Лучшие книги Уилфред Оуэн

Уилфред Эдвард Солтер Оуэн - выдающийся английский поэт. В годы 1-й мировой войны был командиром роты на французском фронте, награжден Военным крестом за мужество; погиб накануне перемирия. Первый стихотворный сборник "Поэмы" вышел посмертно в 1920 году. Наследие Оуэна оказало сильное влияние на английскую поэзию. В России творчество поэта оставалось малоизвестным. Полный перевод сборника "Поэмы" ныне впервые осуществлен петербургским переводчиком Евгением Лукиным. Выход книги приурочен к 120-летию со дня рождения поэта-гуманиста.

'Orpheus, the pagan saint of poets, went through hell and came back singing. In twentieth-century mythology, the singer wears a steel helmet and makes his descent "down some profound dull tunnel" in the stinking mud of the Western Front. For most readers of English poetry, the face under that helmet is that of Wilfred Owen.' Professor Jon Stallworthy, from his Introduction.
When Wilfred Owen was killed in the days before the Armistice in 1918, he left behind a shattering, truthful and i

In his draft Preface, Wilfred Owen includes his well-known statement 'My subject is War, and the pity of War. The Poetry is in the pity'. All of his important poems were written in just over a year, and Dulce et Decorum Est, S.I.W., Futility and Anthem for Doomed Youth still have an astonishing power to move the reader. Owen pointed out that 'All a poet can do today is to warn. That is why all true Poets must be truthful'. His warning was based on his acute observation of the soldiers with whom he served on the Western Front, and his poems reflect the horror and the waste of the First World War. This volume contains all Owen's best-known poems, only four of which were published in his lifetime. He was killed a week before the Armistice in November 1918.

Формат: 12,5 см x 19,5 см.

Wilfred Owen was twenty-two when he enlisted in the Artists’ Rifle Corps during World War I. By the time Owen was killed at the age of 25 at the Battle of Sambre, he had written what are considered the most important British poems of WWI. This definitive edition is based on manuscripts of Owen’s papers in the British Museum and other archives.

The true horror of the trenches is brought to life in this selection of poetry from the front line.

'What passing-bells for these who die as cattle?'

The First World War produced an extraordinary flowering of poetic talent, from poets whose words commemorate the conflict as enduringly as monuments in stone. Their poems have come to express the feelings of a nation about the horrors and aftermath of war. This new anthology provides a definitive record of the achievements of the Great War poets. As well as offering generous selections from the celebrated soldier-poets, including Wilfred Owen, Siegfried Sassoon, Rupert Brooke, and Ivor Gurney, it also incorporates less well-known writing by civilian and women poets. Music hall and trench songs provide a further lyrical perspective on the War.

The work of each poet is prefaced with a biographical account that sets the poems in their historical context. In addition, Tim Kendall's introduction charts the history of the war poets' reception and challenges prevailing myths about their progress from idealism to bitterness.

This new selection brings together the poetry of three of the most distinctive and moving voices to emerge from the First World War. Here are the controlled passion and rich metaphors of Wilfred Owen's celebrated verses such as 'Anthem for Doomed Youth' and 'Strange Meeting', along with many of his lesser-known works. The elegiac poems of Ivor Gurney, including 'Requiem' and 'The Silent One', reflect his love of language, music and landscape, while the visceral works of Isaac Rosenberg, such as 'Break of Day in the Trenches', are filled with stark imagery but also, as in 'Louse Hunting', with vitality and humour. Each poet reflects the disparate experiences of ordinary soldiers in war, and attempts to capture man's humanity in the most inhumane of circumstances.

Jon Stallworthy is Professor Emeritus of English at the University of Oxford. He is also a Fellow and Acting President of Wolfson College, a poet, and literary critic.

Jane Potter is a Senior Lecturer in Publishing at Oxford Brookes University. Her monograph is entitled Boys in Khaki, Girls in Print: Women's Literary Responses to the Great War 1914-1918 (2005).

About the Author
- Ivor Gurney, a gifted chorister, composer and poet, was born in 1890. His musical studies were interrupted by the war, during which he suffered a nervous breakdown in 1918. He spent the last fifteen years of his life in mental hospitals, dying of tuberculosis in 1937.
- Isaac Rosenberg was born in 1890 and grew up in London's East End. He studied painting at the Slade School before enlisting in the army in 1915. He was killed at the Somme in 1918.
- Wilfred Owen, born in 1893, grew up in Shropshire and initially hoped to become a priest. Having become disillusioned with the church, he tutored English in France, but returned to England in 1915 to enlist. He was killed at the front one week before the end of the war.

Wilfred Owen, one of the finest poets of World War I, was also one of its most-mourned casualties. The poet was survived not only by the verse upon which his reputation is founded, but also by the thousands of letters he wrote from the age of five to the eve of his death at the age of twenty-five. Selected Letters of Wilfred Owen includes some early examples, but concentrates on the correspondence of the poet's last seven years--the period in which he came into his own as an artist.

Poems by Wilfred Owen. Introduction by Siegfried Sassoon libreka classics – These are classics of literary history, reissued and made available to a wide audience. Immerse yourself in well-known and popular titles!