Лэрд Хант — новинки

"It was Indiana, it was the dirt she had bloomed up out of, it was who she was, what she felt, how she thought, what she knew."
As a girl, Zorrie Underwood's modest and hardscrabble home county was the only constant in her young life. After losing both her parents, Zorrie moved in with her aunt, whose own death orphaned Zorrie all over again, casting her off into the perilous realities and sublime landscapes of rural, Depression-era Indiana. Drifting west, Zorrie survived on odd jobs, sleeping in barns and under the stars, before finding a position at a radium processing plant. At the end of each day, the girls at her factory glowed from the radioactive material.
But when Indiana calls Zorrie home, she finally finds the love and community that have eluded her in and around the small town of Hillisburg. And yet, even as she tries to build a new life, Zorrie discovers that her trials have only begun.

I was strong and he was not so it was me went to war to defend the Republic. I stepped across the border out of Indiana into Ohio. Twenty dollars, two salt-pork sandwiches, and I took jerky, biscuits, six old apples, fresh underthings and a blanket too.
There was a conflagration to come; I wanted to lend it my spark.
Meet Gallant Ash: hero, folk legend and master of war. Ash is a leader of men and a brutal and fearless soldier. Will look you dead in the eye and kill for no reason. But Ash has a secret. Gallant Ash is a woman. This is her story.

Finalist for the 2021 National Book Award (Fiction)

From prize-winning, acclaimed author Laird Hunt, a poignant novel about a woman searching for her place in the world and finding it in the daily rhythms of life in rural Indiana.

“It was Indiana, it was the dirt she had bloomed up out of, it was who she was, what she felt, how she thought, what she knew.”

As a girl, Zorrie Underwood’s modest and hardscrabble home county was the only constant in her young life. After losing both her parents, Zorrie moved in with her aunt, whose own death orphaned Zorrie all over again, casting her off into the perilous realities and sublime landscapes of rural, Depression-era Indiana. Drifting west, Zorrie survived on odd jobs, sleeping in barns and under the stars, before finding a position at a radium processing plant. At the end of each day, the girls at her factory glowed from the radioactive material.

But when Indiana calls Zorrie home, she finally finds the love and community that have eluded her in and around the small town of Hillisburg. And yet, even as she tries to build a new life, Zorrie discovers that her trials have only begun.

Spanning an entire lifetime, a life convulsed and transformed by the events of the 20th century, Laird Hunt’s extraordinary novel offers a profound and intimate portrait of the dreams that propel one tenacious woman onward and the losses that she cannot outrun. Set against a harsh, gorgeous, quintessentially American landscape, this is a deeply empathetic and poetic novel that belongs on a shelf with the classics of Willa Cather, Marilynne Robinson, and Elizabeth Strout.

"It was Indiana, it was the dirt she had bloomed up out of, it was who she was, what she felt, how she thought, what she knew."
As a girl, Zorrie Underwood's modest and hardscrabble home county was the only constant in her young life. After losing both her parents, Zorrie moved in with her aunt, whose own death orphaned Zorrie all over again, casting her off into the perilous realities and sublime landscapes of rural, Depression-era Indiana. Drifting west, Zorrie survived on odd jobs, sleeping in barns and under the stars, before finding a position at a radium processing plant. At the end of each day, the girls at her factory glowed from the radioactive material.
But when Indiana calls Zorrie home, she finally finds the love and community that have eluded her in and around the small town of Hillisburg. And yet, even as she tries to build a new life, Zorrie discovers that her trials have only begun.
Spanning an entire lifetime, a life convulsed and transformed by the events of the 20th century, Laird Hunt's extraordinary novel offers a profound and intimate portrait of the dreams that propel one tenacious woman onward and the losses that she cannot outrun. Set against a harsh, gorgeous, quintessentially American landscape, this is a deeply empathetic and poetic novel that belongs on a shelf with the classics of Willa Cather, Marilynne Robinson, and Elizabeth Strout.

Meet Ottie Lee Henshaw. Quick of mind and pleasing to the eye, she navigates a stifling marriage, a lecherous boss, and on one day in the summer of 1920, an odyssey across the countryside to witness a dark and fearful celebration. Meet Calla Destry. A young black woman desperate to escape a place where the stench of violence hangs heavy in the air, and to find the lover who has promised her a new life. Two remarkable women on the move through an America riven by fear and hatred. Every road leads to the bedlam of Marvel. There are buses laid on and Klan members gathering. Lives will collide and be changed forever.

"Once upon a time there was and there wasn't a woman who went to the woods."

In this horror story set in colonial New England, a law-abiding Puritan woman goes missing. Or perhaps she has fled or abandoned her family. Or perhaps she's been kidnapped, and set loose to wander in the dense woods of the north. Alone and possibly lost, she meets another woman in the forest. Then everything changes.

On a journey that will take her through dark woods full of almost-human wolves, through a deep well wet with the screams of men, and on a living ship made of human bones, our heroine may find that the evil she flees has been inside her all along. The eerie, disturbing story of one of our perennial fascinations--witchcraft in colonial America--In the House in the Dark of the Woods is a novel of psychological horror and suspense told in Laird Hunt's characteristically lyrical prose style. It is the story of a bewitching, a betrayal, a master huntress and her quarry. It is a story of anger, of evil, of hatred and of redemption. It is the story of a haunting, a story that makes up the bedrock of American mythology, but told in a vivid way you will never forget.

She calls herself Ash, but that's not her real name. She is a farmer's faithful wife, but she has left her husband to don the uniform of a Union soldier in the Civil War. NEVERHOME tells the harrowing story of Ash Thompson during the battle for the South. Through bloodshed and hysteria and heartbreak, she becomes a hero, a folk legend, a madwoman and a traitor to the American cause.

Laird Hunt's dazzling new novel throws a light on the adventurous women who chose to fight instead of stay behind. It is also a mystery story: why did Ash leave and her husband stay? Why can she not return? What will she have to go through to make it back home?

In gorgeous prose, Hunt's rebellious young heroine fights her way through history, and back home to her husband, and finally into our hearts.

"Innovative, comic, bizarre and beautiful, The Impossibly reads as if Donald Barthelme were channeling Alain Robbe-Grillet, Samuel Beckett, Ben Marcus and reruns of Get Smart."—Time Out New York

When the anonymous narrator botches an assignment from the clandestine organization that employs him, everyone in his life becomes a participant in his punishment. In the end, he is called out of retirement for a final assignment: to seek and identify his own assassin. This edition includes an introduction by Percival Everett, an afterword by the author, and a "lost chapter."

Called "one of the most talented young writers on the American scene today" by Paul Auster, Laird Hunt is the author of four genre-bending novels and was a finalist for the 2010 PEN Center USA Award. Born in Singapore and educated at Indiana University and the Sorbonne in Paris, Hunt has lived in Tokyo, London, The Hague, New York, and on an Indiana farm. A former press officer at the United Nations and current faculty member at the University of Denver, he now lives in Boulder, Colorado.

Finalist for 2013 PEN/Faulkner Award

"There is always a surprise in the voice and in the heart of Laird Hunt's stories, with its echoes of habit caught in a timeless dialect, so we see the world he gives us as if new. 'You hear something like that and it walks out the door with you.'"—Michael Ondaatje

"Laird Hunt's Kind One, about two slave girls who take their white mistress into captivity, is a profound meditation on the sexual and racial subconscious of America. . . . [A] gorgeous and terrifying novel."—Danzy Senna

As a teenage girl, Ginny marries Linus Lancaster, her mother's second cousin, and moves to his Kentucky pig farm "ninety miles from nowhere." In the shadows of the lush Kentucky landscape, Ginny discovers the empty promises of Linus' "paradise"—a place where the charms of her husband fall away to reveal a troubled man and cruel slave owner. Ginny befriends the young slaves Cleome and Zinnia who work at the farm—until Linus' attentions turn to them, and she finds herself torn between her husband and only companions. The events that follow Linus' death change all three women for life. Haunting, chilling, and suspenseful, Kind One is a powerful tale of redemption and human endurance in antebellum America.

Laird Hunt is the author of several works of fiction and a finalist for the 2010 PEN Center USA Award in Fiction. Currently on the faculty of the University of Denver's creative writing program, he and his wife, the poet Eleni Sikelianos, live in Boulder, Colorado, with their daughter, Eva Grace.

Set in a dream-like European city reminiscent of Barcelona, along a boulevard teeming with artists who perform as living statues, comes the beautiful and frightening story of a man running from his past, a woman consumed by grief, and the forces that pursue them both.

New to the city, Harry is drawn to the boulevard, and particularly to Solange, a silent, silver angel awash in Lucite tears and heartbreak. Haunted by his own mysterious tragedy but determined to woo her, Harry visits Almundo’s Store for Living Statues and begins his transformation into the golden “Knight of the Woeful Countenance.”

A love story related in the dark, stylish noir of continental cinema and overlaid with a patina of surrealism, this is a novel where friends are also informers, street theater is the lifeblood of culture, and refuge can be found in the belly of a yellow, papier mâché submarine.

As the lovers reckon with seers offering answers to insoluble questions, neighbors who take evening strolls with the dearly departed, critics who control more than artistic fate, and shoes determined to lead their wearers astray, they come to understand the price of survival and what it means to travel along the ray of the star.

Called “one of the most talented young writers on the American scene today” by Paul Auster, Laird Hunt is the author of three previous, genre-bending novels: The Impossibly, The Exquisite, and Indiana, Indiana. A former press officer at the United Nations and current faculty member at the University of Denver, he lives in Boulder, Colorado.

Strange, original, and utterly brilliant—Laird Hunt is one of the most talented young writers on the American scene today.”—Paul Auster


Henry, a New Yorker left destitute by circumstance and obsession, is plucked from vagrancy by a shadowy outfit whose primary business is arranging for staged murders of anxiety-ridden clients unhinged by the “events downtown” and seeking to -experience—and live through—their own carefully executed assassinations. When Henry joins this nefarious crew, which includes a beautiful blonde tattooist named Tulip, contortionist twins, and a woman referred to only as “the knockout,” he becomes inextricably linked to its ringleader, the mysterious herring connoisseur Mr. Kindt, whose identity can be traced through twists and turns all the way back to the corpse depicted in Rembrandt’s The Anatomy Lesson.


Mirrored by a concurrently running story set in a hospital where Henry and Mr. Kindt are patients attended to by a certain Dr. Tulp, the mysteries surrounding Mr. Kindt’s past, Henry’s fate, and murders both staged and real begin to unravel in the most extraordinary ways. Substantive, stylish, and darkly comic, The Exquisite is a skillful dissection of reality, human connection, and the very nature of existence.