Новинки Камиллы Брюс

Clara Woods is a killer—and perfectly fine with it, too. So what if she takes a couple of lives to make her own a little bit better? At the bottom of her garden is a flower bed, long overgrown, where her late husband rests in peace—or so she’s always thought.

Then the girls arrive.

Lily and Violet are her nieces, recently orphaned after their affluent parents died on an ill-fated anniversary trip. In accordance with their parents’ will, the sisters are to go to their closest relative—who happens to be Clara. Despite having no interest in children, Clara agrees to take them, hoping to get her hands on some of the girls’ assets—not only to bolster her dwindling fortune but also to establish what she hopes will be her legacy: a line of diamond jewelry.

There’s only one problem. Violet can see the dead man at the bottom of the garden. She can see all of Clara’s ghosts . . . and call them back into existence. Soon Clara is plagued by her victims and at war with the gifted girls in her care. Lily and Violet have become a liability—and they know far more than they should.

Over a hundred years ago, the citizens of F- did something rather bad. And local school teacher Catherine Evans has made writing the definitive account of what happened when Ilsbeth Clark drowned in the well her life's work.
The town's people may not want their past raked up, but Catherine is determined to shine a light upon that shameful event. For Ilsbeth was an innocent, after all. She was shunned and ostracised by rumour-mongers a

Over a hundred years ago, the citizens of F- did something rather bad. And local school teacher Catherine Evans has made writing the definitive account of what happened when Ilsbeth Clark drowned in the well her life's work.
The town's people may not want their past raked up, but Catherine is determined to shine a light upon that shameful event. For Ilsbeth was an innocent, after all. She was shunned and ostracised by rumour-mongers a

'I wanted someone to know, you see. To know my truth, now that I am gone. How everything and none of it happened.'
Everyone knew bestselling novelist Cassandra Tipp had twice got away with murder.
Even her family were convinced of her guilt.
So when she disappears, leaving only a long letter behind, they can but suspect that her conscience finally killed her.
But the letter is not what anyone expected. It tells two chilling, darkly disturbing stories. One is a story of bloody nights and magical gifts, of children lost to the woods, of husbands made from twigs and leaves and feathers and bones . . .
The other is the story of a little girl who was cruelly treated and grew up crooked in the shadows . . .
But which story is true? And where is Cassie now?

A sinister novel based on the real Bloody Benders, a family of serial killers in the old West bound by butchery and obscured by the shadows of American history.

The winds shift nervously on the Kansas plain whispering of travelers lost and buried, whispering of witches. Something dark and twisted has taken root at the Bender Inn.

At first the townspeople of Cherryvale welcome the rising medium Kate Bender and her family. Kate's messages from the Beyond give their tedious dreams hope and her mother's potions cure their little ills—for a price. No one knows about their other business, the shortcut to a better life. And why shouldn’t their family prosper? They’re careful. It’s only from those who are marked, those who travel alone and can easily disappear, that the Benders demand their pound of flesh.

But even a gifted seer like Kate can make a misstep. Now as the secrets festering beneath the soil of the family orchard threaten to bring them all to ruin, the Benders must sharpen their craft—or vanish themselves.

The Witch in the Well is a dark Norwegian thriller from Camilla Bruce, author of You Let Me In.

When two former friends reunite after decades apart, their grudges, flawed ambitions, and shared obsession swirl into an all-too-real echo of a terrible town legend.

Centuries ago, beautiful young Ilsbeth Clark was accused of witchcraft after several children disappeared. Her acquittal did nothing to stop her fellow townsfolk from drowning her in the well where the missing children were last seen.

When author and social media influencer Elena returns to the summer paradise of her youth to get her family's manor house ready to sell, the last thing she expected was connecting with—and feeling inspired to write about—Ilsbeth’s infamous spirit. The very historical figure that her ex-childhood friend, Cathy, has been diligently researching and writing about for years.

What begins as a fiercely competitive sense of ownership over Ilsbeth and her story soon turns both women’s worlds into something more haunted and dangerous than they could ever imagine.

1900, Chicago.
Bella Sorenson knows that the world is made for men.
They control everything: jobs, property, money. Marriage makes women like her their slaves.
But now Bella is fighting back.
Because she's angry. She's bloodthirsty. She's willing to kill to get what she wants - starting with her husband.

Belle Sorensen loves men.
She loves them to death . . .

Early in life Belle Sorensen discovers the world is made only for men. They own everything: jobs, property, wives. But Belle understands what few others do: where women are concerned, men are weak.

A woman unhampered by scruples can take from them what she wants. And so Belle sets out to prove to the world that a woman can be just as ruthless, black-hearted and single-minded as any man.

Starting with her long suffering husband Mads, Belle embarks on a killing spree the like of which has never been seen before nor since.

And through it all her kind, older sister Nellie can only watch in horror as Belle's schemes to enrich herself and cut down the male population come to a glorious, dreadful fruition . . .

Based on the true story of Belle Sorensen whose murderous rampage began in Chicago in 1900, Triflers Need Not Apply is a novelistic tour de force exploring one woman's determination to pay men back for all they have taken.

'This might be the best book I've read all year' JOANNE HARRIS
'A glorious, pitch-black fairytale of a book' KIRSTY LOGAN, author of Things We Say in the Dark
'A feast of storytelling...lingers long after the last morsel's been consumed' SAM LLOYD, author of The Memory Wood
'Brutal and beguiling story of love and revenge' LUCIE McKNIGHT HARDY, author of Water Shall Refuse Them
'Lascivious and bloody' JAMES LOVEG