Последние издания книг Надин Гордимер

Beethoven Was One-Sixteenth Black

Get a Life

Life Times

A Sport of Nature

Loot and Other Stories

Mehring is rich. He has all the privileges and possessions that South Africa has to offer, but his possessions refuse to remain objects. His wife, son, and mistress leave him; his foreman and workers become increasingly indifferent to his stewardship; even the land rises up, as drought, then flood, destroy his farm.

Henry Lawson, V. S. Naipaul, Nadine Gordimer and Chinua Achebe are respectively Australian, Caribbean, South African and Nigerian, yet they all write in English. The ‘English’ literature of the ex-colonies is proving to be the most interesting and innovative of our times: this volume offers a significant example of its vitality and originality. As Salman Rushdi said, ‘the Empire writes back’.

When Julie Summers's car breaks down on a street in Cape Town, a young Arab mechanic comes to her aid. Their attraction to each other is immediate. Julia, the daughter of a powerful businessman, is trying to escape a privileged background she despises. Abdu, an educated but poor illegal immigrant, is desperate to evade deportation. The consequences of this chance meeting are unpredictable and intense, as each person's notions of the other are overturned. Set in the social mix of post-apartheid South Africa and an unnamed Arab country, Nadine Gordimer's The Pickup "is a masterpiece of creative empathy...a gripping tale of contemporary…

When Will skips school to slip off to a movie theater near Johannesburg, he is shocked to see his father. An ordinary mishap, but his father is no ordinary man. He is a "colored" and revered anti-apartheid hero, and his female companion is a white activist fiercely dedicated to the cause. As Will struggles with confusion and bitterness, My Son's Story unravels the consequences of one man's infidelity as a new South Africa violently emerges from the apartheid. "Captures with convincing detail the ecstatic rewards and terrifying costs of revolutionary politics...Delineates with unblinking candor the collision of public and private experience that takes place on a daily basis in South Africa...A fiercely intelligent novel -- one of her most powerful yet." —Michiko Kakutani, The New York Times
"Gordimer has taken South Africa's tragedy and laid the truth of it in our laps. The story she tell sis lucid and achingly alive."—The Boston Sunday Globe

"Beautifully felt, both in its anger and its compassion...It is so rich as to make praise superfluous, so vital and disturbing as to send us...back into the world with a heightened sense of what life in it might mean."—USA Today

Telling Times – Writing and Living, 1954–2008

Throughout her career the internationally renowned South African writer Nadine Gordimer has built a literary reputation with her incisive short stories as much as with her acclaimed novels. Together with her essays, this highly imaginative and committed body of work won her the Nobel Prize for Literature in 1991. In the opinion of the Academy: ‘Through her magnificent epic writing she has - in the words of Alfred Nobel - been of very great benefit to humanity.'

In this collection of new stories Nadine Gordimer crosses the frontiers of politics, memory, sexuality, and love with the fearless insight that is the hallmark of her writing. In the title story a middle-aged academic who had been an anti-apartheid activist embarks on an unadmitted pursuit of the possibilities for his own racial identity in his great-grandfather's fortune-hunting interlude of living rough on diamond diggings in South Africa, his young wife far away in London. "Dreaming of the Dead" conjures up a lunch in a New York Chinese restaurant where Susan Sontag and Edward Said return in surprising new avatars as guests in the dream of a loving friend. The historian in "History" is a parrot who confronts people with the scandalizing voice reproduction of quarrels and clandestine love-talk on which it has eavesdropped."Alternative Endings" considers the way writers make arbitrary choices in how to end stories--and offers three, each relating the same situation, but with a different resolution, arrived at by the three senses: sight, sound, and smell.

In this collection of new stories, Beethoven Was One-Sixteenth Black, Nadine Gordimer crosses the frontiers of politics, memory, sexuality, and love with the fearless insight that is the hallmark of her writing. In the title story a middle-aged academic who had been an anti-apartheid activist embarks on an unadmitted pursuit of the possibilities for his own racial identity in his great-grandfather's fortune-hunting interlude of living rough on diamond diggings in South Africa, his young wife far away in London. "Dreaming of the Dead" conjures up a lunch in a New York Chinese restaurant where Susan Sontag and Edward Said return in surprising new avatars as guests in the dream of a loving friend. The historian in "History" is a parrot who confronts people with the scandalizing voice reproduction of quarrels and clandestine love-talk on which it has eavesdropped."Alternative Endings" considers the way writers make arbitrary choices in how to end stories―and offers three, each relating the same situation, but with a different resolution, arrived at by the three senses: sight, sound, and smell.

-For years, it has been what is called a 'deteriorating situation'. Now all over South Africa the cities are battlegrounds. The members of the Smales family - liberal whites - are rescued from the terror by their servant, July, who leads them to refuge in his native village. What happens to the Smaleses and to July - the shifts in character and relationships - gives us an unforgettable look into the terrifying, tacit understandings and misunderstandings between blacks and whites.

Paul Bannerman, an ecologist in South Africa, believes he understands the trajectory of his life, with the usual markers of vocation and marriage. But when he's diagnosed with thyroid cancer and, after surgery, prescribed treatment that will leave him radioactive, for a period a danger to others, he begins to question, as Auden wrote, "what Authority gives / existence its surprise." In the garden of his childhood home, where his businessman father, Adrian, and prominent civil rights lawyer mother, Lyndsay, take him in to protect his wife and child from radiation, he enters an unthinkable existence and another kind of illumination: the…

Rarely have world writers of such variety and distinction appeared together in the same anthology. Their stories capture the range of emotions and situations of our human universe: tragedy, comedy, fantasy, satire, dramas of sexual love and of war

When Julie Summers' car breaks down in a sleazy street, a young Arab garage mechanic comes to her rescue. Out of this meeting develops a friendship that turns to love. But soon, despite his attempts to make the most of Julie's wealthy connections, Abdu is deported from South Africa and Julie insists on going too - but the couple must marry to make the relationship legitimate in the traditional village which is to be their home. Here, whilst Abdu is dedicated to escaping back to the life he has discovered, Julie finds herself slowly drawn in by the charm of her surroundings and new family, creating an unexpected gulf between them ...'As gripping as a thriller and as felt as a love song' IRISH TIMES

James Bray, an English colonial administrator who was expelled from a central African nation for siding with its black nationalist leaders, is invited back ten years later to join in the country's independence celebrations. As he witnesses the factionalism and violence that erupt as revolutionary ideals are subverted by ambition and greed, Bray is once again forced to choose sides, a choice that becomes both his triumph and his undoing.

Творчество американского прозаика Исаака Башевиса Зингера (1904-1991), лауреата Нобелевской премии за 1978 г. представлено одним из самых популярных его романов `Враги. История любви`.

В том включены также лучшие рассказы южноафриканской писательницы Надин Гордимер (род. 1923 г.), Нобелевского лауреата 1991 г.

In this work, Nadine Gordimer unfolds the story of a young woman's slowly evolving identity in the turbulent political environment of present-day South Africa. Her father's death in prison leaves Rosa Burger alone to explore the intricacies of what it actually means to be Burger's daughter.