Новинки Анурадхи Рой

From the critically acclaimed, Booker Prize-nominated author of Sleeping on Jupiter and All the Lives We Never Lived, an incisive and moving novel about the struggle for creative achievement in a world consumed by growing fanaticism and political upheaval.

One night, Elango has a dream that consumes him, driving him to give it shape. The potter is determined to create a terracotta horse whose beauty will be reason enough for its existence. Yet he cannot pin down from where it has galloped into his mind. The Mahabharata? The Trojan horse legend? His anonymous potter-ancestors? Once it's finished, he does not know where his creation will belong. In a temple compound? Gracing a hotel lobby? Or should he gift it to Zohra, the woman he loves, yet despairs of ever marrying.

The astral, indefinable force driving Elango toward forbidden love and creation has unleashed other currents. He unexpectedly falls into a complicated relationship with a neighborhood girl who is beginning her bewildering journey into adulthood. He is suddenly adopted by a lost dog who steals his heart. While Elango's life is changing, the community around him is as well, but it is a transformation driven by inflammatory passions of a different kind. Here, people, animals, and even the gods live on a knife's edge and the consequences of daring to dream are cataclysmic.

Moving between India and England, The Earthspinner reflects the many ways in which the East and the West's paths converge and diverge in constant conflict. Anuradha Roy breathes new life into ancient myths, giving allegorical shape to the terrifying war on reason and the imagination waged by increasingly powerful forces of fanaticism. An epic that is a metaphor for our age, The Earthspinner is an intricate, wrenching novel about the transformed ways of loving and living in an increasingly uncertain world.

На всю жизнь прилепилось к Чанду Розарио детское прозвище, которое он получил «в честь князя Мышкина, страдавшего эпилепсией аристократа, из романа Достоевского „Идиот“». И неудивительно, ведь Мышкин Чанд Розарио и вправду из чудаков. Он немолод, небогат, работает озеленителем в родном городке в предгорьях Гималаев и очень гордится своим «наследием миру» — аллеями прекрасных деревьев, которые за десятки лет из черенков превратились в великанов. Но этого ему недостаточно, и он решает составить завещание. Погрузившись в размышления над своим архивом, Мышкин перебирает ботанические журналы, заметки, дневниковые записи. Среди бумаг лежит таинственная бандероль, которую он долго не решался распаковать. И вот настало время узнать о том, что же произошло в далеком 1937 году, когда мать Мышкина, талантливая художница, бросила мужа и маленького сына и уехала в далекие земли...

Впервые на русском языке!

На всю жизнь прилепилось к Чанду Розарио детское прозвище, которое он получил «в честь князя Мышкина, страдавшего эпилепсией аристократа, из романа Достоевского „Идиот“». И неудивительно, ведь Мышкин Чанд Розарио и вправду из чудаков. Он немолод, небогат, работает озеленителем в родном городке в предгорьях Гималаев и очень гордится своим «наследием миру» – аллеями прекрасных деревьев, которые за десятки лет из черенков превратились в великанов. Но этого ему недостаточно, и он решает составить завещание. Погрузившись в размышления над своим архивом, Мышкин перебирает ботанические журналы, заметки, дневниковые записи. Среди бумаг лежит таинственная бандероль, которую он долго не решался распаковать. И вот настало время узнать о том, что же произошло в 1937 году, когда мать Мышкина, талантливая художница, бросила мужа и маленького сына и уехала в далекие земли…
Впервые на русском языке!

"In my childhood, I was known as the boy whose mother had run off with an Englishman."

So begins the story of Myshkin and his mother Gayatri, its rebellious, alluring artist-heroine who is driven to abandon home and marriage and follow her primal instinct for freedom.

Freedom of another kind is in the air across all of India, and in Germany the Nazis have come to power. At this point of crisis, a German artist from Gayatri's past seeks her out. His arrival ignites passions she has long been forced to suppress.

What follows is Gayatri's life as pieced together by her son, a journey that takes him through India and Dutch-held Bali. Excavating the roots of the world in which he was abandoned, he comes to understand the connections between volcanic strife at home and a war-torn universe overtaken by patriotism.

The scale of Anuradha Roy's novel is matched by its power as a parable for our times. Its depiction of the contrasting ideas of Gandhi and Tagore, of the limits of nationalism when confronted by cosmopolitanism, makes it a spell-binding saga centred on people trying to make sense of their lives.

A train stops at a railway station. A young woman jumps off. She has wild hair, sloppy clothes, a distracted air. She looks Indian, yet she is somehow not. The sudden violence of what happens next leaves the other passengers gasping.
The train terminates at Jarmuli, a temple town by the sea. Here, among pilgrims, priests and ashrams, three old women disembark only to encounter the girl once again. What is someone like her doing in this remote corner, which attracts only worshippers?
Over the next five days, the old women live out their long-planned dream of a holiday together; their temple guide finds ecstasy in forbidden love; and the girl is joined by a photographer battling his own demons.
The full force of the evil and violence beneath the serene surface of the town becomes evident when their lives overlap and collide. Unexpected connections are revealed between devotion and violence, friendship and fear, as Jarmuli is revealed as a place with a long, dark past that transforms all who encounter it.

LONGLISTED FOR THE MAN BOOKER PRIZE 2015
A stark and unflinching novel by a spellbinding storyteller, about religion, love and violence in the modern world.
A train stops at a railway station. A young woman jumps off. She has wild hair, sloppy clothes, a distracted air. She looks Indian, yet she is somehow not. The sudden violence of what happens next leaves the other passengers gasping.
The train terminates at Jarmuli, a temple town by the sea. Here, among pilgrims, priests and ashrams, three old women disembark only to encounter the girl once again. What is someone like her doing in this remote corner, which attracts only worshippers?
Over the next five days, the old women live out their long-planned dream of a holiday together; their temple guide finds ecstasy in forbidden love; and the girl is joined by a photographer battling his own demons.
The full force of the evil and violence beneath the serene surface of the town becomes evident when their lives overlap and collide. Unexpected connections are revealed between devotion and violence, friendship and fear, as Jarmuli is revealed as a place with a long, dark past that transforms all who encounter it.

On the outskirts of a small town in Bengal, a family lives in solitude in their vast new house. Here, lives intertwine and unravel. A widower struggles with his love for an unmarried cousin. Bakul, a motherless daughter, runs wild with Mukunda, an orphan of unknown caste adopted by the family. Confined in a room at the top of the house, a matriarch goes slowly mad; her husband searches for its cause as he shapes and reshapes his garden.

As Mukunda and Bakul grow, their intense closeness matures into something else, and Mukunda is banished to Calcutta. He prospers in the turbulent years after Partition, but his thoughts stay with his home, with Bakul, with all that he has lost—and he knows that he must return.