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As the summer of 1899 gives way to autumn Lord Dilberne's decision to remain in Belgrave Square rather than move the household to the ancestral acres of Dilberne Court sends out ripples of concern over his debts. The ripples spread to his wife Isobel who orders the life of the household, and to Grace the lady's maid who orders the life of her mistress. They touch the insouciant lives of his still unmarried children, Arthur, who is passionate about motor cars and keeps a courtesan in Half Moon Street, and Rosina, who airs fashionably progressive views and keeps a parrot in her bedroom. The novel explores how the ripples of change affect the lives above stairs and below.

But as the story unfolds it becomes also a novel about affairs of the heart, a love story precipitated by the arrival on the London scene of Minnie, an American heiress, and her resourceful mother intent on finding her daughter a husband. With wit and sympathy - and no small measure of mischief - Ms Weldon plots the interplay of restraint and desire, manners and morals, reason and instinct.

From the award-winning writer of the original Upstairs Downstairs—the second novel in an irresistible trilogy about an Earl's family and his servants at the turn of the twentieth century.

As 1901 comes to an end, there is much to be grateful for: The Dilberne fortune has been restored, and the grand Dilberne Court, with its one hundred rooms, has been saved. Lord Robert's son, Arthur, is happily married to Chicago heiress, Minnie, who is pregnant and trying to come to terms with her new role as lady of the manor, and her charming but controlling mother-in-law, Lady Isobel. As Lord Robert and Lady Isobel get caught up in the preparations of the coronation of Edward VII, they debate the future of their recently orphaned niece, Adela. Isobel and Minnie want to take her in; Robert and Arthur do not. While they argue, Adela runs away and joins a travelling group of spiritualists and has a life-saving run-in with the king.
With Long Live the King, Fay Weldon continues the magnificent trilogy that began with Habits of the House. As the award-winning writer for the pilot episode of the original Upstairs Downstairs, Weldon brings her deservedly famous wit and insight to this novel of love and desire, morals and manners.

From the award-winning novelist and writer of Upstairs Downstairs, the third book in a brilliant trilogy about what life was really like for masters and servants before the world of Downton Abbey.

England, 1903. Lord Robert and Lady Isobel Dilberne and the entire grand estate, with its hundred rooms, is busy planning for a visit from Edward VII and Queen Alexandra just a few months a way. Preparations are elaborate and exhaustive: the menus and fashions must be just so, and so must James, the new heir and son of Arthur Dilberne and Chicago heiress, Minnie O'Brien. But there are problems. Little James is being reared to Lady Isobel's tastes, not Minnie's. And Mrs. O'Brien is visiting from America and causing trouble. Meanwhile, the Dilbernes' niece, Adela is back and stirring up hysteria in the servants hall by claiming the house is cursed. The royal visit is imperiled, but so are the Dilberne finances once more. His Lordship is under tremendous stress, and the pecking order will soon be upset as everything at Dilberne Court changes.

The New Countess is the final novel in Fay Weldon's exciting trilogy that began with Habits of the House and Long Live the King. The bestselling novelist and award-winning writer of the pilot episode of the original Upstairs Downstairs lifts the curtain on British society, upstairs and downstairs, under one roof.

At 6.30pm one Thursday, Natalie Harris's world fell apart when she discovered her husband, Harry Harris, had eloped with Miss Eddon Gurney 1978. Natalie is utterly abandoned in the heart of the country, but then she meets Sonia and her life is changed forever.
From the bestselling author of The Lives and Loves of a She-Devil and The Cloning of Joanna May.

Eleanor Darcy, a woman of marginal genealogy and looks that play better than they should, is married to the economist to whom the Prime Minister listens. Determined to rip apart the old order and start fresh, Eleanor becomes the serpent—or angel—who whispers utopian visions in Julian Darcy's ear.
With the husband in jail for imperiling the financial structure of the nation, Eleanor grants exclusive interviews to two journalists, Hugo Vansitart and Valerie Jones. Though they seem more preoccupied with each other than with their elusive subject, their goal is the same: to capture the essence of Eleanor Darcy. Hugo is loking for truth and pragmatism in Eleanor's vision: Valerie is in quest of the woman's struggle.

A wonderful collection on topical themes from the controversial ‘product-placement’ author of The Bulgari Connection.A superb new collection of stories: shrewd, sharp, insightful, with a cheerfully dark view of the world.The wronged wife remains a lingering presence even after the mistress has moved in to her home. Oriole, an enormously successful businesswoman married to the ineffectual Hugh, begins to re-evaluate her life, when her best crockery keeps mysteriously flying through the air. A sculptor finds love while protecting a Roman graveyard from property developers. A Christmas gathering turns murderous for one unhappy guest. A travel writer watches, horrified, as her father runs of with her best friend, but is soon planning revenge.The entire collection is shot through with Weldon's trademark mischievous deceitfulness, her hidden meanings and agendas. Rich, mad, greedy, deceitful, vulnerable her characters may be, but the stories maintain a defiantly optimistic air and sparkle with the irrepressible wit with which Weldon writes about the lives of modern men and women.

This is the story of women when they were wimmin: of that blossoming in seventies England of hope, freedom, equality and sisterhood; and of what happened next…Big Women is the tale of Medusa, a feminist publishing house founded one balmy evening at sedate Chalcot Crescent in a flurry of argument, peace-making and naked dancing.The novel is everything and more we expect from Fay Weldon, not just a work of literature but an energising drop into the pool of social complacency – a feisty, no-holds-barred portrait of four women’s attempts and failures to create a new life. There’s Layla, noisy, darlingish, high-profile. Alice, the academic, the philosopher, the – eventually – Glastonbury witch. Nancy: boring, sensible Nancy, the only one with any business nous. And Stephanie, the one who leaves her husband and children to embrace politics, men, other women… Their stories are intertwined with twenty years of all our lives – blissful, rage-filled, treacherous, redemptive.

Weldon on top form; Weldon tackling love, sex, ageing, death; Weldon at her wittiest best; Weldon unparalleled.Sophia is a thirty-four-year-old film editor living in Soho. Her only living relation (she thinks), her grandmother Felicity, is an eighty-three-year-old widow (several times) living in smart Connecticut. Sophia is torn between her delight in her freedom and a nagging desire for the family ties that everyone else grumbles about: casual sex is all very well, but who do you spend Christmas with? Her current bed-mate seems to be in love with a glamorous Hollywood film star (not that Sophia cares, of course: she’s a New Woman); her mad…

A fast-moving, elegant novel set in contemporary London in the glittery world of charity auctions, big business, high art, and more than enough money to spare.Take one wealthy businessman fresh on his second marriage to an avid, successful young woman, one artist and a portrait for sale, two women wearing Bulgari necklaces, add a touch of the supernatural, a big dose of envy, stir, and see what happens.

Fay Weldon’s first novel, a sharp and witty parable of the way people see themselves.For several weeks, Esther Sussman had lived in a sordid flat in Earls Court. During the day she read science fiction novels. In the evenings she watched television. And she ate, and ate, and drank, and ate. She had not felt so secure since she spent her days in a pram. It had been her husband’s idea that they should go on a diet. Together they would fight middle-age flab and feel young again. It was the diet that had made Esther leave home. The lack of food had made her see things very clearly and she had looked at her life – the daily dusting, sweeping, cooking, washing-up – and found it all pointless. She had not felt strong enough for marriage, and so she escaped.From the fastness of her Earls Court retreat Esther starts to recount the events leading up to her revelation to her friend Phyllis. ‘I suppose you really do believe your happiness is consequent upon your size?’ she asks. Phyllis does; Esther does not and triumphantly sets out to prove her point.

A chilling tale that interweaves the post-Watergate world of American politics and the way in which our past indiscretions inevitably catch up with us.Isabel Acre’s journey through life has taken her from the Australian outback via the beds and alleys of Fleet Street and the seamier side of Washington high life to a comfortable home in London, a reputation as a serious journalist, and a husband in the new chore-sharing, child-rearing mould. Suddenly, however, the past which Isabel had thought safely behind her becomes the source of actual physical danger. With frightening ease, the worlds of political intrigue and murderous conspiracy…

A distillation of our times: eleven short stories from this brilliant contemporary writer.‘Watching Me, Watching You’ was Fay Weldon’s first collection of short stories. They vary widely in theme, while remaining avowedly feminist, sometimes bitter, sometimes angry, yet always handled with wit, irony and courage. A sense of sisterhood is one of the most important qualities a woman may possess and its loss, as in one particular story, ‘Alopecia’, can bring tragedy. On the other hand, in ‘Threnody’, a women’s commune can be gently mocked, and the failings of the leading characters are human rather than masculine.Fay Weldon’s observation is…

With her inimitable wit and insight, Fay Weldon offers her wisdom on the subject of female happiness and how to achieve it.What makes women happy? Nothing, for more than ten minutes at a time, so stop worrying.In this book, Fay Weldon offers wisdom gleaned from a remarkable life, a brilliantly successful career and a fair share of trouble. She explores what makes women happy; how our lives, jobs, families, bodies, desires, morals and responsibilities affect that happiness, and what we can do to lead more rounded and desirable lives. As she delivers the verdicts, she also delivers short stories, or perhaps parables, to prove her points. To be good, she concludes, is to be happy, to be happy is to be good. The Victorians had it right.A blend of philosophy, storytelling and self-help, this inspirational work shows Weldon at the peak of her creative powers, brisk, stylish and entertaining.

‘Sparkling, sharply observing, insights delivered with a light touch that puts us in a good mood, however dark the comedy’ SpectatorHere are nineteen glittery new tales about the way we live now, as lovers, partners, children, parents. Or alone.Stories of passion, desire, and necessary restraint;of the near future, the recent past;of old habits, new technology;of won’t-be mothers and would-be fathers;of houses, ancient and modern.Stories, in fact, to enlighten us to the true and timeless nature of the human condition in this the new age of self-knowledge.

A selection of lectures and essays contributed to newspapers, magazines and books over recent years, revised for this volume and all highly relevant to today.In these essays find a portrait of the times, to help us map our way through the new Garden of Eden, in which men hold the baby and women the mobile phone. The garden is timeless, its beauties are ineradicable, the angel’s blazing sword no longer bars the way – so what’s going wrong? Tricky to see the wood for the trees in this new-old land, hard to find a Third Way through: let this collection point the way.From the changing face of government, the feminisation of politics, the stamping of the warrior foot, to whence and whither Feminism, via the dangerous new cult of Therapism, to our turbulent and benighted Royals, brushing up against the famous (Roseanne, Jamie Lee Curtis, Jean Paul Gaultier) on the way – it’s all here. Plus a rare glimpse of the author’s life and loves.