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Book DescriptionNineteen acoustic greats specially transcribed and arranged for guitar tablature and standard notation. Complete with lyrics.

Bob Dylan Revisited

A beautiful, comprehensive volume of Dylan's lyrics, from the beginning of his career through the present day--with the songwriter's edits to dozens of songs, appearing here for the first time. Bob Dylan is one of the most important songwriters of our time, responsible for modern classics such as "Like a Rolling Stone," "Mr. Tambourine Man," and "The Times They Are a-Changin'." The Lyrics is a comprehensive and definitive collection of Dylan's most recent writing as well as the early works that are such an essential part of the canon. Well known for changing the lyrics to even his best-loved songs, Dylan has edited dozens of songs for this volume, making The Lyrics a must-read for everyone from fanatics to casual fans.

“I’d come from a long ways off and had started a long ways down. But now destiny was about to manifest itself. I felt like it was looking right at me and nobody else.”

So writes Bob Dylan in Chronicles: Volume One, his remarkable book exploring critical junctures in his life and career. Through Dylan’s eyes and open mind, we see Greenwich Village, circa 1961, when he first arrives in Manhattan. Dylan’s New York is a magical city of possibilities—smoky, nightlong parties; literary awakenings; transient loves and unbreakable friendships. Elegiac observations are punctuated by jabs of memories, penetrating and tough. With the book’s side trips to New Orleans, Woodstock, Minnesota, and points west, Chronicles: Volume One is an intimate and intensely personal recollection of extraordinary times.

By turns revealing, poetical, passionate, and witty, Chronicles: Volume One is a mesmerizing window on Bob Dylan’s thoughts and influences. Dylan’s voice is distinctively American: generous of spirit, engaged, fanciful, and rhythmic. Utilizing his unparalleled gifts of storytelling and the exquisite expressiveness that are the hallmarks of his music, Bob Dylan turns Chronicles: Volume One into a poignant reflection on life, and the people and places that helped shape the man and the art.

For the first time, a comprehensive, definitive collection of lyrics of music legend and poet Bob Dylan. A major publishing event - a beautiful, comprehensive collection of the lyrics of Bob Dylan with artwork from thirty-three albums. As it was well put by Al Kooper (the man behind the organ on 'Like a Rolling Stone'), 'Bob is the equivalent of William Shakespeare.
What Shakespeare did in his time, Bob does in his time.' Chris

May you build a ladder to the stars And climb on every rung May you stay forever young Since he first released his self-titled debut in 1962, Bob Dylan has been one of the most celebrated artists of our time. And perhaps nowhere is he more affecting than in his 1974 hit, Forever Young. It's an antem to youth, to doing the right thing, to cherishing the spirit of being young. Re-imagined by award-winning illustrator, Paul Rogers, the lyrics tell the story of a young boy who travels through his li

Якби не ти…
Блукав би я без мети.
Якби не ти…
Сумні писав би листи.
Якби не ти…
Я не знав би, куди мені йти
У цій зворушливій інтерпретації пісні Боба Дилана 1970 року «Якби не ти» («If Not For You») художник-ілюстратор Дейвід Вокер змальовує Дилановими слова

БОБ ДИЛАН - ЖИВОЕ ВОПЛОЩЕНИЕ ЛЕГЕНДЫ. НОБЕЛЕВСКИЙ ЛАУРЕАТ НОВОГО ВРЕМЕНИ!
ЭТО НЕ ЛИТЕРАТУРА, ЭТО НЕЧТО БОЛЬШЕЕ - МГНОВЕНИЕ ЧУЖОЙ ЖИЗНИ ИЛИ... УКУС ТАРАНТУЛА

"Wenn du so ein Buch schreibst, musst du die Wahrheit sagen." (Bob Dylan)
Die Autobiographie des Literaturnobelpreistr?gers 2016!
Bob Dylan r?umt auf mit den Mythen und Legenden, die sich um sein Leben und Werk ranken, und erz?hlt seine Geschichte selbst. Wie er Anfang der sechziger Jahre nach New York kam, wo seine Karriere in den Folkclubs begann. Wie er zur Zeit der gro?en Unruhen in Amerika um seine k?nstlerische Identit?t k?mpfen und seine Familie vor der ?ffentlichkeit sch?tzen musste. Wie ihm ein alter Jazzs?nger 1987 half, eine gro?e musikalische Krise zu ?berwinden. Er blickt auf seine Kindheit zur?ck und schreibt leidenschaftlich ?ber seine Musik, auch ?ber die Einfl?sse, die ihn gepr?gt haben, von Woody Guthrie bis hin zur «Dreigroschenoper».
(Chronicles. Volume 2 und 3 sind bis dato nicht erschienen.)

Written in 1966, ‘Tarantula’ is a collection of poems and prose that evokes the turbulence of the times in which it was written, and gives a unique insight into Dylan’s creative evolution.
‘The good samaritan coming in with the words “round & round we go” tattoed on his cheek / he tells the senator to stop insulting the lawyer.’
‘Tarantula’ captures Bob Dylan’s preoccupations at a crucial juncture in his artistic development, showcasing the antic imagination of a folk poet laureate who was able to combine the humanity and compassion of his country roots with the playful surrealism of modern art. Angry, funny and strange, the poems and prose in this collection reflect the concerns we find in Dylan’s most seminal music: a sense of protest, a verbal playfulness and spontaneity, and a belief in the artistic legitimacy of chronicling everyday life and eccentricity on the street.
‘Tarantula’ never made its publication date in Autumn 1966. To the delays added by Dylan’s constant revisions was added the greater complication of his motorcyle accident – which left him with still undisclosed injuries and kept the book from publication until 1971. In the interim, it became a cult phenomenon, with ‘bookleg’ editions photocopied from reviewer proofs circulating throughout the musical and literary demi-mondes. Reissued to coincide with the paperback release of ‘Chronicles Volume 1’, ‘Tarantula’ will finally find the wider audience it deserves.

Dylan, who began working on the book in 2010, offers his extraordinary insight into the nature of popular music. He writes over sixty essays focusing on songs by other artists, spanning from Stephen Foster to Elvis Costello, and in between ranging from Hank Williams to Nina Simone. He analyzes what he calls the trap of easy rhymes, breaks down how the addition of a single syllable can diminish a song, and even explains how bluegrass relates to heavy metal. These essays are written in Dylan’s unique prose. They are mysterious and mercurial, poignant and profound, and often laugh-out-loud funny. And while they are ostensibly about music, they are really meditations and reflections on the human condition. Running throughout the book are nearly 150 carefully curated photos as well as a series of dream-like riffs that, taken together, resemble an epic poem and add to the work’s transcendence.

In 2020, with the release of his outstanding album Rough and Rowdy Ways, Dylan became the first artist to have an album hit the Billboard Top 40 in each decade since the 1960s. The Philosophy of Modern Song contains much of what he has learned about his craft in all those years, and like everything that Dylan does, it is a momentous artistic achievement.

The celebrated first memoir from arguably the most influential singer-songwriter in the country, Bob Dylan.
'I'd come from a long ways off and had started a long ways down. But now destiny was about to manifest itself. I felt like it was looking right at me and nobody else.'
So writes Bob Dylan in Chronicles: Volume One, his remarkable book exploring critical junctures in his life and career. Through Dylan’s eyes and open mind, we see Greenwich Village, circa 1961, when he first arrives in Manhattan. Dylan’s New York is a magical city of possibilities - smoky, nightlong parties; literary awakenings; transient loves and unbreakable friendships. Elegiac observations are punctuated by jabs of memories, penetrating and tough. With the book’s side trips to New Orleans, Woodstock, Minnesota, and points west, Chronicles: Volume One is an intimate and intensely personal recollection of extraordinary times.
By turns revealing, poetical, passionate, and witty, Chronicles: Volume One is a mesmerizing window on Bob Dylan’s thoughts and influences. Dylan’s voice is distinctively American: generous of spirit, engaged, fanciful, and rhythmic. Utilizing his unparalleled gifts of storytelling and the exquisite expressiveness that are the hallmarks of his music, Bob Dylan turns Chronicles: Volume One into a poignant reflection on life, and the people and places that helped shape the man and the art.

The Philosophy of Modern Song is Bob Dylan’s first book of new writing since 2004’s Chronicles: Volume One — and since winning the Nobel Prize in Literature in 2016.
Dylan, who began working on the book in 2010, offers his extraordinary insight into the nature of popular music. He writes over 60 essays focusing on songs by other artists, spanning from Stephen Foster to Elvis Costello, and in between ranging from Hank Williams to Nina Simone. He analyses what he calls the trap of easy rhymes, breaks down how the addition of a single syllable can diminish a song and even explains how bluegrass relates to heavy metal. These essays are written in Dylan’s unique prose. They are mysterious and mercurial, poignant and profound, and often laugh-out-loud funny. And while they are ostensibly about music, they are really meditations and reflections on the human condition. Running throughout the book are nearly 150 carefully curated photos as well as a series of dream-like riffs that, taken together, resemble an epic poem and add to the work’s transcendence.
In 2020, with the release of his outstanding album Rough and Rowdy Ways, Dylan became the first artist to have an album hit the Billboard Top 40 in each decade since the 1960s. The Philosophy of Modern Song contains much of what he has learned about his craft in all those years and, like everything that Dylan does, it is a momentous artistic achievement.