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Book Description Meridian Hill is a young woman at an Atlanta college attempting to find her place in the revolution for racial and social equality. She discovers the limits beyond which she will not go for the cause, but despite her decision

Book DescriptionIn this illuminating book, Pulitzer Prize–winning novelist and acclaimed poet Alice Walker reveals her remarkable philosophy of life. Curiously, this labor of love started with the author’s signature: Faced with the

In this exquisite book, Alice Walker’s first new collection of poetry since 1991, are poems that reaffirm her as “one of the best American writers of today” (The Washington Post). The forces of nature and the strength of the human spirit inspire the poems in Absolute Trust in the Goodness of the Earth. Alice Walker opens us to feeling and understanding, with poems that cover a broad spectrum of emotions. With profound artistry, Walker searches for, discovers, and declares the
fundamental beauty of existence, as she explores what it means to experience life fully, to learn from it, and to grow both as an individual and as part of a greater spiritual community.

About Walker’s Horses Make a Landscape Look More Beautiful, America said, “In the tradition of Whitman, Walker sings, celebrates and agonizes over the ordinary vicissitudes that link and separate all of humankind,” and the same can be said about this astonishing new collection, Absolute Trust in the Goodness of the Earth.

A beautifully packaged book of spiritual ruminations with a progressive political edge, from the incomparable Pulitzer Prize-winner?a woman who has devoted her life to befriending the earth. From the Introduction: "In fact, the

A New York Times bestseller in hardcover, Pulitzer Prize winner Alice Walker’s We Are the Ones We Have Been Waiting For was called “stunningly insightful” and “a book that will inspire hope” by Publishers Weekly.

Drawing equally on Walker’s spiritual grounding and her progressive political convictions, each chapter concludes with a recommended meditation to teach us patience, compassion, and forgiveness. We Are the Ones We Have Been Waiting For takes on some of the greatest challenges of our times and in it Walker encourages readers to take faith in the fact that, despite the daunting predicaments we find ourselves in, we are uniquely prepared to create positive change.

The hardcover edition of We Are the Ones We Have Been Waiting For included a national tour that saw standing-room–only crowds and standing ovations. Walker’s clear vision and calm meditative voice—truly “a light in darkness”—has struck a deep chord among a large and devoted readership.

"Poetry is leading us," writes Alice Walker in The World Will Follow Joy. In this dazzling collection, the beloved writer offers over sixty new poems to incite and nurture contemporary activists. Hailed as a “lavishly gifted writer” (The New York Times), Walker imbues her poetry with evocative images, fresh language, anger, forgiveness, and profound wisdom. Casting her poetic eye toward history, politics, and nature, as well as to world figures such as Jimmy Carter, Gloria Steinem, and the Dalai Lama, she is indeed a "muse for our times" (Amy Goodman). By attentively chronicling the conditions of human life today, Walker shows, as ever,…

These poems are about revolutionaries and lovers-about how, both in revolution and in love, loss of trust and compassion robs us of hope. They are also about (and for) those few embattled souls who remain painfully committed to beauty and to love even while facing the firing squad. “Quick, direct, witty, pungent” (DeWitt Beall, Chicago Daily News).

Alice Walker’s 1975 article “Looking for Zora” (originally published in Ms. magazine and reprinted in the collection In Search of Our Mother’s Gardens, 1983) follows the author on a journey through Eatonville, FL to find the unmarked grave of Zora Neale Hurston. At the time, Hurston had fallen out of popularity and died in a welfare home. A collection was taken up for her burial and her grave sat unmarked in a run-down cemetery. Walker, pretending to be Hurston’s niece, is accompanied by Charlotte Hunt, who is researching Hurston.

A powerful cultural touchstone of modern American literature, The Color Purple depicts the lives of African American women in early twentieth-century rural Georgia.
Separated as girls, sisters Celie and Nettie sustain their loyalty to and hope in each other across time, distance and silence through a series of letters spanning twenty years, first from Celie to God, then the sisters to each other despite the unknown.
Abused repeatedly by the man she calls 'father', Celie has two children taken away from her and is trapped into an ugly marriage. But then she meets the glamorous Shug Avery, singer and magic-maker - a woman who has taken charge of her own destiny.
And gradually Celie discovers the power and joy of her own spirit, freeing her from her past and reuniting her with those she loves.
Beloved by generations of readers, The Color Purple broke the silence around domestic and sexual abuse, narrating the lives of women through their pain and struggle, companionship and growth, resilience and bravery. Deeply compassionate and beautifully imagined, Alice Walker's epic carries readers on a spirit-affirming journey towards redemption and love.

Alice Walker's early story, "Everyday Use," has remained a cornerstone of her work. Her use of quilting as a metaphor for the creative legacy that African Americans inherited from their maternal ancestors changed the way we define art, women's culture, and African American lives. By putting African American women's voices at the center of the narrative for the first time, "Everyday Use" anticipated the focus of an entire generation of black women writers.

This casebook includes an introduction by the editor, a chronology of Walker's life, an authoritative text of "Everyday Use" and of "In Search of Our Mothers' Gardens," an interview with Walker, six critical essays, and a bibliography. The contributors are Charlotte Pierce-Baker, Houston A. Baker, Jr., Thadious M. Davis, Margot Anne Kelley, John O'Brien, Elaine Showalter, and Mary Helen Washington.