernism. It isn't supposed to be a breeze. But it is, to use the literary critical term of art, kind of amazing ... I think this may be Will Self's best book -- Sam Leith Observer This is by far Will Self's best novel; clever, intense, ambitious and risky. It is a novel so arch that it bends over backwards, joining together its own extremities of kindness and indifference, with and banality, of forgetting and remembering, love and loathing, first page, last page -- Tom Adair Scotsman An astonishing achievement, a novel of exhilarating linguistic invention and high moral seriousness. Certainly, he deserves to win the prize; but more significantly, this is a novel which will be read and re-read, as much for its emotional weight as its technical virtuosity ... With this book he reveals himself as the most determinedly and delightfully literary novelist of his generation -- Stuart Kelly Scotland on Sunday There are echoes of Joyce and Eliot, but also of Flaubert ... there is also a great deal of humour -- Brian Dillon New Statesman One cannot help recalling Joyce ... Umbrella is a magnificent celebration of modernist prose, an epic account of the first world war, a frightening investigation into the pathology of mental illness ... Self's ambition and talent have produced something of real cultural significance ... Umbrella must be recognised as, above all, a virtuoso triumph of emotional and creative intelligence -- Stig Abell, Spectator Extraordinary -- Sheena Joughin Sunday Telegraph

When Simon Dykes wakes one morning, he discovers that his girlfriend has turned into a chimpanzee. And, to his horror, so has the rest of humanity. His bizarre delusion that he is "human" brings Simon to the attention of eminent psychologist (and chimp), Dr Zack Busner. For, with this fascinating case, Busner thinks he may finally make his reputation as a truly great ape.

Un recueil de nouvelles qui nous prouve que le désespoir absolu n’est pas incompatible avec l’humour et l’autodérision.Traduit de l’anglais (Royaume-Uni) par Francis Kerline.Fonctionnant en réseau, les trois « novellas » qui composent ce livre auscultent la maladie mentale, trouble individuel, mais surtout psychose collective. On croise ainsi Will Self, ou plutôt ses doubles fictifs, obsédés par le nanisme, en proie à des hallucinations et arpentant les rues de Los Angeles afin de découvrir « qui a tué le cinéma ». Salman Rushdie, Bret Easton Ellis, Orson Welles et quelques scientologues célèbres font aussi une apparition dans ces contes de la folie peu ordinaire qui revisitent les grands classiques de l’imaginaire hollywoodien comme le film noir ou la théorie du complot. Au-delà de la satire et d’une irrésistible fantaisie, Will Self rend surtout hommage à son maître, J.G. Ballard, en interrogeant la place de chacun dans une modernité au bord du précipice.

When artist Simon Dykes wakes after a late night of routine debauchery, he discovers that his world has changed beyond recognition. His girlfriend, Sarah, has turned into a chimpanzee. And, to Simon's appalled surprise, so has the rest of humanity. Simon, under the bizarre delusion that he is 'human', is confined to an emergency psychiatric ward. There he becomes of considerable interest to eminent psychologist and chimp, Dr Zack Busner. For with this fascinating case, Busner thinks may finally make his reputation as a truly great ape.

Carol, the heroine of Cock, is extremely dissatisfied with her married life. Realisation that her husband Dan is not the man for her has come too late and insult follows injury as Dan's drinking problem gives way to an obsessive fervour for Alcoholics Anonymous. One evening while Dan is out, Carol discovers something entirely unexpected about herself that leads her into rather twisted and distinctly uncharted waters ...
On the flip side, there is Bull. John Bull is a man's man. A rugby player, a drinker. He's also about to wake up to something of an anatomical surprise, a surprise that his doctor seems to be much more interested in than is entirely proper ...

Will Self is the author of four collections of short stories (the first of which, The Quantity Theory of Insanity, won the 1992 Geoffrey Faber Memorial Award), five novels (of which How the Dead Live was shortlisted for the Whitbread Novel of the Year in 2002), and four non-fiction works. He is a regular broadcaster on television and radio and as a journalist a contributor to a plethora of publications. He lives in London with his wife and four c

Thrust into the seedy underworld of hack reporters and Soho drinking dens, young Richard Hermes is skidding down a cocaine slope of self-destruction in pursuit of the impossibly beautiful socialite-cum-columnist Ursula Bentley. But between Richard and his object of desire stands his omnipresent nemesis, the lubricious Bell, doyen of late night radio shows, provider of drugs and gossip, and ringmaster of the Sealink Club.
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