Жан-Люк Нанси — библиография

In the past, pandemics were considered divine punishment, but we now understand the biological characteristics of viruses and we know they are spread through social interaction. What used to be divine has become human – all too human, as Nietzsche would say. But while the virus dispels the divine, we are discovering that living beings are more complex and harder to define than we had previously imagined, and also that political power is more complex than we may have thought. And this, argues Nancy, helps us to see why the term ‘biopolitics’ fails to grasp the conditions in which we now find ourselves. Life and politics challenge us…

Certain philosophers of Antiquity compared the world to a large animal; but if the world were an animal, it would have a skin similar to the skin that envelops each living being and gives it unity. The world is neither an animal nor a machine but an interminable jumble whose destination is nothing other than the maelstrom in which the very idea of the world slips away. The world has no skin other than the turbulence that makes histories, customs, moments of grandeur and decadence. Because it is not a skin, this extension of space-time is much more fragile than the skins that are already always fragile, because everything here touches its…

Dos fil?sofos conversan sobre la situaci?n del arte en la actualidad: lo que quiere decir de hoy en adelante, lo que, lejos de ser una palabra anticuada, nos permite reflexionar de nuevo. El elaborado pensamiento de Jean-Luc Nancy sobre este tema es retomado y tambi?n continuado en el curso de una discusi?n en la que L?bre se interroga con ?l sobre la mejor manera de aprehender el compromiso del cuerpo sensible en la actividad art?stica y la aproximaci?n a las obras, la relaci?n del arte con la t?cnica, la historia, su modulaci?n en las artes tradicionales y nuevas, su posici?n actual frente a la religi?n, la pol?tica y la literatura.…