Шейла Хети — новинки

THE NEW YORK TIMES BESTSELLER

Women in Clothes is a book unlike any other. It is essentially a conversation among hundreds of women of all nationalities-famous, anonymous, religious, secular, married, single, young, old-on the subject of clothing, and how the garments we put on every day define and shape our lives.

It began with a survey. The editors composed a list of more than fifty questions designed to prompt women to think more deeply about their personal style. Writers, activists, and artists including Cindy Sherman, Kim Gordon, Kalpona Akter, Sarah Nicole Prickett, Tavi Gevinson, Miranda July, Roxane Gay, Lena Dunham, and Molly Ringwald answered these questions with photographs, interviews, personal testimonies, and illustrations.

Even our most basic clothing choices can give us confidence, show the connection between our appearance and our habits of mind, express our values and our politics, bond us with our friends, or function as armor or disguise. They are the tools we use to reinvent ourselves and to transform how others see us. Women in Clothes embraces the complexity of women's style decisions, revealing the sometimes funny, sometimes strange, always thoughtful impulses that influence our daily ritual of getting dressed.

Sheila Heti collected 500,000 words from a decade’s worth of journals, put them in a spreadsheet, and sorted them alphabetically. After extensive edits and cuts, in a process of accumulation and connection, Alphabetical Diaries is the result.

In this intimate archive and inventive chronicle of life and living, Sheila thinks about friends, lovers, work, and sex; how thinking about sex is distracting her from work; where she should live and whom to love; and what writing means to her and why it’s the only thing that matters. Here, the self–constructed by itself–emerges in a new way, in a project that is alive, boundless, captivating.

A thrilling confessional from the award-winning, beloved author of Pure Colour.

Sheila Heti kept a record of her thoughts over a ten-year period, then arranged the sentences from A to Z. Passionate and reflective, joyful and despairing, these are her alphabetical diaries.

What if this world is just a first draft, made by some great artist in order to be destroyed?
In this first draft, a woman named Mira leaves home to study. There, she meets Annie, whose tremendous power opens Mira's chest like a portal - to what, she doesn't know. When Mira is older, her beloved father dies, and she enters that strange and dizzying dimension that true loss opens up.
Pure Colour tells the story of a life, from beginning to end. It is a contemporary bible, an atlas of feeling and a shape-shifting epic that is celestially bright and streaked with beauty.

Having reached an age when most of her peers are asking themselves when they will become mothers, Heti's narrator considers, with the same urgency, whether she will do so at all. Over the course of several years, under the influence of her partner, body, family, friends, mysticism and chance, she struggles to make a moral and meaningful choice.
In a compellingly direct mode that straddles the forms of the novel and the essay, Motherhood raises radical and essential questions about womanhood, parenthood, and how - and for whom - to live.

Студентка академии художественной критики по имени Мира больше всего на свете любит искусство, подрабатывает в магазине декоративных ламп, переезжает из одной сырой квартиры в другую. Внезапная встреча с загадочной отрешенной Энни и смерть заботливого отца переворачивают ее жизнь с ног на голову, заставляя увидеть себя, свои отношения с людьми и мир вокруг с совершенно новой точки зрения. В своем новом романе Шила Хети отходит от инструментария автофикшна и погружает читателей в вымышленную, почти сказочную реальность, где абстрактное и метафизическое существует наравне с осязаемым и земным. Что если мир — всего лишь черновой набросок,…

What if this world is just a first draft, made by some great artist in order to be destroyed?
In this first draft, a woman named Mira leaves home to study. There, she meets Annie, whose tremendous power opens Mira's chest like a portal - to what, she doesn't know. When Mira is older, her beloved father dies, and she enters that strange and dizzying dimension that true loss opens up.
Pure Colour tells the story of a life, from beginning to end. It is a galaxy of a novel: explosive, celestially bright, huge, and streaked with beauty. It is a contemporary bible, an atlas of feeling, and a shape-shifting epic. Sheila Heti is a philosopher of modern experience, and she has reimagined what a book can hold.

A tender and deeply moving picture book about loss and the big questions it leaves behind from New York Times bestselling author Sheila Heti and acclaimed illustrator Esmé Shapiro.

Two bunnies and a cat live happily together in a beautiful garden. But when the big bunny passes away, the little bunny is unsure how to fill the void she left behind. A strange dream prompts her to begin asking questions: Why do the creatures we love have to die, and where do we go when we die? How come life works this way? With the wisdom of the cat to guide her, the little bunny learns that missing someone is a way of keeping them close. And together they discover that the big bunny is a part of everything around them — the grass, the air, the leaves — for the world is a garden of creatures.

With its meditative text, endearing illustrations and life-affirming message, A Garden of Creatures reveals how the interconnectedness of nature and the sweetness of friendship can be a warm embrace even in the darkest times.

Pure Colour is a galaxy of a novel: explosive, celestially bright, huge, and streaked with beauty. It is a contemporary bible, an atlas of feeling, and an absurdly funny guide to the great (and terrible) things about being alive. Sheila Heti is a philosopher of modern experience, and she has reimagined what a book can hold.

Here we are, just living in the first draft of Creation, which was made by some great artist, who is now getting ready to tear it apart.

In this first draft of the world, a woman named Mira leaves home to study. There, she meets Annie, whose tremendous power opens Mira’s chest like a portal―to what, she doesn’t know. When Mira is older, her beloved father dies, and his spirit passes into her. Together, they become a leaf on a tree. But photosynthesis gets boring, and being alive is a problem that cannot be solved, even by a leaf. Eventually, Mira must remember the human world she’s left behind, including Annie, and choose whether or not to return.

«Каким быть человеку?» — вопрос, на который пытается ответить героиня книги, Шила, вместе с ближайшей подругой Марго и их друзьями — современными художниками и интеллектуалами, живущими в наши дни в Торонто. Персонажи книги пытаются найти свое место в жизни, в творчестве и в отношениях с людьми, путешествуют, пробуют разные профессии, попадают в грустные и нелепые ситуации. Внезапный конфликт с лучшей подругой заставляет героиню-писательницу иначе взглянуть на себя и свою жизнь. «Каким быть человеку?» — это ироничное смешение автобиографии и вымысла, написанное дерзким, современным, ярким и образным языком. Шила Хети пишет в поисках смысла,…

В романе «Материнство» канадская писательница Шейла Хети неторопливо, пронзительно, искренне раскрывает перед читателем внутренний мир современной женщины.
Что есть материнство – долг, призвание, необходимость? В какой момент приходит осознание, что ты готова стать матерью?
Подобные вопросы вот уже не первый год одолевают героиню Шейлы Хети. Страх, неуверенность, давление со стороны друзей и знакомых… Роман «Материнство» – это многолетнее размышление о детях, творчестве, смысле и семье, изложенное затягивающе медитативным языком.

В романе "Материнство" канадская писательница Шейла Хети неторопливо, пронзительно, искренне раскрывает перед читателем внутренний мир современной женщины. Что есть материнство - долг, призвание, необходимость? В какой момент приходит осознание, что ты готова стать матерью? Подобные вопросы вот уже не первый год одолевают героиню Шейлы Хети. Страх, неуверенность, давление со стороны друзей и знакомых... Роман "Материнство" — это многолетнее размышление о детях, творчестве, смысле и семье, изложенное затягивающе медитативным языком.

Was wird gewonnen und was geht verloren, wenn eine Frau sich entschließt, ein Kind zu bekommen? In ihren späten Dreißigern, als die Freundinnen sich fragen, wann sie endlich Mutter werden, fragt Sheila Heti sich, ob sie es überhaupt werden will.

In einer mehrere Jahre umspannenden Selbsterkundung, mal hierhin, mal dorthin gezogen von ihren Mitmenschen, ihrem Partner und den Verpflichtungen gegenüber ihren jüdischen Vorfahren, versucht sie eine weise und moralische Entscheidung zu treffen. Nachdem Philosophie, ihr Körper, die Mystik und der Zufall nicht geholfen haben, findet sie die Antwort viel näher bei sich.

"Diese Erkundung der moralischen, gesellschaftlichen und psychologischen Beziehung der modernen Frau zur Mutterschaft ist eine Erleuchtung, eine Provokation und - endlich - eine Antwort auf die neuen Normen der Weiblichkeit", schrieb Bestsellerautorin Rachel Cusk über Mutterschaft, und Elif Batuman: "Ich bin mir sicher, dass dieses Buch vielen verschiedenen Menschen viel bedeuten wird - so, als hätte Sheila Heti tatsächlich ein menschliches Wesen geboren, wenn auch auf unerklärlich andere Weise. Und das ist nur eine der vielen Paradoxien, vor denen dieses mutige, notwendige und visionäre Buch nicht zurückscheut."

From the author of How Should a Person Be? (“one of the most talked-about books of the year”—Time Magazine) and the New York Times Bestseller Women in Clothes comes a daring novel about whether to have children. In Motherhood, Sheila Heti asks what is gained and what is lost when a woman becomes a mother, treating the most consequential decision of early adulthood with the candor, originality, and humor that have won Heti international acclaim and made How Should A Person Be? required reading for a generation. In her late thirties, when her friends are asking when they will become mothers, the narrator of Heti’s intimate and urgent…

Two couples, each with a twelve-year-old child, travel to Paris; within a few moments of discovering each other in a crowd, one of their children disappears. A day later, one of the mothers disappears, too. The story that follows is a wonderfully strange, beautifully composed examination of happiness and desperation, complete with a man in a bear suit, a teen pop star, and eight really excellent songs.

Sheila Heti’s debut play was first commissioned in 2001, for a feminist theater company that never ended up staging it. Its turbulent creation became the backdrop of Heti’s last novel, How Should a Person Be? , which was named a Best Book of the Year by the New York Times and the New Yorker —and now the play itself can be revealed at last. With new introductions by Sheila Heti and director Jordan Tannahill, All Our Happy Days Are Stupid offers a novel’s worth of wisdom and humor, of wild hope and dreamlike confrontations, and page after page of unforgettable lines. Seen until now only by a lucky few, its publication is a cause for celebration.

Sheila's twenties were going to plan.

She got married.
She hosted parties.
A theatre asked her to write a play.

Then she realised that she didn't know how to write a play.
That her favourite part of the party was cleaning up after the party.
And that her marriage made her feel like she was banging into a brick wall.

So Sheila abandons her marriage and her play, befriends Margaux, a free and untortured painter, and begins sleeping with the dominating Israel, who's a genius at sex but not at art. She throws herself into recording them and everyone around her, investigating how they live, desperate to know, as she wanders, How Should a Person Be?

Using transcripts, real emails, plus heavy doses of fiction, Heti crafts an exciting, courageous, and mordantly funny tour through one woman's heart and mind.

From the internationally acclaimed author of The Middle Stories and Ticknor comes a bold interrogation into the possibility of a beautiful life. How Should a Person Be? is a novel of many identities: an autobiography of the mind, a postmodern self-help book, and a fictionalized portrait of the artist as a young woman — of two such artists, in fact. For reasons multiple and mysterious, Sheila finds herself in a quandary of self-doubt, questioning how a person should be in the world. Inspired by her friend Margaux, a painter, and her seemingly untortured ability to live and create, Sheila casts Margaux as material, embarking on a series of…

A speckled horse wonders why he was made a horse. Can the sassy sheep, who claims to be a good tennis player, help him find understanding? And wait a How can that sheep even play tennis if she doesn't have hands? Perhaps the bright light holds answers. Or the talking apple. Or the singing grass.

We Need a Horse , the first children's book from author Sheila Heti and painter Clare Rojas, asks big questions with a gentle hand. We Need a Horse is a timeless book for quiet moods, and makes especially good reading for anyone who likes to ask "Why?"

As a double bonus, the book's jacket is reversible, and also unfurls into a large square poster that invites the reader to fall into Rojas's quietly majestic artwork.

Should neighborhoods change? Is wearing a suit a good way to quit smoking? Why do people think that if you do one thing, you're against something else? Is monogamy a trick? Why isn't making the city more fun for you and your friends a super-noble political goal? Why does a computer last only three years? How often should you see your parents? How should we behave at parties? Is marriage getting easier? What can spam tell us about the world?

Misha Glouberman's friend and collaborator, Sheila Heti, wanted her next book to be a compilation of everything Misha knew. Together, they made a list of subjects. As Misha talked, Sheila typed. He talked about games, relationships, cities, negotiation, improvisation, Casablanca, conferences, and making friends. His subjects ranged from the sublime to the ridiculous. But sometimes what had seemed trivial began to seem important―and what had seemed important began to seem less so.


The Chairs Are Where the People Go is refreshing, appealing, and kind of profound. It's a self-help book for people who don't feel they need help, and a how-to book that urges you to do things you don't really need to do.

On a cold, rainy night, an aging bachelor named George Ticknor prepares to visit his childhood friend Prescott, a successful man who is now one of the leading intellectual lights of their generation. With a hastily baked pie in his hands, and a lifetime of guilt and insecurity weighing upon his soul, he sets out for the Prescotts' dinner party--a party at which he'd just as soon never arrive. Distantly inspired by the real-life friendship between the great historian William Hickling Prescott and his biographer, Ticknor is a witty, fantastical study of resentment; and a biting history of a one-sided friendship.