Фанни Хоу — новинки

Хенни живет в несчастливом браке в рабочем районе Бостона, воспитывает нескольких приемных детей и на первых же страницах книги запирает мужа в чулане, чтобы поговорить с Богом. Ее друзья — энтузиастка эзотерики Либби и политический активист в инвалидном кресле Льюис, ее первая любовь, — сопровождают ее по жизни; в их разговорах уживаются Ницше и Бэмби, Иоанн Креститель и Маркс, анархизм и католицизм. Вопросы расы, гендера, класса и религии в романе вспыхивают и угасают, время течет вспять, но хрупкая и неустойчивая фигурка рассказчицы, современной мученицы, связывает воедино повествование, ювелирно выстроенное Хау. «Неделимое» — нелинейный…

This odd, transcendent and triumphant novel published in 2000 completes a quasi-autobiographical, radically philosophical series of fictions Howe began with First Marriage, published in 1972. Like Howe, Henny's life spans the tempestuous multi-racial world of hipsters and activists in working-class Boston during the 60s and its subsequent fall-out.

On the verge of religious conversion, Henny, the book's narrator, locks her husband McCool in a closet so that she might talk better to God. Then she proceeds to make peace with the dead by telling their stories. Lewis, Henny's true love, is a wheelchair-bound black activist and political journalist whose working-class mother is jailed when the group's cache of explosives is found in her home. Then there's their wealthy friend Libby, who crosses the globe in search of enlightenment and spiritual peace. Guiding these characters on their journey are figures as divergent as Nietzsche and Bambi, Marx and St. John of the Cross.

As Christopher Martin writes in Rain Taxi, Henny's function as a narrator is to hoist the entire structure of the novel onto her brittle, uneven shoulders and deliver all the embarrassing facts directly to us, her reader/God -- only then do we realize the full breadth and beauty of the narrative Howe has surreptitiously constructed all along.

The new poetry collection by Fanny Howe, whose “body of work seems larger, stranger, and more permanent with each new book she publishes” (Ruth Lilly Poetry Prize citation)

People want to be poets for reasons that have little to do with language.
It’s the life of the poet that they want.
Even the glow of loneliness and humiliation.
To walk in the gutter with a bottle of wine.

Some people’s lives are more poetic than a poem,
and Francis is certainly one of these.

I know, because he walked beside me for that short time
whether you believe it or not.
—from “Outremer”

Fanny Howe’s poetry is known for its lyricism, fragmentation, experimentation, religious engagement, and commitment to social justice. In Second Childhood, the observing poet is an impersonal figure who accompanies Howe in her encounters with chance and mystery. She is not one age or the other, in one time or another. She writes, “The first question in the Catechism is: / What was humanity born for? / To be happy is the correct answer.”

Book Description A spiritually resonant and politically urgent new collection by the winner of the Lenore Marshall poetry prize My father was a soldier who was smaller than my son when he returned as a

Book DescriptionIn times of great uncertainty, the urgency of the artist's task is only surpassed by its difficulty. Ours is such a time, and rising to the challenge, novelist and poet Fanny Howe suggests new and fruitful ways of thinking about both

This odd, transcendent and triumphant novel published in 2000 completes a quasi-autobiographical, radically philosophical series of fictions Howe began with First Marriage, published in 1972. Like Howe, Henny's life spans the tempestuous multi-racial world of hipsters and activists in working-class Boston during the 60s and its subsequent fall-out.On the verge of religious conversion, Henny, the book's narrator, locks her husband McCool in a closet so that she might talk better to God. Then she proceeds to make peace with the dead by telling their stories. Lewis, Henny's true love, is a wheelchair-bound black activist and political journalist whose working-class mother is jailed when the group's cache of explosives is found in her home. Then there's their wealthy friend Libby, who crosses the globe in search of enlightenment and spiritual peace. Guiding these characters on their journey are figures as divergent as Nietzsche and Bambi, Marx and St. John of the Cross.As Christopher Martin writes in Rain Taxi, Henny's function as a narrator is to hoist the entire structure of the novel onto her brittle, uneven shoulders and deliver all the embarrassing facts directly to us, her reader/God -- only then do we realize the full breadth and beauty of the narrative Howe has surreptitiously constructed all along.Fanny Howe is the author of several works of fiction (most recently, Economics from Flood Editions) and collections of poems, including One Crossed Out and Gone. She is the winner of the 2000 Lenore Marshall Award for her Selected Poems. Her first collection of essays, The Wedding Dress, was published by UC Press in the Fall of 2003. She lives in Massachusetts but remains Professor Emeritus at UCSD in the Department of Literature.