"Humanity has encountered only one other species able to travel among the stars. This species, who call themselves the hwarhath, or "people," are also the only intelligent species so far encountered. Of course, we interest and puzzle and disturb each other.
"As far as can be determined, the stories in this collection were all written after the hwarhath learned enough about humanity to realize how similar (and different) we are. Our existence has called into question many ideas about life and morality that most hwarhath would have called certain a century ago.
"The collection is deliberately popular and accessible, intended for as wide a range of readers as possible. Because of this, some of the ordinary rules of scholarly translation have been ignored or modified. If we are to share the universe with other beings, we should make an effort - all of use - to understand them."
--from the translator's Introduction
"One of the strongest collections of science fiction stories you're ever likely to find. It's hard to think of anybody other than Ursula K. Le Guin who was written better anthropological science fiction than Eleanor Arnason, and this very strong collection gather some of the best stories published by anybody during the last two decades.''
--Gardner Dozois
"Arnason (A Woman of the Iron People) rewards her loyal readers with this long-awaited collection of her celebrated stories about the alien hwarhath, written from the perspective of a cultural anthropologist. Each story explores a slightly different aspect of the fictional race and its distant world. Arnason perfectly captures the dry, patient scholarly tone used in folklore translations as she tells the hwarhath's creation stories and their version of the Adam and Eve myth. She explores in far more detail the hwarhath's peculiar (yet recognizable) attitudes toward sex, love, and procreation across several stories featuring related characters, which craft a fascinating historical story arc. Arnason's aliens are almost uniformly bisexual, and forbidden from engaging in heterosexual love beyond what's needed for procreation. This behavior allows Arnason to adapt timeless folkloric tropes to her own modern, progressive, and wholly original reality, which comes alive in her precise, classically beautiful prose. Most of the stories were published separately in the 1990s, and they stand up impressively well today."
--Publisher's Weekly
