Новинки Лизы Лутц

Муж Тани Дюбуа лежит мертвым у лестницы. И она знает, что делать. Обналичить карты. Перекрасить волосы. Добиться ничем не примечательной внешности. А главное – позвонить по телефону и заставить глубокий таинственный голос на другом конце линии дать ей новую личность. Она знает все это, потому что такое случается с ней не впервые. И вот никакой больше Тани. Теперь от преследующей ее по пятам мучительной тайны бежит новая личина: Амелия Кин. Пока не натыкается на барменшу по имени Блю, которая сразу распознает в ней беглянку, меняющую имена, облики, привычки, машины и города как перчатки. Ведь Блю и сама такая. Женщины заключают странный и…

When Alexandra Witt joins the faculty at Stonebridge Academy, she’s hoping to put a painful past behind her. Then one of her creative writing assignments generates some disturbing responses from students. Before long, Alex is immersed in an investigation of the students atop the school’s social hierarchy—and their connection to something called the Darkroom. She soon inspires the girls who’ve started to question the school’s “boys will be boys” attitude and incites a resistance. But just as the movement is gaining momentum, Alex attracts the attention of an unknown enemy who knows a little too much about her—and what brought her to…

Trzymający w napięciu thriller psychologiczny. Czy Tanya Dubois zabiła swojego męża? Nawet ona tego nie wie, stojąc nad jego zwłokami. Nie pamięta co wydarzyło się wcześniej, nie ma pojęcia, czy to ona zepchnęła go ze schodów. Ogarnięta paniką, wybiega z domu wsiada do samochodu i rusza na oślep przed siebie. Potem nie ma już wyboru: jej ucieczka oznacza przyznanie się do winy, nie pozostaje jej więc nic innego jak kluczyć, mylić tropy, przybierać fałszywe tożsamości. W miarę upływu czasu nabiera coraz silniejszego przekonania o swojej niewinności, ale czy zdoła zebrać dowody, które to potwierdzą?

У желающего познать житейскую мудрость есть два варианта: подождать пару-тройку десятилетий, набив огромное количество шишек, или прочитать книгу Лизы Лутц «Простые истины». Эта книга может стать стимулом к пересмотру жизненных позиций и выбору новых ориентиров.
Главная героиня видит чудесный сон: волшебный поезд мчится в страну сновидений. В царстве грёз девушку сопровождает Проводник – друг, спутник и наставник. Всё, что встречается им на пути, имеет свою историю, свою загадку и своё разъяснение. Это философская притча о поисках истины и осознании своего пути. Она легка для чтения и доступна к пониманию, но совсем не поверхностна и вовсе не банальна.

ОТ АВТОРА БЕСТСЕЛЛЕРОВ NEW YORK TIMES.
ВЫБОР AMAZON И GOODREADS.
Муж Тани Дюбуа лежит мертвым у лестницы. И она знает, что делать. Обналичить карты. Перекрасить волосы. Добиться ничем не примечательной внешности. А главное – позвонить по телефону и заставить глубокий таинственный голос на другом конце линии дать ей новую личность. Она знает все это, потому что такое случается с ней не впервые.
И вот никакой больше Тани. Теперь от преследующей ее по пятам мучительной тайны бежит новая личина: Амелия Кин. Пока не натыкается на барменшу по имени Блю, которая сразу распознает в ней беглянку, меняющую имена, облики, привычки, машины и города как перчатки. Ведь Блю и сама такая. Женщины заключают странный и опасный союз – меняются своими нынешними идентичностями. Но поможет ли это оторваться от их жуткого прошлого и наконец остановиться?
«Вот ради таких напряженных историй с сильными персонажами и придуман термин „пейдж-тернер“». – Boston Globe
«Лабиринт неожиданных поворотов и вывертов». – Chicago Tribune
«Темный, прекрасно написанный, умный роман». – USA Today
«Великолепная концовка заставляет читателя переосмыслить книгу и немедленно вернуться для этого к ее началу». – Library Journal
«В сущности, это роман об идентичности, о зыбкой границе между тем, как мы воспринимаем себя, и тем, как нас воспринимают другие». – Kirkus Reviews
«Сплетенная Лутц сложная сеть отлично выписанных персонажей заставит вас безостановочно листать страницы». – Publishers Weekly

ОТ АВТОРА БЕСТСЕЛЛЕРОВ NEW YORK TIMES.
ВЫБОР AMAZON И GOODREADS.
Муж Тани Дюбуа лежит мертвым у лестницы. И она знает, что делать. Обналичить карты. Перекрасить волосы. Добиться ничем не примечательной внешности. А главное – позвонить по телефону и заставить глубокий таинственный голос на другом конце линии дать ей новую личность. Она знает все это, потому что такое случается с ней не впервые.
И вот никакой больше Тани. Теперь от преследующей ее по пятам мучительной тайны бежит новая личина: Амелия Кин. Пока не натыкается на барменшу по имени Блю, которая сразу распознает в ней беглянку, меняющую имена, облики, привычки, машины и города как перчатки. Ведь Блю и сама такая. Женщины заключают странный и опасный союз – меняются своими нынешними идентичностями. Но поможет ли это оторваться от их жуткого прошлого и наконец остановиться?
«Вот ради таких напряженных историй с сильными персонажами и придуман термин "пейдж-тернер"». – Boston Globe
«Лабиринт неожиданных поворотов и вывертов». – Chicago Tribune
«Темный, прекрасно написанный, умный роман». – USA Today
«Великолепная концовка заставляет читателя переосмыслить книгу и немедленно вернуться для этого к ее началу». – Library Journal
«В сущности, это роман об идентичности, о зыбкой границе между тем, как мы воспринимаем себя, и тем, как нас воспринимают другие». – Kirkus Reviews
«Сплетенная Лутц сложная сеть отлично выписанных персонажей заставит вас безостановочно листать страницы». – Publishers Weekly

In case you were wondering, I didn’t do it. I didn’t have anything to do with Frank’s death. I don’t have an alibi, so you’ll have to take my word for it...

Forty-eight hours after leaving her husband’s body at the base of the stairs, Tanya Dubois cashes in her credit cards, dyes her hair brown, demands a new name from a shadowy voice over the phone, and flees town. It’s not the first time.

She meets Blue, a female bartender who recognizes the hunted look in a fugitive’s eyes and offers her a place to stay. With dwindling choices, Tanya-now-Amelia accepts. An uneasy―and dangerous―alliance is born.

It’s almost impossible to live off the grid today, but Amelia-now-Debra and Blue have the courage, the ingenuity, and the desperation, to try. Hopscotching from city to city, Debra especially is chased by a very dark secret…can she outrun her past?

В книгу вошли сказки, как описания снов, на стыке арт-терапии и сказкотерапии. Задается некая точка напряжения, и герои сказок находят пути снятия этого напряжения. Книга адресована детям младшего и среднего школьного возраста, их родителям, педагогам, психологам, а также широкому кругу заинтересованных лиц.

Forty-eight hours after leaving her husband's body at the base of the stairs, Tanya Dubois cashes in her credit cards, dyes her hair brown, demands a new name from a shadowy voice over the phone, and flees town. It's not the first time. She meets Blue, a female bartender who recognizes the hunted look in a fugitive's eyes and offers her a place to stay. With dwindling choices, Tanya-now-Amelia accepts. An uneasy and dangerous alliance is born. It's almost impossible to live off the grid today, but Amelia-now-Debra and Blue have the courage, the ingenuity, and the desperation, to try. Hop scotching from city to city, Debra especially is chased by a very dark secret; can she outrun her past?

From a bestselling writer, a story of unexpected friendship—three women thrown together in college who grow to adulthood united and divided by secrets, lies, and a single night that shaped all of them

When UC Santa Cruz roommates Anna and Kate find passed-out Georgiana Leoni on a lawn one night, they wheel her to their dorm in a shopping cart. Twenty years later, they gather around a campfire on the lawn of a New England mansion. What happens in between—the web of wild adventures, unspoken jealousies, and sudden tragedies that alter the course of their lives—is charted with sharp wit and aching sadness in this meticulously constructed novel.

Anna, the de facto leader, is fearless and restless—moving fast to stay one step ahead of her demons. Quirky, contemplative Kate is a natural sidekick but a terrible wingman (“If you go home with him, might I suggest breathing through your mouth”). And then there’s George: the most desired woman in any room, and the one most likely to leave with the worst man.

Shot through with the crackling dialogue, irresistible characters, and propulsive narrative drive that make Lutz’s books so beloved, "How to Start a Fire" pulls us deep into Anna, Kate, and George’s complicated bond and pays homage to the abiding, irrational love we share with the family we choose.

The latest installment of the New York Times bestselling Spellman mysteries, finds private investigator Izzy Spellman on the verge of losing everything.

Isabel Spellman is used to being followed, extorted, and questioned—all occupational hazards of working at her family’s firm, Spellman Investigations. Her little sister, Rae, once tailed Izzy for weeks on end to discover the identity of her boyfriend. Her mother, Olivia, once blackmailed Izzy with photographic evidence of Prom Night 1994. It seemed that the Spellmans would lay off after Izzy was fired for breaching client confidentiality, but then Izzy avenged her dismissal by staging a hostile takeover of the company. She should have known better than to think she could put such shenanigans behind her.

In The Last Word, Izzy’s troubles are just beginning. After her hostile takeover of Spellman Investigations, Izzy’s parents simply go on strike. Her sister, Rae, comes back into the family business with questionable motivations. Her other employees seem to be coping with anxiety disorders, and she has no idea how to pay the bills. However, her worst threat comes from someone who is no relation. Within months of assuming control of the business, Izzy is accused of embezzling from a former client, the ridiculously wealthy Mr. Slayter, who happens to have Alzheimer’s, which Izzy and he are diligently trying to keep under wraps. Not only is Slayter’s business and reputation on the line, but if Izzy gets indicted for embezzlement, she’ll lose everything—her business, her license, and her family’s livelihood. Is this the end of Izzy Spellman, PI? The answer makes The Last Word, hands down, the most thrilling book in this bestselling, award-nominated series.

The fifth installment in the New York Times bestselling series by Lisa Lutz, featuring the fearless private investigator Izzy Spellman and her quirky, yet endearing, family of sleuths.

For the first time in Spellman history, Isabel Spellman might be the most normal member of her family. Mom has taken on an outrageous assortment of extracurricular activities. Dad has a secret. Her brother and sister are at war, but neither will reveal the source of the conflict. While domestic disturbances abound, there is one source of sanity in the Spellman household: Demetrius Merriweather, employee of the month for eighteen months straight.

Things aren’t any simpler on the business side of Spellman Investigations. First, Rae is hired to follow a girl, only to fake the surveillance reports. Then a socialite has Isabel tail her husband, despite a conspicuous lack of suspicion. A man in a sweater vest hires the Spellmans to follow his sister, who turns out to be the socialite. Izzy won’t stop hunting for the answers—even when they threaten to shatter both the business and the family.

Readers are sure to love the next novel in a “series that keeps getting better and better” (Publishers Weekly, starred review).

At the ripe old age of thirty-two, former wild child Isabel "Izzy" Spellman has finally agreed to take over the family business. And the transition won't be a smooth one. First among her priorities as head of Spellman Investigations is to dig up some dirt on the competition, slippery ex-cop Rick Harkey--a task she may enjoy a little too much. Next, faced with a baffling missing-persons case at the home of an aging millionaire, Izzy hires an actor friend, Len, to infiltrate the mansion as an undercover butler--a role he may enjoy a little much. Meanwhile, Izzy is being blackmailed by her mother (photographic evidence of Prom Night 1994) to commit to regular blind dates with promising professionals--an arrangement that doesn't thrill Connor, an Irish bartender on the brink of becoming Ex-boyfriend #12.
At Spellman headquarters, it's business as unusual. Doorknobs and light fixtures are disappearing every day, Mom's been spotted crying in the pantry, and a series of increasingly demanding Spellman Rules (Rule #27: No Speaking Today) can't quite hold the family together. Izzy also has to decipher weekly "phone calls from the edge" from her octogenarian lawyer, Morty, as well as Detective Henry Stone's mysterious interest in rekindling their relationsh...well, whatever it was. Just when it looks like things can't go more haywire, little sister Rae's internship researching pro bono legal cases leads the youngest Spellman to launch a grassroots campaign that could spring an innocent man from jail--or land Rae in it. The Spellmans Strike Again is hands down the most hilarious, thrilling, and moving book in this bestselling, award-nominated series. And it proves beyond a reasonable doubt that Isabel Spellman, no matter how much she matures, will never be able to follow Rule #1: Act Normal.

Meet Isabel "Izzy" Spellman, private investigator. This twenty-eight-year-old may have a checkered past littered with romantic mistakes, excessive drinking, and creative vandalism; she may be addicted to Get Smart reruns and prefer entering homes through windows rather than doors -- but the upshot is she's good at her job as a licensed private investigator with her family's firm, Spellman Investigations. Invading people's privacy comes naturally to Izzy. In fact, it comes naturally to all the Spellmans. If only they could leave their work at the office. To be a Spellman is to snoop on a Spellman; tail a Spellman; dig up dirt on, blackmail, and wiretap a Spellman. Part Nancy Drew, part Dirty Harry, Izzy walks an indistinguishable line between Spellman family member and Spellman employee. Duties include: completing assignments from the bosses, aka Mom and Dad (preferably without scrutiny); appeasing her chronically perfect lawyer brother (often under duress); setting an example for her fourteen-year-old sister, Rae (who's become addicted to "recreational surveillance"); and tracking down her uncle (who randomly disappears on benders dubbed "Lost Weekends"). But when Izzy's parents hire Rae to follow her (for the purpose of ascertaining the identity of Izzy's new boyfriend), Izzy snaps and decides that the only way she will ever be normal is if she gets out of the family business. But there's a hitch: she must take one last job before they'll let her go -- a fifteen-year-old, ice-cold missing person case. She accepts, only to experience a disappearance far closer to home, which becomes the most important case of her life. The Spellman Files is the first novel in a winning and hilarious new series featuring the Spellman family in all its lovable chaos.

Their first caper, The Spellman Files, was a New York Times bestseller and earned comparisons to the books of Carl Hiaasen and Janet Evanovich. Now the Spellmans, a highly functioning yet supremely dysfunctional family of private investigators, return in a sidesplittingly funny story of suspicion, surveillance, and surprise.

When Izzy Spellman, PI, is arrested for the fourth time in three months, she writes it off as a job hazard. She's been (obsessively) keeping surveillance on a suspicious next door neighbor (suspect's name: John Brown), convinced he's up to no good -- even if her parents (the management at Spellman Investigations) are not.

When the (displeased) management refuses to bail Izzy out, it is Morty, Izzy's octogenarian lawyer, who comes to her rescue. But before he can build a defense, he has to know the facts. Over weak coffee and diner sandwiches, Izzy unveils the whole truth and nothing but the truth -- as only she, a thirty-year-old licensed professional, can.

When not compiling Suspicious Behavior Reports on all her family members, staking out her neighbor, or trying to keep her sister, Rae, from stalking her "best friend," Inspector Henry Stone, Izzy has been busy attempting to apprehend the copycat vandal whose attacks on Mrs. Chandler's holiday lawn tableaux perfectly and eerily match a series of crimes from 1991­-92, when Izzy and her best friend, Petra, happened to be at their most rebellious and delinquent. As Curse of the Spellmans unfolds, it's clear that Morty may be on retainer, but Izzy is still very much on the case...er, cases -- her own and that of every other Spellman family member.

(Re)meet the Spellmans, a family in which eavesdropping is a mandatory skill, locks are meant to be picked, past missteps are never forgotten, and blackmail is the preferred form of negotiation -- all in the name of unconditional love.

Добро пожаловать в семейное сыскное агентство Спеллманов!

Спеллманы с легкостью распутывают самые сложные и необычные дела - но с удовольствием используют свои таланты, держа под контролем друг друга.

Их девиз: "Спеллманы шпионят за Спеллманами, ищут компромат на Спеллманов и не прочь шантажировать Спеллманов!"

Изабелл, старшей дочери и наследнице семейного бизнеса, все надоело, и ее можно понять.

Она хочет обрести свободу. Однако ее родители так легко не сдаются.
Прежде чем покинуть агентство, Изабелл придется раскрыть безнадежное дело о мальчике, пропавшем двенадцать лет назад!
Невозможно?
Смешно. Для Спеллманов нет ничего невозможного!

Добро пожаловать в семейное сыскное агентство Спеллманов! Спеллманы с легкостью распутывают самые сложные и необычные дела - но с удовольствием используют свои таланты, держа под контролем друг друга. Их девиз: "Спеллманы шпионят за Спеллманами, ищут компромат на Спеллманов и не прочь шантажировать Спеллманов!" Изабелл, старшей дочери и наследнице семейного бизнеса, все надоело, и ее можно понять. Она хочет обрести свободу. Однако ее родители так легко не сдаются. Прежде чем покинуть агентство, Изабелл придется раскрыть безнадежное дело о мальчике, пропавшем двенадцать лет назад! Невозможно? Смешно. Для Спеллманов нет ничего невозможного!

From the award-winning author of The Passenger comes the first novel in the hilarious Spellman Files mystery series featuring Isabel “Izzy” Spellman (part Nancy Drew, part Dirty Harry) and her highly functioning yet supremely dysfunctional family of private investigators.

Meet Isabel “Izzy” Spellman, private investigator. This twenty-eight-year-old may have a checkered past littered with romantic mistakes, excessive drinking, and creative vandalism; she may be addicted to Get Smart reruns and prefer entering homes through windows rather than doors—but the upshot is she’s good at her job as a licensed private investigator with her family’s firm, Spellman Investigations. Invading people’s privacy comes naturally to Izzy. In fact, it comes naturally to all the Spellmans. If only they could leave their work at the office. To be a Spellman is to snoop on a Spellman; tail a Spellman; dig up dirt on, blackmail, and wiretap a Spellman.

Izzy walks an indistinguishable line between Spellman family member and Spellman employee. Duties include: completing assignments from the bosses, aka Mom and Dad (preferably without scrutiny); appeasing her chronically perfect lawyer brother (often under duress); setting an example for her fourteen-year-old sister, Rae (who’s become addicted to “recreational surveillance”); and tracking down her uncle (who randomly disappears on benders dubbed “Lost Weekends”). But when Izzy’s parents hire Rae to follow her (for the purpose of ascertaining the identity of Izzy’s new boyfriend), Izzy snaps and decides that the only way she will ever be normal is if she gets out of the family business. But there’s a hitch: she must take one last job before they’ll let her go—a fifteen-year-old, ice-cold missing person case. She accepts, only to experience a disappearance far closer to home, which becomes the most important case of her life.

Izzy Spellman, a twenty-eight-year-old amalgamation of Nancy Drew and Bridget Jones, launches her career as a private investigator while working for the firm of her outlandishly dysfunctional family.