Кейт Шопен — книжные серии

Штат Луизиана, конец XIX века. Супруги Эдна и Леонс Понтелье с двумя маленькими детьми отдыхают в пансионате на берегу Мексиканского залива. Эдна — красавица и умница, Леонс — успешный бизнесмен. Но в отношениях этой, казалось бы, идеальной пары возникает трещина. День за днем Эдна находит все больше удовольствия в общении с Робером, старшим сыном владелицы курорта. Обаятельный и услужливый Робер разительно отличается от немногословного мужа-сухаря, и внезапно Эдна понимает, что без памяти влюблена. Молодая женщина словно пробуждается от сна рутинной семейной жизни, полностью отдавшись во власть новых чувств. Сладкие мечты, безумные…

Edna Pontellier huszonnyolc éves, kétgyermekes, előkelő nő a 19. század végi Amerikában. Tizenévesen már angol klasszikusokat olvas, és politikai, teológiai kérdésekről vitatkozik. Messzire csapongó lelkét, élénk szellemét, vibráló műveltségét azonban a korabeli nők számára kiszabott társadalmi korlátok miatt örökre el kell temetnie: házasságkötése után meg kell elégednie a kizárólagos feleség- és anyaszereppel. Egy nyár, melyet a New Orleans melletti Grand Isle tengerpartján tölt, újra megpendíti lelkében az elfeledett húrokat, ráébred arra, hogy szűkre szabott életénél többre, másra is vágyik. Nem képes, mint a többi nő, „valóságos megtiszteltetésnek érezni, hogy önmagát mint önálló személyt teljesen háttérbe szoríthatja." A drasztikus fordulatban jelentős szerep jut a társadalmi korlátokat áttörő különc zongoraművésznőnek, és egy Robert Lebrun nevű fiatal férfinak is.
A mű, melyet szokás Flaubert Bovaryné című regényéhez is hasonlítani, kendőzetlenül és mély együttérzéssel szól a női szabadságvágyról. A regény fél évszázaddal megelőzve az egzisztencialista feminizmus alapművét, A második nemet, rávilágít arra, hogy dacára minden társadalmi konvenciónak, mindenekelőtt egyszeri és megismételhetetlen, önmagunk, egyéniségünk kibontakoztatására teljes joggal vágyó emberi lények vagyunk, és csak azután nők vagy férfiak

Эдна Понтелье проводит лето с мужем и детьми на берегу Мексиканского залива в пансионе семьи Лебрен. Знакомство с Робертом Лебреном что-то меняет в Эдне, их дружба пробуждает в ней мысли и чувства незнакомые ей раньше, в ней просыпается прежняя страсть к рисованию. Но вот лето подходит к концу, жильцы пансиона возвращаются домой, а Роберт внезапно объявляет, что уезжает попытать счастья в Мексику, и хочет остаться там навегда, это сильно опечаливает Эдну, хотя она и не понимает почему. Вернувшись в Новый Орлеан, Эдна тоскует по Роберту, переосмысляет свою семейную жизнь и решает меньше заниматься обязанностями хозяйки, а больше рисованием. Она всё больше отдаляется от семьи, привычного круга общения, что волнует её мужа Леонса.
Откровенное изображение женщины, которая отказывается принимать навязанную ей обществом роль жены и матери, ищет себя как личность, потрясло американское общество. Этот роман можно поставить в один ряд с «Госпожой Бовари» Гюстава Флобера и «Анной Карениной» Льва Толстого.

Readers and critics were scandalized by The Awakening when it was first published, but it is now regarded as among the boldest and earliest examples of feminist fiction. It is published here with a selection of Chopin’s strikingly perceptive short stories and introduced by Dr J. Michelle Coghlan, a specialist in American literature.

In The Awakening, Edna Pontellier is on holiday with her husband and two young children at a sleepy resort town on the Louisiana Gulf Coast. There, she is pursued by the charming and unmarried Robert Lebrun. Edna doesn’t play by the rules; flirtation turns into an affair that awakens in Edna her desire to break away from her passionless marriage, her children and the strict conventions of nineteenth-century society.

“Perhaps it is better to wake up after all, even to suffer, rather than to remain a dupe to illusions all one’s life.”

Kate Chopin was enjoying wide popularity as a writer, mainly of short stories, when her second novel, The Awakening, was published to widespread criticism of its immorality. A wake-up call to women all over the country, this landmark novel of early American feminism tells of a Louisiana wife who discovers the strength of her own sexuality and tries to wrench it from the hands of a patriarchal society. And just as Edna Pontellier is ostracized for trying to master her own sexual fate, so did Chopin’s reputation suffer after she wrote this book. Today The Awakening is considered a masterpiece and, along with Chopin’s short stories, has set a standard for younger generations of women who have learned to value their independence and authenticity.

Edited and with an Introduction by Barbara H. Solomon and with a New Afterword by Roxane Gay.

From one of the most daring writers of fin-de-siècle America, five stories of awakening that range from Louisiana's plantations and poverty-stricken bayous to its gilded cities.

'She wanted to swim far out, where no woman had swum before.' Kate Chopin was one of the most individual and adventurous of nineteenth-century american writers, whose fiction explored new and often startling territory. When her most famous story, The Awakening, was first published in 1899, it stunned readers with its frank portrayal of the inner word of Edna Pontellier, and its daring criticisms of the limits of marriage and motherhood. The subtle beauty of her writing was contrasted with her unwomanly and sordid subject-matter: Edna's rejection of her domestic role, and her passionate quest for spiritual, sexual, and artistic…

First published in 1899, this beautiful, brief novel so disturbed critics and the public that it was banished for decades afterward. Now widely read and admired, The Awakening has been hailed as an early vision of woman’s emancipation. This sensuous book tells of a woman’s abandonment of her family, her seduction, and her awakening to desires and passions that threated to consumer her. Originally entitled "A Solitary Soul," this portrait of twenty-eight-year-old Edna Pontellier is a landmark in American fiction, rooted firmly in the romantic tradition of Herman Melville and Emily Dickinson. Here, a woman in search of self-discovery turns away from convention and society, and toward the primal, from convention and society, and toward the primal, irresistibly attracted to nature and the sensesThe Awakening, Kate Chopin’s last novel, has been praised by Edmund Wilson as "beautifully written." And Willa Cather described its style as "exquisite," "sensitive," and "iridescent." This edition of The Awakening also includes a selection of short stories by Kate Chopin.

Kate Chopin’s riveting, daring story of one woman’s search for personal freedom was so far ahead of its time that its publication in 1899 aroused a storm of controversy violent enough to end its author’s career.

With an effortless, sure-handed artistry, Chopin tells the story of Edna Pontellier, a young mother and model wife, whose romantic involvement with a young man during a vacation at a seaside resort allows her for the first time to imagine a new, freer life. Upon her return to New Orleans, Edna leaves her husband’s home for her own cottage and begins an affair, only to discover that the constraints of social custom may be more powerful than she thought. Contemporary readers and reviewers were shocked by the frank, unapologetic treatment of adultery in The Awakening. The fact that we have the book at all is the most convincing tribute to its enduring, irrepressible power.

HarperCollins is proud to present its range of best-loved, essential classics. "I would give up the unessential; I would give my money, I would give my life for my children; but I wouldn't give myself". Heralded as one of the first instances of feminist literature and rejected at its time of publication by the literary set on grounds of moral distaste, Kate Chopin's The Awakening caused consternation in 1899. Constrained and confined by the limitations surrounding marriage and motherhood in the late 1800s, Edna Pontellier begins to challenge the notion of femininity through her thoughts and actions. Questioning her love for her husband, and opening herself up to the possibilities of other men and a life outside of societal convention leads to a gradual awakening of her desires. Chopin's fascinating exploration of one woman challenging the expectation that surrounds her is powerful, daring and ultimately tragic in its conclusions.

Condemned as “sordid” and “immoral” on its publication in 1899, this story of a woman trapped in her marriage effectively ended Chopin’s career but was revived as a proto-feminist classic in the 1970s. What Newsweek calls Chopin’s “prophetic psychology” insures its timeliness today.