Эми Сариг Кинг — новинки

The Shoveler, the Freak, CanIHelpYou?, Loretta the Flea-Circus Ring Mistress, and First-Class Malcolm. These are the five teenagers lost in the Hemmings family's maze of tangled secrets. Only a generation removed from being simple Pennsylvania potato farmers, Gottfried and Marla Hemmings managed to trade digging spuds for developing subdivisions and now sit atop a seven-figure bank account, wealth they've declined to pass on to their adult children or their teenage grand children.

"Because we want them to thrive," Marla always says.

What does thriving look like? Like carrying a snow shovel everywhere. Like selling pot at the Arby's drive-thru window. Like a first class ticket to Jamaica between cancer treatments. Like a flea-circus in a doublewide. Like the GPS coordinates to a mound of dirt in a New Jersey forest.

As the rot just beneath the surface of the Hemmings precious white suburban respectability begins to spread, the far flung grand children gradually find their ways back to each other, just in time to uncover the terrible cost of maintaining the family name.

Sarah can't draw. This is a problem, because as long as she can remember, she has "done the art." She thinks she's having an existential crisis. And she might be right; she does keep running into past and future versions of herself as she explores the urban ruins of Philadelphia. Or maybe she's finally waking up to the tornado that is her family, the tornado that six years ago sent her once-beloved older brother flying across the country for a reason she can't quite recall. After decades of staying together "for the kids" and building a family on a foundation of lies and violence, Sarah's parents have reached the end. Now Sarah must come to grips with years spent sleepwalking in the ruins of their toxic marriage. As Sarah herself often observes, nothing about her pain is remotely original —and yet it still hurts.

Please Ignore Vera Dietz

In this masterpiece about freedom, feminism, and destiny, Printz Honor author A.S. King tells the epic story of a girl coping with devastating loss at long last--a girl who has no idea that the future needs her, and that the present needs her even more.

In this fearless portrayal of a boy on the edge, highly acclaimed Printz Honor author A.S. King explores the desperate reality of a former child "star" struggling to break free of his anger.

Gerald Faust started feeling angry even before his mother invited a reality TV crew into his five-year-old life. Twelve years later, he's still haunted by his rage-filled youth--which the entire world got to watch from every imaginable angle--and his anger issues have resulted in violent outbursts, zero friends, and clueless adults dumping him in the special education room at school. No one cares that Gerald has tried to learn to control himself; they're all just waiting for him to snap. And he's starting to feel dangerously close to doing just that...until he chooses to create possibilities for himself that he never knew he deserved.

Astrid Jones desperately wants to confide in someone, but her mother's pushiness and her father's lack of interest tell her they're the last people she can trust. Instead, Astrid spends hours lying on the backyard picnic table watching airplanes fly overhead. She doesn't know the passengers inside, but they're the only people who won't judge her when she asks them her most personal questions . . . like what it means that she's falling in love with a girl.
As her secret relationship becomes more intense and her friends demand answers, Astrid has nowhere left to turn. She can't share the truth with anyone except the people at thirty thousand feet, and they don't even know she's there. But little does Astrid know just how much even the tiniest connection will affect these strangers' lives--and her own--for the better.
In this truly original portrayal of a girl struggling to break free of society's definitions, Printz Honor author A.S. King asks readers to question everything--and offers hope to those who will never stop seeking real love.

Lucky Linderman didn't ask for his life. He didn't ask his grandfather not to come home from the Vietnam War. He didn't ask for a father who never got over it. He didn't ask for a mother who keeps pretending their dysfunctional family is fine. And he didn't ask to be the target of Nader McMillan's relentless bullying, which has finally gone too far.

But Lucky has a secret--one that helps him wade through the daily mundane torture of his life. In his dreams, Lucky escapes to the war-ridden jungles of Laos--the prison his grandfather couldn't escape--where Lucky can be a real man, an adventurer, and a hero. It's dangerous and wild, and it's a place where his life just might be worth living. But how long can Lucky keep hiding in his dreams before reality forces its way inside?

Vera Dietz is every teenager, yet she is uniquely herself. The abandoned daughter of a runaway mother, Vera lives with her accountant father who is himself a study in contradictions. An accountant who spouts Zen platitudes, he parents Vera with the firm conviction that steering her away from the pitfalls that tripped him up as a teenager is the only way to save her from herself. Yet, he also shoves her out of the nest and into the adult world of work early in her teen years. Vera rebels against the strict rules and constant warnings. Told not to drink, she becomes a binge drinker. Told not to befriend Charlie Kahn, she falls in love with him only to lose him to the more promiscuous and psychotic Jenny. In alternating voices and viewpoints, the story reveals Charlie and Vera's relationship and Vera and her father's relationship, Vera and her mother's antagonism, and the intermittent voice of Charlie, dead and begging for vindication for the incidents surrounding his death. The plot is complex and the characters are intricate, many-faceted and tragically, humanly flawed. In many ways, this is a psychological thriller as Vera's inner torments play out in dreams and hallucinations of Charlie. Her eventual understanding that her father is actually in her corner is a dawning of maturity, yet she teaches him, as well, that he cannot turn his back on the abuse and dysfunction that produced Charlie's emotional wounds. This is a book for mature teens as there are discussions of pornography and fetishism, but given the right reader, this is a page-turner to be savored and discussed. Reviewer: Lois Rubin Gross