Джим Шепард — новинки

"Without a doubt the most ambitious story writer in America," according to The Daily Beast, Jim Shepard now delivers a new collection that spans borders and centuries with unrivaled mastery.

These ten stories ring with voices belonging to--among others--English Arctic explorers in one of history's most nightmarish expeditions, a young contemporary American negotiating the shockingly underreported hazards of our crude-oil trains, eighteenth-century French balloonists inventing manned flight, and two mid-nineteenth-century housewives trying to forge a connection despite their isolation on the frontier of settlement. In each case the personal is the political as these characters face everything from the emotional pitfalls of everyday life to historic catastrophes on a global scale. In his fifth collection, Shepard makes each of these wildly various worlds his own, and never before has he delineated anything like them so powerfully.

Жители еврейского района Варшавы оказались беспомощными перед лицом нацистского вторжения. За стеной гетто бушуют эпидемии, голод, каждую минуту грозит смерть от нацистской пули. Маленький Аарон, юркий, незаметный, еще может выскользнуть, чтобы принести кусок хлеба умирающему братишке, отчаявшейся матери, отцу, чья гордость растоптана полицейским сапогом. А очутившись в детском приюте, будет готов пойти на все, чтобы спасти встреченного им удивительного человека – Старого Доктора, Януша Корчака…

Скупой на ласку отец, вечно занятая работой мать, больной брат – восьмилетний Аарон предоставлен самому себе, как и все его сверстники из бедного района Варшавы. Только один человек на этих улицах заботится о детях – Януш Корчак, Старый Доктор из сиротского приюта. Когда с приходом нацистов евреи окажутся в смертельной ловушке гетто, Аарон будет изо всех сил, до последнего бороться за жизнь своей семьи и за жизнь доктора, отдавшего свое сердце детям…

he acclaimed National Book Award finalist—“one of the United States’ finest writers,” according to Joshua Ferris, “full of wit, humanity, and fearless curiosity”—now gives us a novel that will join the short list of classics about children caught up in the Holocaust.

Aron, the narrator, is an engaging if peculiar and unhappy young boy whose family is driven by the German onslaught from the Polish countryside into Warsaw and slowly battered by deprivation, disease, and persecution. He and a handful of boys and girls risk their lives by scuttling around the ghetto to smuggle and trade contraband through the quarantine walls in hopes of keeping their fathers, mothers, brothers, and sisters alive, hunted all the while by blackmailers and by Jewish, Polish, and German police, not to mention the Gestapo.

When his family is finally stripped away from him, Aron is rescued by Janusz Korczak, a doctor renowned throughout prewar Europe as an advocate of children’s rights who, once the Nazis swept in, was put in charge of the Warsaw orphanage. Treblinka awaits them all, but does Aron manage to escape—as his mentor suspected he could—to spread word about the atrocities?

Jim Shepard has masterfully made this child’s-eye view of the darkest history mesmerizing, sometimes comic despite all odds, truly heartbreaking, and even inspiring. Anyone who hears Aron’s voice will remember it forever.

Like You’d Understand, Anyway reaches from Chernobyl to Bridgeport, with a host of narrators only Shepard could bring to pitch-perfect life. Among them: a middle-aged Aeschylus taking his place at Marathon, still vying for parental approval. A maddeningly indefatigable Victorian explorer hauling his expedition, whaleboat and all, through the Great Australian Desert in midsummer. The first woman in space and her cosmonaut lover, caught in the star-crossed orbits of their joint mission. Two Texas high school football players at the top of their food chain, soliciting their fathers’ attention by leveling everything before them on the field. And the rational and compassionate chief executioner of Paris, whose occupation, during the height of the Terror, eats away at all he holds dear.

Brimming with irony, compassion, and withering humor, these eleven stories are at once eerily pertinent and dazzlingly exotic, and they showcase the work of a protean, prodigiously gifted writer at the height of his form. Reading Jim Shepard, according to Michael Chabon, “is like encountering our national literature in microcosm.”

Below the sign welcoming the new eighth-grade class to school is one that promises to leave no child unsuccessful and a handout that offers eight ways of being smart. For Edwin Hanratty, at times as hilarious as he is miserable, this is part of what makes junior high pretty much a relentless nightmare. And so, with Flake, his only friend, he contends with clique upon clique—the jocks who pummel them, the girls who ignore or taunt them—as well as the dogged and disconcerting attentions of a sixth-grader who’s even more ferociously disaffected than they are. And while Edwin’s parents work hard to understand him, they face without fully realizing it a demoralization so systemic that he and Flake have no recourse other than their own bitter and smart remarks, until they gradually begin flirting with the most horrible revenge of all.

This lethal impulse, which has touched communities across America, has never been given such shocking credibility as it has in Project X, which suggests that these boys’ central predicament is not their hatred of the world but their agonized and enduring love of it. Never before has Jim Shepard’s compassionate virtuosity been on such conspicuous, unsettling, and haunting display.