Gerardo DOrrico — новинки

Este livro é o meu primeiro manual sobre o ser contemporâneo e diário pessoal. A calma do bem-estar, das invenções. Os aspetos tridimensionais dos objetos concretos e humanos, para uma pesquisa no pensamento individual. Uma obra que liberta dos compromissos estilísticos, os erros são de todos, o presente deve ser representado mas, sem o medo de ter feito um erro grandioso do que o silêncio antes aceitado. Escolhendo um discurso, promete uma solução diária definitiva na arte retorica-histórica. Descreve as minhas experiências, fantasiosamente as memórias de um bem na terra dos males.
Este livro é o meu primeiro manual sobre o ser contemporâneo e diário pessoal. A calma do bem-estar, das invenções. Os aspetos tridimensionais dos objetos concretos e humanos, para uma pesquisa no pensamento individual. Uma obra que liberta dos compromissos estilísticos, os erros são de todos, o presente deve ser representado mas, sem o medo de ter feito um erro grandioso do que o silêncio antes aceitado. Escolhendo um discurso, promete uma solução diária definitiva na arte retorica-histórica. Descreve as minhas experiências, fantasiosamente as memórias de um bem na terra dos males. Diário escrito de forma simples, uma forma textual para preencher também uma ausência de informações completas sobre o direito ao bem, que caracteriza uma insensibilidade nas publicações públicas e jornalísticas. Um fenótipo compreensivo de objetividades modernas materiais, cristãs e árabes. Quer representar uma porta rumo ao futuro, um novo partido. Chega o período das dezoito cartas contidas a partir de agosto de 2005 até março de 2007.
Translator: Aderito Francisco Huo
PUBLISHER: TEKTIME

This diary is my third book, an exploration of urban and suburban environments to observe humans and modern objects. Representations in philosophical or mathematical form in order to find the right amount of motion, the proof that good is a higher feeling than an evil, the right repetition of always the same things to confirm that here one cannot say the false is even less realize it.
This diary is the third book written by me, an exploration of urban and suburban environments to observe humans and modern objects. Representations in philosophical or mathematical form in order to find the right amount of motion, the proof that good is a higher feeling than an evil, the right repetition of always the same things to confirm that here one cannot say the false is even less realize it. A certain practicality that can be associated with a manual on socio-political rights, then the different forms of exit from a modern unhealthy or incorporeal being. The becoming of one's own experiences, of one's own dreams in their reality, without basic problems to confirm an overall human evidence, finally the transfer of social and anthropic material so much contested in these years after the year two thousand. The period of the twenty-one letters contained reaches from December 2008 to July 2010.

This book is the second handbook-an account of contemporary life and personal diary written by me. The real joy that our time gives back through experiences, not a rediscovery of new technologies but a function in different historical and geological periods, what has already created it according to explanations of events and their solutions.
This book is the second handbook-an account of contemporary life and personal diary written by me. The real joy that our time gives back through experiences, not a rediscovery of new technologies but a function in different historical and geological periods, what has already created it according to explanations of events and their solutions. A walk in the light of the Sun of the facts and enchantments, sometimes never revealed, perhaps too new and unusual, in a community that already has long been in need, as a wider and more slender voice, a tool to better insist on the day, really is not in a dream.
Diary written in a simple way for a textual artistic form to justify even an initial and uncultured experience today. In style James Joyce's Ulysses is a book of good as a form of life, of art of the present, fundamental to exist free, alive is for sure. The period of the sixteen letters contained reaches from April 2007 to October 2008.

Ce journal est mon troisi?me livre, une exploration des environnements urbains et extra-urbains pour observer les humains et les objets modernes. Des repr?sentations sous forme philosophique ou math?matique pour pouvoir trouver le bon ?lan, les preuves que le bien est sans doute un sentiment plus ?lev? que le mal, la bonne r?p?tition de toujours les m?mes choses pour confirmer qu'ici on ne peut pas dire que le faux est beaucoup moins le r?aliser . Ce journal est le troisi?me livre que j'ai ?crit, une exploration des environnements urbains et suburbains pour observer les humains et les objets modernes. Des repr?sentations sous forme philosophique ou math?matique pour pouvoir trouver le bon ?lan, les preuves que le bien est un sentiment sup?rieur sans doute par rapport au mal, la bonne r?p?tition de toujours les m?mes choses pour confirmer qu'ici on ne peut pas dire que le faux est beaucoup moins r?alisant il. Une certaine praticit? que l'on peut associer ? un manuel sur les droits socio-politiques, puis aux diff?rentes formes de sortie d'un moderne malsain ou ? l'incorpor?it? de l'?tre. Le devenir de leurs exp?riences, leurs r?ves dans leurs r?alit?s, sans probl?mes fondamentaux confirmant l'?vidence humaine globale, enfin le transfert de mat?riel social et anthropique tant contest? dans ces ann?es d'apr?s les ann?es 2000. La p?riode des 21 lettres contenues va de d?cembre 2008 ? juillet 2010.

Ce livre est la deuxi?me histoire manuelle sur la vie contemporaine et le journal intime ?crit par moi. La vraie joie que notre temps redonne ? travers des exp?riences, non pas une d?couverte de nouvelles technologies mais une fonction dans diff?rentes p?riodes historiques et g?ologiques, ce qui l'a d?j? cr??e selon des explications sur les ?v?nements et leurs solutions. Une promenade au soleil des faits et des enchantements, parfois jamais r?v?l?s, peut-?tre trop nouveaux et insolites, dans une communaut? qui pr?sente depuis quelques temps des besoins, ainsi qu'une voix plus large et plus ?lanc?e, un outil pour mieux insister sur le jour n'est vraiment pas dans un r?ve. Journal ?crit de mani?re simple pour une forme d'art textuel pour justifier m?me une exp?rience initiale et inculte aujourd'hui. Dans le style d'Ulysse de James Joyce, c'est un livre du bien comme forme de vie, d'art du pr?sent, indispensable pour exister libre, certainement vivant. La p?riode des seize lettres contenues s'?tend d'avril 2007 ? octobre 2008.

Ce journal est mon quatri?me livre, un recueil de vingt compositions qui repr?sentent la pens?e et les certitudes de notre ?poque moderne. Des histoires sur un pass? pas tr?s lointain qui pourrait s'identifier ? la r?alit? d'aujourd'hui, le pr?sent non revu journalistiquement, des gens qui n'ont pas de repr?sentations publiques communes, trop occup?s en un sens pour penser ? ce qu'ils n'ont jamais ?t? supprim?e afin de ne pas signifier un bien ou un mal contemporain. Aussi des contes autobiographiques tels que des exp?riences personnelles avec d'autres ou des possessions, la paix et les peines, les miracles, les amours et les amiti?s. Ce journal est le quatri?me livre que j'ai ?crit, un recueil de vingt compositions qui repr?sentent la pens?e et les certitudes de notre ?poque moderne. Des histoires sur un pass? pas si lointain qui pourrait s'identifier ? la r?alit? d'aujourd'hui, le pr?sent non revu journalistiquement, des gens qui n'ont pas de repr?sentations publiques communes, trop occup?s en un sens pour penser ? ce qu'ils n'ont jamais pu faire, ? ce qui est ?t? supprim?e afin de ne pas signifier un bien ou un mal contemporain. Aussi des contes autobiographiques tels que des exp?riences personnelles avec d'autres ou des possessions, la paix et les peines, les miracles, les amours et les amiti?s. D?clarez-vous et le monde comme un passe-temps ou un sport ou? Nous devons nous auto-d?clarer et d?clarer le monde en fonction de nos exp?riences de relations humaines et mat?rielles, concr?tes. C'est un journal ?crit de mani?re simple, un ph?notype de sentiments chr?tiens et pr?sents, il veut repr?senter une porte vers l'avenir, un nouveau parti. La p?riode des lettres s'?tend d'ao?t 2010 ? mai 2013.

Este libro es el segundo manual- recuento de la vida contempor?nea y diario personal escrito por m?. La verdadera alegr?a que nuestro tiempo devuelve es a trav?s de las experiencias, no un reencuentro con la tecnolog?a sino una funci?n en diversos per?odos hist?ricos y geol?gicos, lo que ya he creado seg?n las explicaciones sobre los eventos y sus soluciones. Un paseo a la luz del Sol de los hechos y de los encantos, a veces no develados, tambi?n nuevos e ins?litos, en una colectividad que desde hace tiempo representa las necesidades, como de una voz m?s amplia y esbelta, un instrumento para insistir mejor en el d?a, realmente no es un sue?o. Diario escrito en modo simple para una forma art?stica textual que justifica incluso la experiencia inicial y sin cultivar hoy d?a. En estilo, el Ulises de James Joyce es un libro del bien como forma de vida, de arte del presente, fundamentalmente para existir libres, vivir es seguro. El periodo de las diecis?is cartas va desde abril 2007 a octubre de 2008.

This diary is my fourth book, a collection of twenty compositions representing the thought and certainties of our modern age. Tales about a not very distant past that could be identified with today's reality, the present not reviewed journalistically, people who do not have common public representations, too busy in a certain sense to think what they could never do, until what was taken away from them to not understand a contemporary good or evil. You also tell autobiographical stories like personal experiences with others or possessions, peace and pain, miracles, love and friendships.
This diary is the fourth book written by me, a collection of twenty compositions representing the thought and certainties of our modern age. Tales about a not very distant past that could be identified with today's reality, the present not reviewed journalistically, people who do not have common public representations, too busy in a certain sense to think what they could never do, until what was taken away from them to not understand a contemporary good or evil. You also tell autobiographical stories like personal experiences with others or possessions, peace and pain, miracles, love and friendships. Do you declare yourself and the world as a hobby or sport or? You need to declare yourself and the world according to your own experiences in concrete human and material relationships. It is a diary written in a simple way, a phenotype of Christian and present feelings, it wants to represent a door to the future, a new party. The period of letters reaches from August 2010 to May 2013.

Este diario es mi cuarto libro, una colecci?n de veinte composiciones que representan el pensamiento y las certezas de nuestra era moderna. Historias sobre un pasado no muy lejano que podr?a identificarse con la realidad actual, el presente no rese?ado period?sticamente, personas que no tienen representaciones p?blicas comunes, demasiado ocupadas en cierto sentido pensando en lo que nunca podr?an hacer, hasta lo que le fue quitdo para no significar un bien o un mal contempor?neo. Tambi?n relatos autobiogr?ficos como vivencias personales con otros o posesiones, paz y dolores, milagros, amores y amistades. Este diario es el cuarto libro escrito por m?, una colecci?n de veinte composiciones que representan el pensamiento y las certezas de nuestra era moderna. Historias sobre un pasado no muy lejano que podr?a identificarse con la realidad actual, el presente no rese?ado period?sticamente, personas que no tienen representaciones p?blicas comunes, demasiado ocupadas en cierto sentido pensando en lo que nunca han podido hacer, hasta lo que ele fue quitado para no significar un bien o un mal contempor?neo. Tambi?n historias autobiogr?ficas como experiencias personales con otros o posesiones, paz y dolores, milagros, amores y amistades. Declararte a ti mismo y al mundo como pasatiempo o deporte o? Necesitamos declararnos a nosotros mismos y al mundo de acuerdo con nuestras experiencias en las relaciones humanas y materiales, concretas. Es un diario escrito de forma sencilla, un fenotipo de sentimientos cristianos y presentes, quiere representar una puerta al futuro, un nuevo partido. El per?odo de las cartas va desde agosto de 2010 hasta mayo de 2013.

This diary is my third book, an exploration of urban and suburban environments to observe humans and modern objects. Representations in philosophical or mathematical form in order to find the right amount of motion, the proof that good is a higher feeling than an evil, the right repetition of always the same things to confirm that here one cannot say the false is even less realize it. This diary is the third book written by me, an exploration of urban and suburban environments to observe humans and modern objects. Representations in philosophical or mathematical form in order to find the right amount of motion, the proof that good is a higher feeling than an evil, the right repetition of always the same things to confirm that here one cannot say the false is even less realize it. A certain practicality that can be associated with a manual on socio-political rights, then the different forms of exit from a modern unhealthy or incorporeal being. The becoming of one's own experiences, of one's own dreams in their reality, without basic problems to confirm an overall human evidence, finally the transfer of social and anthropic material so much contested in these years after the year two thousand. The period of the twenty-one letters contained reaches from December 2008 to July 2010.

Questo diario ? il terzo libro scritto da me, un’esplorazione degli ambienti cittadini ed extraurbani per osservare gli umani e gli oggetti moderni. Rappresentazioni in forma filosofica o matematica per riuscire a trovare la giusta quantit? di moto, le prove che il bene ? un pi? alto sentimento, senz’altro rispetto a un male, la giusta ripetizione di sempre le stesse cose per confermare, che qui non si pu? dire il falso e tanto meno realizzarlo. Una certa praticit? associabile a un manuale sui diritti socio – politico, poi le diverse forme d’uscita da un moderno malsano o nella incorporeit? dell’essere. Questo diario ? il terzo libro scritto da me, un’esplorazione degli ambienti cittadini ed extraurbani per osservare gli umani e gli oggetti moderni. Rappresentazioni in forma filosofica o matematica per riuscire a trovare la giusta quantit? di moto, le prove che il bene ? un pi? alto sentimento, senz’altro rispetto a un male, la giusta ripetizione di sempre le stesse cose per confermare, che qui non si pu? dire il falso e tanto meno realizzarlo. Una certa praticit? associabile a un manuale sui diritti socio – politico, poi le diverse forme d’uscita da un moderno malsano o nella incorporeit? dell’essere. Il divenire delle proprie esperienze, dei propri sogni nelle loro realt? senza problemi di base, a conferma di un’evidenza umana d’insieme, infine il trasferimento di materiale sociale e antropico tanto contestato in questi anni dopo il duemila. Il periodo delle ventuno lettere contenute raggiunge da dicembre 2008 a luglio 2010.

This book is the second handbook-an account of contemporary life and personal diary written by me. The real joy that our time gives back through experiences, not a rediscovery of new technologies but a function in different historical and geological periods, what has already created it according to explanations of events and their solutions. A walk in the light of the Sun of the facts and enchantments, sometimes never revealed, perhaps too new and unusual, in a community that already has long been in need, as a wider and more slender voice, a tool to better insist on the day, really is not in a dream. Diary written in a simple way for a textual artistic form to justify even an initial and uncultured experience today. In style James Joyce's Ulysses is a book of good as a form of life, of art of the present, fundamental to exist free, alive is for sure. The period of the sixteen letters contained reaches from April 2007 to October 2008.

Questo libro ? il mio primo manuale sull’essere contemporaneo, e diario personale scritto da me. La calma del benessere, delle invenzioni. Gli aspetti tridimensionali degli oggetti concreti e umani, per una ricerca nel pensiero individuale. Un’opera che libera da impegni stilistici, gli errori sono di tutti, il presente deve essere rappresentato ma, senza la paura di aver realizzato un errore pi? grande del silenzio prima accettato. Scegliendo un discorso che promette una soluzione giornaliera, definitiva all’arte retorica-storica. Descrive le mie esperienze, fantasiosamente le memorie di un bene nella terra dei mali. Diario scritto in modo semplice, una forma testuale a colmare anche un’assenza d’informazioni complete sul diritto al bene, che caratterizza un’insensibilit? nelle pubblicazioni pubbliche e giornalistiche. Un fenotipo comprensivo di oggettivit? moderne materiali, cristiane e arabe. Vuole rappresentare una porta verso il futuro, un partito nuovo. Il periodo delle diciotto lettere contenute raggiunge d’agosto 2005 a marzo 2007. Buona lettura, Gerardo D’Orrico

This book is the first handbook about being contemporary and personal diary written by me. The calm of well-being, of inventions. The three-dimensional aspects of concrete and human objects, for a research in individual thought. A work that frees from stylistic commitments, mistakes are everyone's, the present must be represented but, without the fear of having made a bigger mistake than the previously accepted silence. By choosing a speech, it promises a definitive daily solution to rhetorical-historical art. It describes my experiences, imaginatively the memories of a good in the land of evil. This book is the first handbook about being contemporary and personal diary written by me. The calm of well-being, of inventions. The three-dimensional aspects of concrete and human objects, for a research in individual thought. A work that frees from stylistic commitments, mistakes are everyone's, the present must be represented but, without the fear of having made a bigger mistake than the previously accepted silence. By choosing a speech, it promises a definitive daily solution to rhetorical-historical art. It describes my experiences, imaginatively the memories of a good in the land of evil. Diary written in a simple way, a textual form to fill even an absence of complete information about the right to good, which characterizes an insensitivity in public and journalistic publications. A phenotype inclusive of modern material, Christian and Arabic objectivity. It wants to represent a door to the future, a new party. The period of the eighteen letters contained reaches from August 2005 to March 2007.

Este libro es el primer manual del ser contempor?neo y diario personal escrito por m?. La calma del bienestar, de las invenciones. Los aspectos tridimensionales de los objetos humanos concretos, a forma de investigaci?n del pensamiento individual. Una obra que libera de compromisos estil?sticos, los errores son de todos, el presente debe ser representado sin embargo, sin temor a haber cometido un error mayor que el silencio previamente aceptado. Escogiendo un discurso, promete una soluci?n diaria definitiva al arte retorico-hist?rico. Describe mis experiencias, fantasiosamente las memorias del bien en la tierra de los malos. Este libro es el primer manual del ser contempor?neo y diario personal escrito por m?. La calma del bienestar, de las invenciones. Los aspectos tridimensionales de los objetos humanos concretos, a forma de investigaci?n del pensamiento individual. Una obra que libera de compromisos estil?sticos, los errores son de todos, el presente debe ser representado sin embargo, sin temor a haber cometido un error mayor que el silencio previamente aceptado. Escogiendo un discurso, promete una soluci?n diaria definitiva al arte retorico-hist?rico. Describe mis experiencias, fantasiosamente las memorias del bien en la tierra de los malos. Diario escrito de modo simple, una forma textual de colmar la ausencia de informaci?n sobre el derecho al bien, que caracteriza una insensibilidad en las publicaciones p?blicas y period?sticas. Un fenotipo que incluye material moderno, cristiano y ?rabe. Quiere representar una puerta al futuro, un partido nuevo. El periodo de las dieciocho cartas incluidas va desde agosto del 2005 a marzo del 2007. Buena lectura

It describes my experiences, imaginatively the memories of a good in the land of evil. This book is the first handbook about being contemporary and personal diary written by me. The calm of well-being, of inventions. The three-dimensional aspects of concrete and human objects, for a research in individual thought. A work that frees from stylistic commitments, mistakes are everyone's, the present must be represented but, without the fear of having made a bigger mistake than the previously accepted silence. By choosing a speech, it promises a definitive daily solution to rhetorical-historical art. Diary written in a simple way, a textual form to fill even an absence of complete information about the right to good, which characterizes an insensitivity in public and journalistic publications. A phenotype inclusive of modern material, Christian and Arabic objectivity. It wants to represent a door to the future, a new party. The period of the eighteen letters contained reaches from August 2005 to March 2007.

Questo libro ? il mio primo manuale sull’essere contemporaneo, e diario personale scritto da me. La calma del benessere, delle invenzioni. Gli aspetti tridimensionali degli oggetti concreti e umani, per una ricerca nel pensiero individuale. Un’opera che libera da impegni stilistici, gli errori sono di tutti, il presente deve essere rappresentato ma, senza la paura di aver realizzato un errore pi? grande del silenzio prima accettato. Scegliendo un discorso che promette una soluzione giornaliera, definitiva all’arte retorica-storica. Descrive le mie esperienze, fantasiosamente le memorie di un bene nella terra dei mali. Diario scritto in modo semplice, una forma testuale a colmare anche un’assenza d’informazioni complete sul diritto al bene, che caratterizza un’insensibilit? nelle pubblicazioni pubbliche e giornalistiche. Un fenotipo comprensivo di oggettivit? moderne materiali, cristiane e arabe. Vuole rappresentare una porta verso il futuro, un partito nuovo. Il periodo delle diciotto lettere contenute raggiunge d’agosto 2005 a marzo 2007. Buona lettura, Gerardo D’Orrico

Ce livre est mon premier manuel sur le journal intime et contemporain. Le calme du bien-?tre, des inventions. Les aspects tridimensionnels des objets concrets et humains, pour la recherche sur la pens?e individuelle. Une œuvre qui vous lib?re des engagements stylistiques, les erreurs appartiennent ? tout le monde, le pr?sent doit ?tre repr?sent? mais, sans craindre d'avoir commis une erreur plus grande que le silence pr?c?demment accept?. En choisissant un discours, il promet une solution quotidienne d?finitive ? l'art rh?torico-historique. Il d?crit mes exp?riences, imaginativement les souvenirs d'un bien au pays du mal. Ce livre est le premier manuel sur l'?tre contemporain et le journal intime ?crit par moi. Le calme du bien-?tre, des inventions. Les aspects tridimensionnels des objets concrets et humains, pour la recherche sur la pens?e individuelle. Une œuvre qui vous lib?re des engagements stylistiques, les erreurs appartiennent ? tout le monde, le pr?sent doit ?tre repr?sent? mais, sans craindre d'avoir commis une erreur plus grande que le silence pr?c?demment accept?. En choisissant un discours, il promet une solution quotidienne d?finitive ? l'art rh?torico-historique. Il d?crit mes exp?riences, imaginativement les souvenirs d'un bien au pays du mal. Journal r?dig? de mani?re simple, une forme textuelle pour combler ?galement un manque d'informations compl?tes sur le droit au bien, qui caract?rise une insensibilit? dans les publications publiques et journalistiques. Un ph?notype comprenant des objectivit?s mat?rielles modernes, chr?tiennes et arabes. Il veut repr?senter une porte vers l'avenir, un nouveau parti. La p?riode des dix-huit lettres contenues va d'ao?t 2005 ? mars 2007.