Новинки Бена Лернера

Adam Gordon is a senior at Topeka High School, class of ’97. His parents are psychologists, his mom a famous author in the field. A renowned debater and orator, an aspiring poet, and – although it requires a lot of posturing and weight lifting – one of the cool kids, he’s also one of the seniors who brings the loner Darren Eberheart into the social scene, with disastrous effects.
Deftly shifting perspectives and time periods, The Topeka School is a riveting story about the challenges of raising a good son in a culture of toxic masculinity. It is also a startling prehistory of the present: the collapse of public speech, the tyranny of trolls and the new right, and the ongoing crisis of identity among white men.

A NEW YORK TIMES , TIME , GQ , Vulture , and WASHINGTON POST TOP 10 BOOK of the YEARONE OF BARACK OBAMA'S FAVOURITE BOOKS OF THE YEARFinalist for the Los Angeles Times Book Prize, and the National Book Critics Circle AwardShortlisted for the Rathbones Folio PrizeWinner of the Hefner Heitz Kansas Book AwardFrom the award-winning author of 10:04 and Leaving the Atocha Station , a tender and expansive family drama set in the American Midwest at the turn of the century, hailed by Maggie Nelson as Ben Lerner's most discerning, ambitious, innovative, and timely novel to date.Adam Gordon is a senior at Topeka High School, class of '97. His mother, Jane, is a famous feminist author; his father, Jonathan, is an expert at getting lost boys to open up. They both work at a psychiatric clinic that has attracted staff and patients from around the world. Adam is a renowned debater, expected to win a national championship before he heads to college. He is one of the cool kids, ready to fight or, better, freestyle about fighting if it keeps his peers from thinking of him as weak. Adam is also one of the seniors who bring the loner Darren Eberheart--who is, unbeknownst to Adam, his father's patient--into the social scene, to disastrous effect.Deftly shifting perspectives and time periods, The Topeka School is the story of a family, its struggles and its Jane's reckoning with the legacy of an abusive father, Jonathan's marital transgressions, the challenge of raising a good son in a culture of toxic masculinity. It is also a riveting prehistory of the the collapse of public speech, the trolls and tyrants of the New Right, and the ongoing crisis of identity among white men.

From the award-winning author of 10:04 and Leaving the Atocha Station, a tender and expansive family drama set in the American Midwest at the turn of the century: a tale of adolescence, transgression, and the conditions that have given rise to the trolls and tyrants of the new right.

Adam Gordon is a senior at Topeka High School, class of 1997. His mother, Jane, is a famous feminist author; his father, Jonathan, is an expert at getting "lost boys" to open up. They both work at the Foundation, a well-known psychiatric clinic that has attracted staff and patients from around the world. Adam is a renowned debater and orator, expected to win a national championship before he heads to college. He is an aspiring poet. He is--although it requires a great deal of posturing, weight lifting, and creatine supplements--one of the cool kids, passing himself off as a "real man," ready to fight or (better) freestyle about fighting if it keeps his peers from thinking of him as weak. Adam is also one of the seniors who brings the loner Darren Eberheart--who is, unbeknownst to Adam, his father's patient--into the social scene, with disastrous effects.

Deftly shifting perspectives and time periods, Ben Lerner's The Topeka School is the story of a family's struggles and strengths: Jane's reckoning with the legacy of an abusive father, Jonathan's marital transgressions, the challenge of raising a good son in a culture of toxic masculinity. It is also a riveting prehistory of the present: the collapse of public speech, the trolls and tyrants of the new right, and the ongoing crisis of identity among white men.

No art has been denounced as often as poetry. It's even bemoaned by poets: "I, too, dislike it," wrote Marianne Moore." Many more people agree they hate poetry," Ben Lerner writes,"than can agree what poetry is. I, too, dislike it and have largely organized my life around it and do not experience that as a contradiction because poetry and the hatred of poetry are inextricable in ways it is my purpose to explore." In this inventive and lucid essay, Lerner takes the hatred of poetry as the starting point of his defense of the art. He examines poetry's greatest haters (beginning with Plato's famous claim that an ideal city had no place for poets, who would only corrupt and mislead the young) and both its greatest and worst practitioners, providing inspired close readings of Keats, Dickinson, McGonagall, Whitman, and others. Throughout, he attempts to explain the noble failure at the heart of every truly great and truly horrible poem: the impulse to launch the experience of an individual into a timeless communalexistence. In The Hatred of Poetry, Lerner has crafted an entertaining, personal, and entirely original examination of a vocationno less essential for being impossible.

In the past year, the narrator of 10:04 has enjoyed unexpected literary success, been diagnosed with a potentially fatal heart condition, and been asked by his best friend to help her conceive a child. Now, in a New York of increasingly frequent superstorms and political unrest, he must reckon with his biological mortality, the possibility of a literary afterlife, and the prospect of (unconventional) fatherhood in a city that might soon be under water.
In prose that Jonathan Franzen has called ‘hilarious… cracklingly intelligent… and original in every sentence’, Lerner’s new novel charts an exhilarating course through the contemporary landscape of sex, friendship, memory, art and politics, and captures what it is like to be alive right now.

Тридцатипятилетний Бен Лернер — один из самых интересных молодых писателей США. Три его поэтических сборника удостоены престижных премий, а первый роман признан лучшей книгой года многими авторитетными журналами. Действие его второго романа “22:04” происходит в сотрясаемом ураганами Нью-Йорке. Начинающий писатель почти одновременно узнаёт о головокружительном успехе своей книги, о нависшей над ним опасности смертельного наследственного заболевания и о желании подруги зачать с его помощью ребенка путем искусственного осеменения. Угроза внезапной смерти в сочетании с перспективой отцовства обостряет его восприятие жизни. На фоне повседневных…

In the last year, the narrator of 10:04 has enjoyed unlikely literary success, has been diagnosed with a potentially fatal medical condition, and has been asked by his best friend to help her conceive a child. In a New York of increasingly frequent superstorms and social unrest, he must reckon with his own mortality and the prospect of fatherhood in a city that might soon be underwater.

A writer whose work Jonathan Franzen has called “hilarious . . . cracklingly intelligent . . . and original in every sentence,” Lerner captures what it’s like to be alive now, during the twilight of an empire, when the difficulty of imagining a future is changing our relationship to both the present and the past.

Adam Gordon is a brilliant, if highly unreliable, young American poet on a prestigious fellowship in Madrid, struggling to establish his sense of self and his attitude towards art. Fuelled by strong coffee and self-prescribed tranquillizers, Adam’s ‘research’ soon becomes a meditation on the possibility of authenticity, as he finds himself increasingly troubled by the uncrossable distance between himself and the world around him. It’s not just his imperfect grasp of Spanish, but the underlying suspicion that his relationships, his reactions, and his entire personality are just as fraudulent as his poetry.

Adam Gordon is a brilliant, if highly unreliable, young American poet on a prestigious fellowship in Madrid, struggling to establish his sense of self and his relationship to art. What is actual when our experiences are mediated by language, technology, medication, and the arts? Is poetry an essential art form, or merely a screen for the reader's projections? Instead of following the dictates of his fellowship, Adam’s "research" becomes a meditation on the possibility of the genuine in the arts and beyond: are his relationships with the people he meets in Spain as fraudulent as he fears his poems are? A witness to the 2004 Madrid train bombings and their aftermath, does he participate in historic events or merely watch them pass him by?

In prose that veers between the comic and tragic, the self-contemptuous and the inspired, Leaving the Atocha Station is a portrait of the artist as a young man in an age of Google searches, pharmaceuticals, and spectacle.

National Book Award finalist Ben Lerner turns to science once again for his guiding metaphor. “Mean free path” is the average distance a particle travels before colliding with another particle. The poems in Lerner’s third collection are full of layered collisions—repetitions, fragmentations, stutters, re-combinations—that track how language threatens to break up or change course under the emotional pressures of the utterance. And then there’s the larger collision of love, and while Lerner questions whether love poems are even possible, he composes a gorgeous, symphonic, and complicated one.

You startled me. I thought you were sleeping
In the traditional sense. I like looking
At anything under glass, especially
Glass. You called me. Like overheard
Dreams. I’m writing this one as a woman
Comfortable with failure. I promise I will never
But the predicate withered. If you are
Uncomfortable seeing this as portraiture
Close your eyes. No, you startled

Ben Lerner is the author of three books of poetry and was named a finalist for the National Book Award for his second book, Angle of Yaw. He holds degrees from Brown University, co-founded No: a journal of the arts, and teaches at the University of Pittsburgh.