Наташа Третевей — новинки

ONE OF BARACK OBAMA'S BEST BOOKS OF 2020
AN INSTANT NEW YORK TIMES BESTSELLER
A NEW YORK TIMES BOOK OF THE YEAR
WINNER OF THE ANISFIELD-WOLF BOOK AWARD
SHORTLISTED FOR THE 2021 CARNEGIE MEDAL IN NON-FICTION
At age nineteen, Natasha Trethewey had her world turned upside down when her former stepfather shot and

Natasha Trethewey was born in Mississippi in the 60s to a black mother and a white father. When she was six, Natasha's parents divorced, and she and her mother moved to Atlanta. There, her mother met the man who would become her second husband, and Natasha's stepfather.
While she was still a child, Natasha decided that she would not tell her mother about what her stepfather did when she was not there: the quiet bullying and control, the games of cat and

A chillingly personal and exquisitely wrought memoir of a daughter reckoning with the brutal murder of her mother at the hands of her former stepfather, and the moving, intimate story of a poet coming into her own in the wake of a tragedy

At age nineteen, Natasha Trethewey had her world turned upside down when her former stepfather shot and killed her mother. Grieving and still new to adulthood, she confronted the twin pulls of life and death in the aftermath of unimaginable trauma and now explores the way this experience lastingly shaped the artist she became.

With penetrating insight and a searing voice that moves from the wrenching to the elegiac, Pulitzer Prize–winning poet Natasha Trethewey explores this profound experience of pain, loss, and grief as an entry point into understanding the tragic course of her mother’s life and the way her own life has been shaped by a legacy of fierce love and resilience. Moving through her mother’s history in the deeply segregated South and through her own girlhood as a “child of miscegenation” in Mississippi, Trethewey plumbs her sense of dislocation and displacement in the lead-up to the harrowing crime that took place on Memorial Drive in Atlanta in 1985.

Memorial Drive is a compelling and searching look at a shared human experience of sudden loss and absence but also a piercing glimpse at the enduring ripple effects of white racism and domestic abuse. Animated by unforgettable prose and inflected by a poet’s attention to language, this is a luminous, urgent, and visceral memoir from one of our most important contemporary writers and thinkers.

Longlisted for the 2018 National Book Award for Poetry

“[Trethewey’s poems] dig beneath the surface of history—personal or communal, from childhood or from a century ago—to explore the human struggles that we all face.” —James H. Billington, 13th Librarian of Congress

Layering joy and urgent defiance—against physical and cultural erasure, against white supremacy whether intangible or graven in stone—Trethewey’s work gives pedestal and witness to unsung icons. Monument, Trethewey’s first retrospective, draws together verse that delineates the stories of working class African American women, a mixed-race prostitute, one of the first black Civil War regiments, mestizo and mulatto figures in Casta paintings, Gulf coast victims of Katrina. Through the collection, inlaid and inextricable, winds the poet’s own family history of trauma and loss, resilience and love.

In this setting, each section, each poem drawn from an “opus of classics both elegant and necessary,”* weaves and interlocks with those that come before and those that follow. As a whole, Monument casts new light on the trauma of our national wounds, our shared history. This is a poet’s remarkable labor to source evidence, persistence, and strength from the past in order to change the very foundation of the vocabulary we use to speak about race, gender, and our collective future.

*Academy of American Poets’ chancellor Marilyn Nelson

The stunning follow-up volume to her 2007 Pulitzer Prize–winning Native Guard, by America’s new Poet Laureate

Natasha Trethewey’s poems are at once deeply personal and historical—exploring her own interracial and complicated roots—and utterly American, connecting them to ours. The daughter of a black mother and white father, a student of history and of the Deep South, she is inspired by everything from colonial paintings of mulattos and mestizos to the stories of people forgotten by history. Meditations on captivity, knowledge, and inheritance permeate Thrall, as she reflects on a series of small estrangements from her poet father and comes to an understanding of how, as father and daughter, they are part of the ongoing history of race in America.

Thrall confirms not only that Natasha Trethewey is one of our most gifted and necessary poets but that she is also one of our most brilliant and fearless.

Through elegiac verse that honors her mother and tells of her own fraught childhood, Natasha Trethewey confronts the racial legacy of her native Deep South -- where one of the first black regiments, the Louisiana Native Guards, was called into service during the Civil War. Trethewey's resonant and beguiling collection is a haunting conversation between personal experience and national history.

Winner of the 2001 Mississippi Institute of Arts and Letters Award

In this widely celebrated debut collection of poems, Natasha Trethewey draws moving domestic portraits of families, past and present, caught in the act of earning a living and managing their households. Small moments taken from a labor-filled day--and rendered here in graceful and readable verse--reveal the equally hard emotional work of memory and forgetting, the extraordinary difficulty of trying to live with or without someone.