Лора Томпсон – лучшие книги

Документальный роман о сестрах Митфорд, имя которых в середине прошлого столетия было в Англии нарицательным. Шесть сестер стали олицетворением самых разных сторон ХХ века. Выбранные сестрами Митфорд пути можно перечислить почти так же, как в детском стишке перебираются жены Генриха VIII: Писательница; Птичница; Фашистка; Нацистка; Коммунистка; Герцогиня. Можно составить мини-биографии, жонглируя наиболее поразительными фактами с ловкостью опытного циркача. Нэнси, самоучка, не умевшая расставлять знаки препинания («Не ваш конек», писал ей Ивлин Во) сделалась известной писательницей, изданные в 1940-х романы «В поисках любви» и «Любовь в холодном климате» принадлежат к популярной и любимой читателями классике. Памела, буколический птицевод с голубыми глазами (солнечные очки она всегда подбирала в тон), была воспета молодым поэтом Джоном Бетжеменом. Диана, слывшая первой красавицей в своем поколении, преспокойно приняла участь парии, бросив идеального мужа ради лидера Британского союза фашистов сэра Освальда Мосли. Юнити, зачатая в канадском городе Свастика, сделалась яростной нацисткой и близкой подругой Адольфа Гитлера. Джессика сбежала из дома с коммунистом Эсмондом Ромилли, племянником (а по слухам, сыном) Уинстона Черчилля и поселилась в рабочем районе Ротерхита. Дебора стала хозяйкой Чэтсуорт-хауса, величественной, выстроенной еще в XVII веке резиденции герцогов Девонширских, и собрала здесь выдающуюся коллекцию записей и сувениров Элвиса Пресли. Обычно за страстную идеологию хватаются разочарованные мужчины, хотя такое случается и с девушками, но при чем тут сестры Митфорд? Благополучные, защищенные от всех превратностей, только и знавшие, что скакать следом за гончими, танцевать в лучших домах Лондона, представленные ко двору. О юных мятежниках часто говорят, мол, им-то терять нечего – но уж кому было что терять, так это сестрам Митфорд. Бунтарство лишало их всего – их, нежнокожих отпрысков привилегированного класса. О том, как и почему сестры выбрали каждая свой путь – об этом книга Лоры Томпсон.

Агата Кристи. Королева детектива. Любимая писательница миллионов. Женщина, чья жизнь была окутана не меньшей тайной, чем сюжеты ее захватывающих романов. В своей увлекательной книге Лора Томпсон рассказывает об эдвардианской Англии, в которой выросла Агата Кристи, о ее друзьях, близких, мужьях и дочери, но прежде всего отвечает на многие вопросы, которые по сей день мучают биографов и поклонников писательницы.

On the night of 3 October 1922, in the quiet suburb of Ilford, Edith Thompson and her husband Percy were walking home after an evening spent at a London theatre, when a man sprang out of the darkness and stabbed Percy to death. The assailant was Frederick Bywaters, a twenty-year-old merchant seaman who had been Edith's lover. When the police learned of his relationship with Edith, she was arrested as his accomplice, despite protesting her innocence.The remarkably intense love letters Edith wrote to Freddy – some of them couched in ambiguous language – were read out at their trial for murder at the Old Bailey. They would seal her fate: Edith and Freddy were hanged for the murder of Percy Thompson in January 1923. Freddy was demonstrably guilty; but was Edith truly so?

In shattering detail and with masterful emotional insight, Laura Thompson charts the course of a liaison with thrice-fatal consequences, and investigates what the trial and execution of Edith Thompson tell us about perceptions of women in early twentieth-century Britain.

The eldest was a razor-sharp novelist of upper-class manners; the second was loved by John Betjeman; the third was a fascist who married Oswald Mosley; the fourth idolized Hitler and shot herself in the head when Britain declared war on Germany; the fifth was a member of the American Communist Party; the sixth became Duchess of Devonshire.
They were the Mitford sisters: Nancy, Pamela, Diana, Unity, Jessica and Deborah. Born into country-house privilege, they became prominent as 'bright young things' in the high society of interwar London. Then, as the shadows crept over 1930s Europe, the stark – and very public – differences in their outlooks came to symbolise the political polarities of a dangerous decade.
The intertwined stories of their lives – recounted in masterly fashion by Laura Thompson – hold up a revelatory mirror to upper-class English life before and after World War II.

Heiresses: surely they are among the luckiest women on earth. Are they not to be envied, with their private jets and Chanel wardrobes and endless funds? Yet all too often those gilded lives have been beset with trauma and despair. Before the 20th century a wife’s inheritance was the property of her husband, making her vulnerable to kidnap, forced marriages, even confinement in an asylum. And in modern times, heiresses fell victim to fortune-hunters who squandered their millions.

Heiresses tells the stories of these million dollar babies: Mary Davies, who inherited London’s most valuable real estate, and was bartered from the age of twelve; Consuelo Vanderbilt, the original American “Dollar Heiress”, forced into a loveless marriage; Barbara Hutton, the Woolworth heiress who married seven times and died almost penniless; and Patty Hearst, heiress to a newspaper fortune who was arrested for terrorism. However, there are also stories of independence and achievement: Angela Burdett-Coutts, who became one of the greatest philanthropists of Victorian England; Nancy Cunard, who lived off her mother's fortune and became a pioneer of the civil rights movement; and Daisy Fellowes, elegant linchpin of interwar high society and noted fashion editor.

Heiresses is about the lives of the rich, who—as F. Scott Fitzgerald said—are ‘different’. But it is also a bigger story about how all women fought their way to equality, and sometimes even found autonomy and fulfillment.

Shortlisted for Harper's Bazaar Book of the Year 2019 A Guardian, Spectator and Mail on Sunday Book of the Year 2018

New Statesman Laura Thompson’s grandmother Violet was one of the great landladies. Born in a London pub, she became the first woman to be given a publican’s licence in her own name and, just as pubs defined her life, she seemed in many ways to embody their essence. Laura spent part of her childhood in Violet’s Home Counties establishment, mesmerised by her gift for cultivating the mix of cosiness and glamour that defined the pub’s atmosphere, making it a unique reflection of the national character. Her memories of this time are just as intoxicating: beer and ash on the carpets in the morning, the deepening rhythms of mirth at night, the magical brightness of glass behind the bar… Through them Laura traces the story of the English pub, asking why it has occupied such a treasured position in our culture. But even Violet, as she grew older, recognised that places like hers were a dying breed, and Laura also considers the precarious future they face. Part memoir, part social history, part elegy, The Last Landlady pays tribute to an extraordinary woman and the world she epitomised.

On November 7, 1974, a nanny named Sandra Rivett was bludgeoned to death in a Belgravia basement. A second woman, Veronica, Countess of Lucan, was also attacked. The man named in court as perpetrator of these crimes, Richard John Bingham, 7th Earl of Lucan, disappeared in the early hours of the following morning. The case, solved in the eyes of the law, has retained its fascination ever since. Laura Thompson, acclaimed biographer of Agatha Christie, narrates the story that led up to that cataclysmic event, and draws on her considerable forensic skills to re-examine the possible truths behind one of postwar Britain's most notorious murders.…