Мария Джоан Хайланд – лучшие книги

John Egan is a misfit — "a twelve year old in the body of a grown man with the voice of a giant" — who diligently keeps a "log of lies." John's been able to detect lies for as long as he can remember, it's a source of power but also great consternation for a boy so young. With an obsession for the Guinness Book of Records, a keenly inquisitive mind, and a kind of faith, John remains hopeful despite the unfavorable cards life deals him.
This is one year in a boy's life. On the cusp of adolescence, from his changing voice and body, through to his parents’ difficult travails and the near collapse of his sanity, John is like a tuning fork sensitive to the vibrations within himself and the trouble that this creates for he and his family.
Carry Me Down is a restrained, emotionally taut, and sometimes outrageously funny portrait whose drama drives toward, but narrowly averts, an unthinkable disaster.

When his fiance breaks off their engagement, Patrick Oxtoby leaves home and moves into a boarding house in a remote seaside town. But in spite of his hopes and determination to build a better life, nothing goes to plan and Patrick is soon driven to take a desperate and chilling course of action.

Роман талановитої ірландської письменниці Марії Джоан Хайленд – це напружена психологічна драма, оповідь у якій ведеться від імені підлітка.
Джону Ігану лише 11. Він скрупульозно веде «журнал брехні» і стрімко дорослішає в умовах катастрофічної нестачі батьківської любові і сімейного тепла.
Пронизлива історія незвичного хлопчика залишає щем на серці і нестримне бажання приголубити власну дитину.

Sixteen-year-old Australian exchange student Louise (Lou) is ecstatic that she has left behind her rough family, who mock her for using big words, and their tiny flat choked with cigarette smoke. Placed in a wealthy Chicago suburb, in a pristine McMansion with the Harding family, Lou is stunned by the glossy perfection: "There are so many healthy, good-looking teenagers that a few crooked teeth, or short, fat fingers, suddenly take on the proportions of deformities." The Hardings are earnest and warm, but Lou's high-strung insecurity and wary independence begin to widen the cracks in her host family's strained domesticity, particularly when Lou turns increasingly to booze and drugs. Hyland's debut loses momentum as it drifts to its open ending. But Lou's furious, first-person voice is filled with piercing observations that beautifully balance Lou's teenage detachment and aching, intelligence and self-absorption, yearning and recklessness. And like Holden Caulfield, with whom she invites inevitable comparison, Lou is unmerciful toward those satisfied with easy answers: "What kind of a moron thinks there's a rational explanation for human behavior?"