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Malcolm Macarthur was a well-known Dublin socialite and heir. Suave and urbane, he passed his days mingling with artists and aristocrats, reading philosophy, living a life of the mind. But by 1982, his inheritance had dwindled to almost nothing, a desperate threat to his lifestyle. Macarthur hastily conceived a He would commit bank robbery, of the kind that had become frightfully common in Dublin at the time. But his plan spun swiftly out of control, and he needlessly killed two innocent people. The ensuing manhunt, arrest, and conviction amounted to one of the most infamous political scandals in modern Irish history, contributing to the eventual collapse of a government.
Winner of the Wellcome and Rooney Prizes, Mark O'Connell spent countless hours in conversation with Macarthur—interviews that veered from confession to evasion. Through their tense exchanges and O’Connell’s independent reporting, a pair of narratives a riveting account of Macarthur's crimes and a study of the hazy line between truth and invention. We come to see not only the enormity of the murders but the damage that’s inflicted when a life is rendered into story.
At once propulsive and searching, A Thread of Violence is a hard look at a brutal act, its subterranean origins, and the long shadow it casts. It offers a haunting and insightful examination of the lies we tell ourselves—and the lengths we'll go to preserve them.
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ПерейтиISBN: 9780385547628
Год издания: 2023
Язык: Английский
304 pages, Hardcover
CHRISTOPHER BENFEY, THE NEW YORK TIMES BOOK REVIEW
"Doubt is the dominant key of Mark O'Connell's exhilarating A Thread of Violence, a probing portrait of one of the most notorious murderers in recent Irish history ... O'Connell periodically interrupts his narration with what he calls 'meta ruminations' on such matters as truth and doubt. Eschewing the novelistic conventions of so many true-crime accounts, with their shifting points of view and you-were-there immediacy, he adopts instead the skeptical tone of the essayist ... Which brings us back to that epigraph from Camus. O'Connell admits that he wanted a 'reckoning' from Macarthur, 'wanted him to be Raskolnikov,' wanted him to realize, with O'Connell's patient assistance, what he had done, and why. But there was to be no such reckoning. As O'Connell concedes in this brilliant and rigorously honest book, Macarthur 'had failed me as a character. He had denied me the satisfaction of an ending."
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