Кэролайн Аддерсон — новинки

Short stories about disparate characters consider what it means to find happiness.

On New Year’s Eve, a pair of addicts robs a string of high-end parties in order to fund their own recovery. A recently separated woman relocates to a small northern town, where she receives a life-changing visitation, and a Russian hitman, suffering from a mysterious lung ailment, retrieves long-buried memories of his past. In the nineteenth century, a disparate group of women coalesce in the attempt to aid a young girl in her escape from a hospital for the insane. These are but some of the remarkable characters who populate these stories, all of them grappling with conflicts ranging from mundane to extraordinary. Caroline Adderson’s A Way to Be Happy considers what it means to find happiness—and how often it comes through the grace of others.

Наконец-то настал черёд Джаспера Джона Дули быть Звездой недели в школе. Но почему-то события разворачиваются не так, как он ожидал. Когда его лучший друг Ори рассказывает классу о новорождённой сестрёнке, все теряют интерес к выступлению Джаспера. С этого момента неделя становится всё хуже и хуже.
К счастью, с помощью родителей и друзей, а также молотка и гвоздей Джасперу Джону Дули удаётся исправить положение. И когда наступает пятница, он снова полон решимости стать Звездой.

When the “grownup virus” hits, kids who live in the same apartment building must cope with strange new rules and extended time at home with parents and siblings.

And they survive brilliantly, each in their own way. Twin boys throw themselves into an independent research assignment on prehistoric people and embrace their own devolution. A budding track star is encouraged to run laps on his balcony by a neighbor who has a secret crush on him. A classroom troublemaker reaches out to a teacher when his own father begins to exhibit signs of mental illness. A young entrepreneur saves himself and his hairdresser mother from financial collapse by renting out the family dog. And a girl finds a way to communicate with her hearing-impaired neighbor so that they can spy on the rest of the building.

The stories follow the course of the pandemic, from the early measures through lockdown, as the kids in the building observe the stresses on the adults around them and use their own quirky kid ingenuity to come up with ways to make their lives better. Funny, poignant and wise, this book will long outlive even the pandemic.

In this witty, compelling and genre-bending novel, a single mother navigates the loves, lusts and losses of middle age to arrive at a final, bittersweet contentment.

Ellen McGinty: sexy, impulsive, loud-mouthed, chock full of regrets. In middle age she sells the house she raised her daughters in, slips off the shell of her old life, and steps out for a first, tentative foray into real contentment--directly into the path of a man twenty years her junior. Her story explodes into multiple points of view. Through the eyes of her lover, Matt, her ex-husband, Larry, her two daughters (one a former addict), her grandson, and a friend who both supports and betrays her, we watch Ellen negotiate the middle years of her tumultuous life as the pieces of who she is finally come together. In its entirety, Ellen in Pieces explores love in its varied forms, the nature of regret (and the possibility of recovery from it), and that greatest human test, mortality.

Exquisitely written, absorbing and intelligent, this new novel by Caroline Adderson shows her at the top of her form. Ellen in Pieces is a deeply affecting story, an emotional mirror for all our lives.

Winner of the Sheila A. Egoff Children’s Literature Prize, shortlisted for the CLA Book of the Year for Children Award and the Manitoba Young Readers' Choice Award, and selected as an OLA Best Bet for 2012


At first Curtis isn't that worried when his mother doesn't come home from her all-night job at the local gas bar. She'll be back, he's ten out of ten positive. After all, she promised she would never leave him again.


Besides, Curtis is used to looking after himself and his five-year-old brother, Artie, and for a time he manages things on his own, keeping their mother's absence a secret. He knows exactly what will happen if any of the teachers find out the truth. He remembers his last horrible foster home all too clearly.


Curtis gets pretty good at forging his mother's signature, but when the credit card maxes out and the landlord starts pressuring for the rent, it's more than a twelve-year-old can handle. Just in time, Curtis and Artie make friends with Mrs. Burt, the cranky, lonely old lady who lives across the street. And when the authorities start to investigate, the boys agree to go with Mrs. Burt to her remote cabin by the lake, and the three of them abscond in her 1957 Chevy Bel Air.


At the lake, the boys' days are filled with wood-chopping, outhouse-building, fishing, swimming and Mrs. Burt's wonderful cooking. But as the summer sails by, Curtis can't stop thinking about his mother's promise.


Then the weather grows colder, and Mrs. Burt seems to be preparing to spend the winter at the cabin, and Curtis starts to worry.


Have they really all just absconded to the lake for a summer holiday? Or have the two boys been kidnapped?


Set in Vancouver and the B.C. wilderness (the trip to the cabin involves a hilarious white-knuckled road trip through Hope), this is a book that reflects Caroline Adderson's many writerly strengths -- her "wit and a facility for dialogue, good pacing and a brisk, clean prose style" (Globe and Mail), her "close observation of telling details" (Quill & Quire) and her ability to "celebrate a child's imagination in a realistically humorous way" (Canadian Materials).

It only takes a moment for your life to be changed forever—as the characters of this darkly comic novel discover early on. The fateful moment for the newlyweds Ross and Iliana comes with the freak automobile accident that leaves Iliana paralyzed, Ross grief-stricken, and both of them struggling to come to terms with a married life nothing like they originally had in mind. As the usually affable Ross struggles with guilt and with finding ways to cope with his newly fractured life, Iliana gets used to her unwelcome existence as a wheelchair-bound wife, to her husband’s growing sense of alienation, and to their awkward new lack of intimacy.

What ultimately happens with Ross and Iliana is as unexpected and surprising as the fateful mishap that sets the events in motion in the first place. Sitting Practice is a clever and insightful study of love’s collision with harsh reality, told by an author with a remarkable instinct for the workings of human nature, a nimble gift for language, and the ability to find humor in the oddest places.

Malcolm Firth is an aging hairdresser whose partner, Denis, is wasting away from memory loss. Malcolm works at a zany Vancouver hair salon where he trains Alison, a young ingenue from the suburbs, amidst a staff of eccentric urbanoid hair stylists. Their clients include a troop of old people, one of whom is a Holocaust survivor. It is this old woman who provides innocent Alison with her first glimpse into the depredations of the human race. When one of Alison's gay friends is brutally murdered by skinheads, she is soon propelled on a harrowing journey of sorrow and the getting of wisdom. Haunted by the death of her friend, she wanders the rings of a psychological and spiritual inferno, bringing the slowly dissipating Malcolm with her. Her obsession takes them to post-communist Poland where they struggle to reconstitute the past in the killing grounds of Auschwitz. How do we remember our history? Why are the same cruelties repeated through time? These are the urgent questions that underpin this powerful first novel from one of Canada's most emotionally daring young writers. Rich in its emotional ground, beautifully pitched, and written in a refined and assured prose style, A History of Forgetting is a most compelling book. Caroline Adderson is a virtuoso conjurer of the human condition. (1999)

In these ten short stories, Caroline Adderson adopts a brilliant array of perspectives ranging from that of a nineteenth-century prospector, to a chambermaid in WWI Victoria, to two long-time friends trying to sort out the eighties. The intensity of these deeply imagined stories is stunning.