Саймон Кричли - все книги по циклам и сериям | Книги по порядку

Why do we still have religion? It seems to offer nothing but violence, suppression and conflict. Discussing the relationship between religion and politics, exploring questions of faith, love, human nature and original sin, Simon Critchley asks whether we can establish a faith for the faithless and how it can manifest itself in everyday life, from the identity of love to the role of violence.

The Ethics of Deconstruction, Simon Critchley's first book, was originally published to great acclaim in 1992. The first book to argue for the ethical turn in Derrida's work, it powerfully shows how deconstruction has persuasive ethical consequences that are vital to our thinking through of questions of politics and democracy. Moving away from using deconstruction to find the contradictions inherent in any text, Critchley concerns himself with the philosophical context the ethical impetus Derrida's ethics to be understood in relation to his engagement with the work of Levinas, and lays out the details of their philosophical confrontation.

Ethics-Politics-Subjectivity

В этом коротком и увлекательном путешествии по песням одной из ярчайших мировых поп-звезд Кричли, чьи философские работы повсеместно получают хвалебные отзывы, соединил личную историю того, как Боуи озарил его скучную жизнь в южно-английском захолустье, с небольшими философскими размышлениями о том, как идеи аутентичности и идентичности преломляются у Боуи. Книга Кричли такая же провокационная и расширяющая сознание, каким был и сам музыкант.

Яркая, написанная доступным и остроумным языком книга популярного американского философа и популяризатора истории философии Саймона Кричли представляет собой сборник коротких и великолепно написанных эссе примерно о 200 мыслителях, и охватывает все основные школы мысли, начиная от классических греческих и китайских ученых и заканчивая христианскими святыми и теоретиками нынешних дней. В свойственной ему провокационной и развлекательной манере Кричли делится интересными историями как о том, что думали философы о смерти, так и о том, как именно они умирали. Приведенные им описания не ставят целью лишь развлечь нас (хотя, безусловно, им это…

The question of how to lead a happy and meaningful life has been at the heart of philosophical debate since time immemorial. Today, however, these questions seem to be addressed not by philosophers but self-help gurus, who frantically champion the individual's quest for self-expression and self-realization; the desire to become authentic. Against these new age sophistries, How to Stop Living and Start Worrying tackles the question of 'how to live' by forcing us to explore our troubling relationship with death. For Critchley, philosophy begins with the question of finitude and with his understanding of a key classical theme - that to philosophize is to learn how to die. Learning how to accept both our own and others' mortality as a part of life also raises the question of how to love. Critchley argues that the act of love requires us to give up something of ourselves, to lose control so as to be open to the demands of love. We will never be equal to this demand and so we are brought face to face with our own limitations - one form of which is what Critchley calls our 'originary inauthenticity'. By scrutinizing the very nature of humour, Critchley explores what we need to laugh at ourselves and presents the need to confront the inescapable ridiculousness of life.

Reflecting on the work of over 20 years, this book provides a unique, witty and erudite introduction to the thought of Simon Critchley. It includes a revealing biographical conversation with Critchley and a fascinating debate with the critically acclaimed novelist Tom McCarthy about the nature of authenticity. Taken together the conversations give an intimate portrait of one of the most lucid, provocative and engaging philosophers writing today.

Impossible objects are those about which the philosopher, narrowly conceived, can hardly speak: poetry, film, music, humor. Such «objects» do not rely on philosophy for interpretation and understanding; they are already independent practices and sites of sensuous meaning production. As Elvis Costello has said, «writing about music is like dancing about architecture.» We don't need literary theory in order to be riveted by the poem, nor a critic's analysis to enjoy a film. How then can philosophy speak about anything outside of itself, namely all of those things which actually matter to us in this world? In Impossible Objects, Simon Critchley – one of the most influential and insightful philosophers writing today – extends his philosophical investigation into non-philosophical territories, including discussions on tragedy, poetry, humor, and music. In a series of engaging and enlightening conversations, Critchley reflects on his early work on the ethics of deconstruction; the recurring themes of mortality and nihilism; his defense of neo-anarchism; and his recent investigation into secular faith, or «a faith of the faithless». Essential reading for artists, academics, and general readers alike, this book explores the relationship between the philosophical world and those complex and fascinating «impossible objects» which give life meaning.

Suicide is everywhere. It haunts history and current events. It haunts our own networks of friends and family. The spectre of suicide looms large, but the topic is taboo because any meaningful discussion must at the very least consider that the answer to the question - 'is life worth living?' - might not be an emphatic yes; it might even be a stern no. Through a sweeping historical overview of suicide, a moving literary survey of famous suicide notes, and a psychological analysis of himself, Simon Critchley offers us an insight into what it means to possess the all too human gift and curse of being of being able to choose life or death.

Investigation into the dangerous interdependence of politics and religion. The return to religion has perhaps become the dominant clich? of contemporary theory, which rarely offers anything more than an exaggerated echo of a political reality dominated by religious war. Somehow, the secular age seems to have been replaced by a new era, where political action flows directly from metaphysical conflict. The Faith of the Faithless asks how we might respond. Following Critchley’s Infinitely Demanding , this new book builds on its philosophical and political framework, also venturing into the questions of faith, love, religion and violence. Should we defend a version of secularism and quietly accept the slide into a form of theism—or is there another way?From Rousseau’s politics and religion to the return to St. Paul in Taubes, Agamben and Badiou, via explorations of politics and original sin in the work of Schmitt and John Gray, Critchley examines whether there can be a faith of the faithless, a belief for unbelievers. Expanding on his debate with Slavoj Žižek, Critchley concludes with a meditation on the question of violence, and the limits of non-violence.