Новинки Ральфа Стэдмана

«Великий и ужасный» Хантер С.Томпсон.
Байкер, пользовавшийся статусом одного из старейшин «Ангелов ада».
Отец-родоначальник «гонзо-журналистики».
И просто человек, написавший «Страх и отвращение в Лас-Вегасе».
Перед вами — житие Хантера Томпсона глазами одного из его ближайших друзей. Житие, поведанное от первой встречи и до весьма экстравагантных похорон Томпсона, которые превратились в легендарный арт-хэппенинг...
В этой книге правдиво все.
Особенно — то, во что совершенно невозможно поверить... Шутки кончились. Реальность стала легендой!

In the spring of 1970, artist Ralph Steadman went to America in search of work and found more than he bargained for. At the Kentucky Derby he met a former
associate of the Hell’s Angels, one Hunter S. Thompson. Their working relationship resulted in the now-legendary Gonzo Journalism.
The Joke’s Over tells of a remarkable collaboration that documented the turbulent years of the civil rights movement, the Nixon years, Watergate, and the many bizarre and great events that shaped the second half of the twentieth century. When Thompson committed suicide in 2005, it was the end of a unique friendship filled with both betrayal and under­standing.

A rollicking, no-holds-barred memoir, The Joke’s Over is the definitive inside story of the Gonzo years.

The Times Educational Supplement The parade of colored ink creatures suggests a joyful child let loose in a stationary story.

From Chile to California, South Africa to Alsace, Ralph Steadman has seen the best of the world's wine-producing regions. On a search for the unique and original, he meets Aurelio Montes, the Chilean winemaker who planted syrah vineson a rocky,

Book Description Ralph Steadman's alter-autobiography is a work of comical genius as well as a profound commentary on the state of contemporary art. Creator of his own inimitable visions of Freud, Leonardo, Orwell, Alice, and the Great

Hunter S. Thompson, in his drunken, rambling introduction to this volume of paintings and illustrations, calls Ralph Steadman "the Albert Gore of twentieth century art." It's hard to imagine a less apt appellation: Steadman's drawings and paintings