Лорри Мур - циклы книг | Бумажные издания

Since the publication of Self-Help, her first collection of stories, Lorrie Moore has been hailed as one of the greatest and most influential voices in American fiction. Her ferociously funny, soulful stories tell of the gulf between men and women, the loneliness of the broken-hearted and the yearned-for, impossible intim

In Like Life's eight exquisite stories, Lorrie Moore's characters stumble through their daily existence. These men and women, unsettled and adrift and often frightened, can't quite understand how they arrived at their present situations. Harry has been reworking a play for years in his apartment near Times Square in New York. Jane is biding her time at a cheese shop in a Midwest mall. Dennis, unhappily divorced, buries himself in self-help books about healthful food and healthy relationships. One prefers to speak on the phone rather than face his friends, another lets the answering machine do all the talking. But whether rejected, afraid to…

Shortlisted for the Frank O'Connor International Short Story Award In these eight masterful stories, Lorrie Moore explores the passing of time and summons up its inevitable sorrows and comic pitfalls. Gimlet-eyed social observation, the public and private absurdities of American life, irony and half-cracked love wend their way through these stories, in which Moore is always tender, never sentimental and often heartbreakingly funny.

Complicated, awkward, funny, cruel, heartbroken, mysterious; Self-Help forms an idiosyncratic guide to female existence which is just as relevant today as it was 30 years ago. These stories are modern America at its most real, with characters sharing thoughts and experiences they could have borrowed from our own lives. This is how to deal with divorce, adultery, cancer, how to talk to your mother or become a writer, the Lorrie Moore way.

Lorrie Moore's first novel since A Gate at the Stairs--a daring, meditative exploration of love and death, passion and grief, and what it means to be haunted by the past, both by history and the human heart

From "one of the most acute and lasting writers of her generation" (Caryn James; The New York Times)--a ghost story set in the nineteenth and twenty-first centuries, an elegiac consideration of grief, devotion (filial and romantic), and the vanishing and persistence of all things--seen and unseen.

A teacher visiting his dying brother in the Bronx. A mysterious journal from the nineteenth century stolen from a boarding house. A therapy clown and an assassin, both presumed dead, but perhaps not dead at all . . .

With her distinctive, irresistible wordplay and singular wry humor and wisdom, Lorrie Moore has given us a magic box of longing and surprise as she writes about love and rebirth and the pull towards life. Bold, meditative, theatrical, this new novel is an inventive, poetic portrait of lovers and siblings as it questions the stories we have been told which may or may not be true. I Am Homeless If This Is Not My Home takes us through a trap door, into a windswept, imagined journey to the tragic-comic landscape that is, unmistakably, the world of Lorrie Moore.

The Best American Short Stories is the longest running and best-selling series of short fiction in the country. For the centennial celebration of this beloved annual series, master of the form Lorrie Moore selects forty stories from the more than two thousand that were published in previous editions. Series editor Heidi Pitlor recounts behind-the-scenes anecdotes and examines, decade by decade, the trends captured over a hundred years. Together, the stories and commentary offer an extraordinary guided tour through a century of literature with what Moore calls “all its wildnesses of character and voice.”
These forty stories represent their eras but also stand the test of time. Here is Ernest Hemingway’s first published story and a classic by William Faulkner, who admitted in his biographical note that he began to write “as an aid to love-making.” Nancy Hale’s story describes far-reaching echoes of the Holocaust; Tillie Olsen’s story expresses the desperation of a single mother; James Baldwin depicts the bonds of brotherhood and music. Here is Raymond Carver’s “minimalism,” a term he disliked, and Grace Paley’s “secular Yiddishkeit.” Here are the varied styles of Donald Barthelme, Charles Baxter, and Jamaica Kincaid. From Junot Díaz to Mary Gaitskill, from ZZ Packer to Sherman Alexie, these writers and stories explore the different things it means to be American.
Moore writes that the process of assembling these stories allowed her to look “thrillingly not just at literary history but at actual history — the cries and chatterings, silences and descriptions of a nation in flux.” 100 Years of The Best American Short Stories is an invaluable testament, a retrospective of our country’s ever-changing but continually compelling literary artistry.
LORRIE MOORE, after many years as a professor of creative writing at the University of Wisconsin — Madison, is now the Gertrude Conaway Vanderbilt Professor of English at Vanderbilt University. Moore has received honors for her work, among them the Irish Times International Fiction Prize and a Lannan Foundation fellowship, as well as the PEN/Malamud Award and the Rea Award for her achievement in the short story. Her most recent novel, A Gate at the Stairs, was short-listed for the 2010 Orange Prize for Fiction and for the PEN/Faulkner Award, and her most recent story collection, Bark, was short-listed for the Story Prize and the Frank O’Connor Award.
HEIDI PITLOR is a former senior editor at Houghton Mifflin Harcourt and has been the series editor of The Best American Short Stories since 2007. She is the author of the novels The Birthdays and The Daylight Marriage.

In this moving, poignant novel by the bestselling author of Birds of America we share a grown woman’s bittersweet nostalgia for the wildness of her youth.

The summer Berie was fifteen, she and her best friend Sils had jobs at Storyland in upstate New York where Berie sold tickets to see the beautiful Sils portray Cinderella in a strapless evening gown. They spent their breaks smoking, joking, and gossiping. After work they followed their own reckless rules, teasing the fun out of small town life, sleeping in the family station wagon, and drinking borrowed liquor from old mayonnaise jars. But no matter how wild, they always managed to escape any real danger—until the adoring Berie sees that Sils really does need her help—and then everything changes.

2001 год, Америка пытается прийти в себя после трагедии 11 сентября. Двадцатилетняя Тесси Келтьин, дочь фермера из глубинки, поступает в престижный университет, где ее ждут культурный шок и неравная битва с Чосером и Симоной де Бовуар. Ради подработки она устраивается няней в семью, которая кажется ей незаурядной и будоражаще таинственной. Чем больше Тесси вовлекается в драмы этих людей, тем сильнее отдаляется от своих стареющих родителей и младшего брата, одинокого и растерянного подростка, подумывающего после школы пойти добровольцем в армию. «Запертая лестница» — мрачный, пронзительный роман Лорри Мур о жестокостях взросления, яде…

Надеясь обрести уверенность в себе, Эбби отправляется в Ирландию в компании матери, которая точно знает, что её дочь делает не так и как вообще надо жить. Эйлин оплакивает любимого кота, но все вокруг убеждены, что на самом деле она горюет о чём-то другом — нельзя же так убиваться по животному! Мир молодой пары рушится, когда женщина замечает на памперсе ребёнка красное пятно. Голливудская актриса бросает карьеру и коротает дни в провинциальном мотеле, утешаясь хересом и отношениями с автомехаником, секс с которым гораздо приятнее, чем разговоры…

«Птицы Америки» — двенадцать рассказов Лорри Мур, обеспечивших писательнице статус современного классика. С присущими ей остроумием, проницательностью и мрачным юмором Мур знакомит читателей с запутавшимися, отчаявшимися, одинокими людьми. Здесь водятся только такие, и каждый несчастлив по-своему.