Greye La Spina — новинки

Although she's mostly forgotten now, in the heyday of the pulps, Greye La Spina was more successful than H.P. Lovecraft, with more than one hundred stories and serial novels published in magazines such as Weird Tales and The Thrill Book . Her reputation is on the rise, though, with her inclusion in several anthologies released in celebration of the 100th anniversary of Weird Tales . This book is the single largest collection devoted to this unjustly neglected queen of pulp horror, containing an essay, three short stories, a novella, and a serial novel published in her first decade as a writer. Includes "Wolf of the Steppes," Fettered , and more.

It is too often accepted that during the 19th and early 20th centuries it was the male writers who developed and pushed the boundaries of the weird tale, with women writers following in their wake—but this is far from the truth. This new anthology follows the instrumental contributions made by women writers to the weird tale, and revives the lost authors of the early pulp magazines along with the often overlooked work of more familiar authors. See the darker side of The Secret Garden author Frances Hodgson Burnett and the sensitively-drawn nightmares of Marie Corelli and Violet Quirk. Hear the captivating voices of Weird Tales magazine contributors Sophie Wenzel Ellis, Greye La Spina, and Margaret St Clair, and bow down to the sensational, surreal, and challenging writers who broke down the barriers of the day. Featuring material never before republished, from the abyssal depths of the British Library vaults.

Launched in 1923, the pulp magazine Weird Tales quickly became one of the most important outlets for horror and fantasy fiction and is often associated with writers like H. P. Lovecraft, Clark Ashton Smith, and Robert Bloch, all of whose work appeared in the magazine. But often overlooked is the fact that much of Weird Tales’ content was by women writers, some of whom numbered among the magazine’s most popular contributors.

This volume includes thirteen fantastic tales originally published between 1925 and 1949, written by four of Weird Tales’ most prolific female contributors: Greye La Spina, Everil Worrell, Mary Elizabeth Counselman and Eli Colter. Ranging from science fiction to fantasy to horror, these classic tales of mad scientists, deadly curses, ghosts, vampires, and the risen dead remain as thrilling and sensational as when first published.

Wolf of the Steppes - Early Stories by Greye La Spina – five early stories by Greye La Spina (1880-1969) one of the founding female authors of the modern horror story. Wolf of the Steppes - Early Stories by Greye La Spina has all of the original illustrations. Wolf of the Steppes (1919) – A series of letters detailing horrifying encounters with a werewolf From Over the Border (1919) – Revenge from beyond the grave The Haunted Landscape (1919) – An artist gives testimony in the circumstances of his own death The Wax Doll (1919) – An eerie tale of a little girl whose sole plaything was a forbidden doll The Ultimate…

Rare jewels of Victorian fiction highlight the fantastic contributions made by women writers in the early development of science fiction A selection of early science fiction short stories by women are collected here, along with an introduction exploring the contributions women made in the early development of the field—in particular the different perspectives they cast on the wonders or fears that technological and scientific advances may bring. The contributions of women to the history of science fiction and to the genre's development has been sorely overlooked. Frankenstein , generally reckoned as the first true work of science fiction, was by Mary Shelley, and one of the first utopian works written in America was also by a woman, Mary Griffith. A companion volume to his acclaimed The Darker Sex , Mike Ashley's latest collection is more essential reading by such female writers as Mary Shelley, Clare Winger Harris, Adeline Knapp, and many others.

Set in Brooklyn, New York in the mid-1920s and deals with the widow of an Occultist, Portia Differdale, and Princess Tchernova, a wealthy and beautiful Russian werewolf. Both women desire the same man, Owen Edwardes.