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It is 1956 on the French Riviera. A world-weary Bernie Gunther is working as concierge at the Grand Hotel, St Jean Cap Ferrat, living under a false name. The Riviera retains its louche glamour even in these gloomy post-war years - a sunny place for shady people. Bernie plays bridge to stave off boredom and misses his old detective life. Then his past walks through the door in the shape of Harold Hennig, a former captain in the Nazi security service. Bernie never forgets a face, especially when it belongs to a mass murderer who, in 1945, was responsible for the deaths of thousands, among them a woman Bernie loved. Since the war, Hennig has enjoyed a lucrative career as a blackmailer. Hennig's target on the Cote d'Azur is a famous resident with a dark past and plenty to hide - the writer, Somerset Maugham. A shared love of bridge draws Bernie to Maugham's magnificent Villa Mauresque, where Maugham tells him of a compromising photograph that reveals a lot more about Maugham's life than his notorious sexuality. Taken in 1937, it shows a group of naked men beside a swimming pool - one of whom is the infamous spy and homosexual, Guy Burgess, who, with Donald Maclean, has recently defected to Moscow. Hennig has the photograph and is demanding $50,000 for its release.

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  • Дополнительная информация о произведении

    Форма: роман

    Первая публикация: March 29, 2016

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    Praise for The Other Side of Silence

    “The intricacies of the plot, partly based on Maugham’s history as a British spy in charge of a team of secret agents, make this one of Kerr’s best technical efforts. But it’s the characterization of Maugham and the sound of his voice…that makes this novel memorable.” --New York Times Book Review

    “Blackmail, murder, deception, sexual shenanigans of every sort, and an undercurrent of black humor pervade Philip Kerr’s 11th novel featuring the unsinkable German detective Bernie Gunther.” -- Pittsburg Post Gazette

    “A marvelously intricate tale of betrayals and counterbetrayals—the scam involves Bernie’s past as much as it does Maugham’s—and in sorting it all out Bernie finds that he’s not quite as dried up as he thought he was. But as good as Bernie is, the real star here is Maugham, who emerges as a world-class cynic for all seasons and a great foil for Bernie. One of the best in a sterling series. —Booklist (starred review)

    Kerr carefully develops his plot, sense of place, and characterization, enabling readers to imagine what it must have been like to have lived in a postwar morass of political and moral ambiguity. This is more than a crime or espionage novel; it’s a marvelous, hard-boiled political read. — Library Journal (starred review)

    Praise for Philip Kerr and the Bernie Gunther novels:

    “Philip Kerr is the only bona fide heir to Raymond Chandler.” —Jonathan Ames, Salon.com

    “On any continent, in any decade, no one does melancholy better than Bernie Gunther, and melancholy, after all, is the hard-boiled mystery fans’ emotion of choice.” —Bill Ott, Booklist

    “In terms of narrative, plot, pace and characterization, Kerr’s in a league with John le Carré.”
    —Patrick Anderson, The Washington Post

    “Bernie just tries to behave decently in a world where the serial killers run the governments and history itself may be the biggest crime of all. Bernie walks down streets so mean that nobody can stay alive and remain truly clean.” —John Powers, Fresh Air (NPR)

    “Kerr quantum leaps the limitations of genre fiction. Most thriller writers insult your intelligence; his thrillers assault your ignorance.” —Esquire

    “Bernie Gunther is the right kind of hero for his time—and ours.” —Marilyn Stasio, The New York Times Book Review

    “The Bernie Gunther novels are first-class, as stylish as Chandler and as emotionally resonant as the best of Ross Macdonald.” —George Pelecanos

    “A wily if unreliable narrator, Bernie may be forgiven for holding his cards so close to his chest as he tries to do the right thing in so many wrong places. Shades of the moral ambiguity of some of Graham Greene’s and John le Carré’s more memorable characters are here, as is the spirit of Raymond Chandler’s knight-errant, Philip Marlowe.” —Paula L. Woods, Los Angeles Times

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