Хари Кунзру — новинки

Once, Jay was an artist. Shortly after graduating from his London art school, he was tipped for greatness, a promising career already taking shape before him. Now, undocumented in the United States, he lives out of his car and makes a living as an essential worker, delivering groceries in a wealthy area of upstate New York. The pandemic is still at its height—the greater public panicked in quarantine—and though he has returned to work, Jay hasn’t recovered from the effects of a recent Covid case.

When Jay arrives at a house set in an enormous acreage of woodland, he finds the last person he ever expected to see Alice, a former lover from his art school days. Their relationship was tumultuous and destructive, ultimately ending when she ghosted him and left for America with his best friend and fellow artist, Rob. In the twenty years since, their fortunes could not be more as Jay teeters on the edge of collapse, Alice and Rob have found prosperity in a life surrounded by beauty. Ashamed, Jay hopes she won’t recognize him behind his dirty surgical mask; when she does, she invites him to recover on the property—where an erratic gallery owner and his girlfriend are isolating as well—setting a reckoning decades in the making into motion.

‘From now on when you see something, you’re seeing it because I want you to see it.
When you think of something, it’ll be because I want you to think about it…’
And with those words, the obsession begins.
A writer has left his family in Brooklyn for a three month residency at the Deuter Centre in Berlin, hoping for undisturbed days devoted to artistic absorption.
When nothing goes according to plan, he finds himself holed up in his room watching Blue Lives, a violent cop show with a bleak and merciless worldview. One night at a party he meets Anton, the charismatic creator of the show, and strikes up a conversation.
It is a conversation that leads him on a journey into the heart of moral darkness. A conversation thatthreatens to destroy everything he holds most dear, including his own mind.
Red Pill is a novel about the alt-right, online culture, creativity, sanity and history. It tells the story of the 21st century through the prism of the centuries that preceded it, showing how the darkest chapters of our past haunt our present. More than anything, though, this is a novel about love and how it can endure in a world where everything else seems to have lost all meaning.

After receiving a prestigious writing fellowship in Germany, the narrator of Red Pill arrives in the Berlin suburb of Wannsee and struggles to accomplish anything at all. Instead of working on the book he has proposed to write, he takes long walks and binge-watches Blue Lives--a violent cop show that becomes weirdly compelling in its bleak, Darwinian view of life--and soon begins to wonder if his writing has any value at all.

Wannsee is a place full of ghosts: Across the lake, the narrator can see the villa where the Nazis planned the Final Solution, and in his walks he passes the grave of the Romantic writer Heinrich von Kleist, who killed himself after deciding that "no happiness was possible here on earth." When some friends drag him to a party where he meets Anton, the creator of Blue Lives, the narrator begins to believe that the two of them are involved in a cosmic battle, and that Anton is "red-pilling" his viewers--turning them toward an ugly, alt-rightish worldview--ultimately forcing the narrator to wonder if he is losing his mind.

First published in 1970 and widely regarded as a prophetic masterpiece, this is a groundbreaking experimental novel by the acclaimed author of ‘Crash’ and ‘Super-Cannes’.The irrational, all-pervading violence of the modern world is the subject of this extraordinary tour de force.The central character’s dreams are haunted by images of John F. Kennedy and Marilyn Monroe, dead astronauts and car-crash victims as he traverses the screaming wastes of nervous breakdown. Seeking his sanity, he casts himself in a number of roles: H-bomber pilot, presidential assassin, crash victim, psychopath. Finally, through the black, perverse magic of violence he transcends his psychic turmoil to find the key to a bizarre new sexuality.In this revised edition, Ballard has added extensive annotation that help to unlock many of the mysteries of one of the most prophetic, enigmatic and original works of the late twentieth century.

New Yorkers Carter and Seth chop up old music to make it new again, ripping off black culture to line white pockets. They are young, hungry and talented. But one day they stumble on an old blues song - an undiscovered gem just waiting to be found - and land themselves in a heap of trouble.

Seeking answers, Seth travels deep into the heart of the old South, accompanied by Carter's bewitching sister Leonie. But this is America, where ghosts lie uneasy in shallow graves and tugging one loose thread can unravel a bloody history of injustice. And the closer Seth gets to the haunting truth, the more he feels pursued . . .

White Tears is a nail-biting ride through the terrifying spectre of America's past. It's about black lives and white privilege and the music that runs through the country's veins like blood.

The irrational, all-pervading violence of the modern world is the subject of this extraordinary tour de force.

The central character’s dreams are haunted by images of John F. Kennedy and Marilyn Monroe, dead astronauts and car-crash victims as he traverses the screaming wastes of nervous breakdown. Seeking his sanity, he casts himself in a number of roles: H-bomber pilot, presidential assassin, crash victim, psychopath. Finally, through the black, perverse magic of violence he transcends his psychic turmoil to find the key to a bizarre new sexuality.

In this revised edition, Ballard has added extensive annotation that help to unlock many of the mysteries of one of the most prophetic, enigmatic and original works of the late twentieth century.

This edition is part of a new commemorative series of Ballard’s works, featuring introductions from a number of his admirers (including Neil Gaiman, Iain Sinclair, James Lever and Ali Smith) and brand-new cover designs.

В книге сохранены все авторские комментарии на полях. Иллюстрации Фиби Глёкнер. Фотографии Эн Баррадо. Мы старались сохранить макет лимитированного подписанного издания 1990 года - отсюда и воспроизводится автограф Дж.Г.Балларда. Рисунки расположены ровно на тех же страницах что и в оригинальном издании. Примечания автора привязаны к конкретным местам в тексте. Макет выстроен практически так же как и в исходнике. Но есть и отличия: исключено 10 страниц рекламы издательства Ресёрч. Вместо короткого предисловия "от издателей" мы поместили предисловие Балларда - оно было в массовых доступных последующих переизданиях сборника, но в…

Viscerally gripping, and intellectually engaging, Gods Without Men is, above all, a heartfelt exploration of the search for pattern and meaning in a chaotic universe.

In the desert, you see, there is everything and nothing... It is God without men.
- Honoré de Balzac, Une passion dans le désert, 1830

Jaz and Lisa Matharu are plunged into a surreal public hell after their son, Raj, vanishes during a family vacation in the California desert. However, the Mojave is a place of strange power, and before Raj reappears inexplicably unharmed - but not unchanged - the fate of this young family will intersect with that of many others, echoing the stories of all those who have traveled before them.

Driven by the energy and cunning of Coyote, the mythic, shapeshifting trickster, Gods Without Men is full of big ideas, but centered on flesh-and-blood characters who converge at an odd, remote town in the shadow of a rock formation called the Pinnacles. Viscerally gripping and intellectually engaging, it is, above all, a heartfelt exploration of the search for pattern and meaning in a chaotic universe.

Англичанин по отцу, индиец по матери, герой этой книги вынужден перевоплощаться, становясь тем, кого в нем хотят видеть другие. В Индии он - мальчишка-неприкасаемый, в Англии - молодой аристократ. Меняя маски, он вдруг понимает, что своего лица у него уже нет. Этот реалистический роман, написанный сухим и размеренным языком, затягивает в себя, как воронка, и в конце концов выводит читателя на границы реальности, к метафизическому ужасу пустоты.

This first North American monograph on Mexican artist Damian Ortega documents 10 years of work focused on conceptual practice, social organization, and humor, including the installations and performances that make up his acclaimed Beetle Trilogy, several works never before exhibited and a great deal of unpublished material. Most of what's here hasn't been seen before. The first episode of the trilogy, "The Cosmic Thing," a disassembled Volkswagen suspended in the air, was featured in Gabriel Orozco's Il Quotidiano Alterato at the 2003 Venice Biennale, and was one of the most widely reproduced images of that year's exhibition. "Moby Dick," a heroic action involving the artist's Beetle, a live band, ropes and pulleys, followed, and then "Beetle '83 Escarabajo," a ritual return to the vehicle's place of birth, closed the cycle. The Beetle Trilogy and Other Works includes a new comic, 150 color images and an original essay by Hari Kunzru, author of The Impressionist and one of Granata's 20 "Best Young British Novelists" in 2003.

2008. The California desert. A four-year-old autistic boy, Raj Matharu, disappears in the wilderness, plunging his wealthy New York parents into the surreal public hell of a media witch-hunt. But the desert is inexplicable and miraculous, and the Matharus' fate is bound up with that of others: a debauched British rock star, on the run from a failed relationship and the sordid excesses of his life; a former member of an extraterrestrial-worshipping cult, now middle-aged but still haunted by transcendent callings; and a teenage Iraqi refugee, who befriends a young black Marine while playing the role of 'Iraqi villager' in a military simulation exercise. Their lives converge in an odd, remote town, near a rock formation called The Pinnacles -- and among the tangled echoes and stories of all those who have travelled before them through this brutally powerful landscape.A branching and multilayered novel by one of our most acclaimed writers, and a compulsively readable journey into the twists and turns of a handful of human lives, Gods Without Men is a heartfelt exploration of our search for pattern and meaning in a random and chaotic universe.

A sweeping, colourful adventure from the acclaimed author of White Tears

Discover Hari Kunzru's smash-hit debut novel

This is the extraordinary story of a child conceived in a wild monsoon night, a boy destined to be an outsider, a man with many names and no name.

Born into luxury but disinherited and cast out onto the streets of Agra, Pran Nath must become a chameleon. Chasing his fortune, he will travel from the red light district of Bombay to the green lawns of England to the unmapped African wilderness. He will play many different roles -- a young prize in a brothel, the adopted son of Scottish missionaries, the impeccably educated young Englishman headed for Oxford -- in order to find the role that will finally fit.

Daring and riotously inventive, The Impressionist is an odyssey of self-discovery: a tale of the many lives one man can live, and of the universal search for true identity.

Easily one of the 20th century's most visionary writers, J. G. Ballard still lives far ahead of his time. Called his "prophetic masterpiece" by many, The Atrocity Exhibition practically lies outside of any literary tradition. Part science fiction, part eerie historical fiction, part pornography, its characters adhere to no rules of linearity or stability. This reissued edition features an introduction by William S. Burroughs, extensive text commentary by Ballard, and four additional stories. Of specific interest are the illustrations by underground cartoonist and professional medical illustrator Phoebe Gloeckner. Her ultrarealistic images…

The Atrocity Exhibition is J.G. Ballard's most complex, disturbing work, with fabulous photos by Ana Barrado and artwork by Phoebe Gloeckner.