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It’s the end of everything in contemporary America. A future without power. But what will survive? Mr Burns asks how the stories we tell make us the people we are, explodes the boundaries between pop and high culture and, when society has crumbled, imagines the future for America’s most famous family.

Premiered Off-Broadway at Playwrights Horizons in the spring of 2016 &t;br/&t; Selected as a Time Out New York Critics’ Pick &t;br/&t; Washburn is a member of 13P and The Civilians, and a New Georges affiliated artist &t;br/&t; Washburn has been commissioned by The Civilians, Soho Rep, the Williamstown Theater Festival, and Yale. &t;br/&t; Her plays have been produced across the country and in London &t;br/&t; One of the most exciting contemporary voices in the American theatre

Wes Anderson's eighth feature film, a meticulously crafted, visually resplendent matryoshka-doll caper set primarily in an alternate-history version of 1930s Europe, The Grand Budapest Hotel is, perhaps, the fullest expression to date of Anderson's varied thematic and stylistic idiosyncrasies, influences, and obsessions. This supplemental one-volume companion to The Wes Anderson Collection (Abrams 2013) is the only book to take readers behind the scenes of The Grand Budapest Hotel with in-depth interviews between Anderson and cultural critic and New York Times bestselling author Matt Zoller Seitz. Anderson shares the story behind the film's conception, the wide variety of sources that inspired it--from author Stefan Zweig to filmmaker Ernst Lubitsch to Photochrom landscapes from turn-of-the-century Middle Europe--personal anecdotes about the making of the film, and many other reflections on his filmmaking process. These interviews will be accompanied by behind-the-scenes photos, ephemera, and artwork.